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Politics and Aesthetics of Museum Mathematics: The Dissensual Curriculum of Early 21st Century Mathematics Exhibitions

Title: Politics and Aesthetics of Museum Mathematics: The Dissensual Curriculum of Early 21st Century Mathematics Exhibitions
Language: English
Authors: Kelton, Molly L. (ORCID 0000-0003-0813-7119); Nemirovsky, Ricardo
Source: Journal of Curriculum Studies. 2023 55(1):82-104.
Availability: Routledge. Available from: Taylor & Francis, Ltd. 530 Walnut Street Suite 850, Philadelphia, PA 19106. Tel: 800-354-1420; Tel: 215-625-8900; Fax: 215-207-0050; Web site: http://www.tandf.co.uk/journals
Peer Reviewed: Y
Page Count: 23
Publication Date: 2023
Sponsoring Agency: National Science Foundation (NSF)
Contract Number: DRL0840320; DRL1323587
Document Type: Journal Articles; Reports - Evaluative
Descriptors: Museums; Exhibits; Mathematics; Mathematics Education; Aesthetics; Informal Education; Politics; Mathematical Applications; Manipulative Materials; Geometry; Instructional Design
DOI: 10.1080/00220272.2022.2061301
ISSN: 0022-0272; 1366-5839
Abstract: Museum-based mathematics exhibitions are increasingly prominent but under-theorized learning environments. In this study, we analyse the curriculum of United States mathematics exhibitions developed in the early 21st century in terms of their complex suggestions about the nature of mathematics and mathematical sense-making. We apply Rancière's notions of politics and aesthetics to explore what we describe as dissensus present in the texts, images, and multi-sensory exhibits of several major mathematics exhibitions. Our analysis characterizes this dissensus as a paradoxical mix of alternative and familiar mathematical aesthetics. On the one hand, we identify an alternative aesthetic emphasizing everyday ubiquity, sensuality, and informal sense-making. At the same time, we identify a countervailing emphasis on dominant notions of mathematics as esoteric, immaterial, and formal-symbolic. Museum mathematics efforts sometimes describe themselves as expanding how the public views and defines mathematics. A close examination of the exhibitions in this study reveals a complex picture, in which dominant and alternative forms of mathematics are co-present. The analysis suggests that museum-based mathematics researchers and practitioners view their work as containing political and aesthetic dimensions that can disrupt or reify what society counts as mathematics.
Abstractor: As Provided
Entry Date: 2023
Accession Number: EJ1383902
Database: ERIC