| Title: |
Presentation of the audiovisual recording system for a sensitive artistic situation in the choral space ; Présentation du dispositif de captation audiovisuelle d'une situation artistique sensible dans l'espace choral |
| Authors: |
Dragacci-Libbra, Dominique |
| Contributors: |
Perception, Représentations, Image, Son, Musique (PRISM); Aix Marseille Université (AMU)-Centre National de la Recherche Scientifique (CNRS); Aix-Marseille Université - Faculté des Arts, Lettres, Langues et Sciences Humaines (AMU ALLSH); Aix Marseille Université (AMU); Institut créativité et innovation Aix-Marseille; Sorbonne Université, École Doctorale V Concepts et Langages |
| Source: |
VIIe Congrès Doctoral International de Musique et Musicologie. Mobilités musicales : circulations, hybridations et espaces musicaux. Institut de Recherche en Musicologie (IReMus UMR 8223) - ; https://hal.science/hal-05531768 ; VIIe Congrès Doctoral International de Musique et Musicologie. Mobilités musicales : circulations, hybridations et espaces musicaux. Institut de Recherche en Musicologie (IReMus UMR 8223) -, - Sorbonne Université, École Doctorale V Concepts et Langages,, Nov 2025, Paris, France. ⟨10.3389/fpsyg.2016.01049.⟩ |
| Publisher Information: |
CCSD |
| Publication Year: |
2025 |
| Collection: |
Aix-Marseille Université: HAL |
| Subject Terms: |
Space; experimental setup; connivance; audiovisual recording; choir direction; Espace; dispositif expérimental; connivence; captation audiovisuelle; direction de chœur; [SHS]Humanities and Social Sciences |
| Subject Geographic: |
Paris; France |
| Description: |
International audience ; As part of my doctoral thesis in musicology, conducted at the PRISM laboratory, we designed an experimental audiovisual recording system to measure the role of complicity in the effectiveness of choral conducting. The Indo-European roots g’her, khortos, khoros, and the Latin chorea, hortus, cohors, are at the origin of the word family, meaning garden, enclosure, or choir. The term choir refers to both an enclosed space and a practice. Within the privileged hemispheric space formed by the choristers and the conductor, the triangulation of conductor/choir/sound functions as a continuous feedback loop. In this zone of mutual influence, non-verbal and multimodal communication is conveyed exclusively through the body, primarily through gesture. This gesture acquires meaning over the course of rehearsals, through adjustments and negotiations that contribute to the development of conventions. This is what we will call complicity. The sharing of information is almost confidential, protected by the veil formed by the musicians' bodies. It's difficult to penetrate. So how can we record the passing on of our experience of staging a choir and capture what happens within the choral space, without compromising it?We developed an experimental protocol within a larger project supported by InCIAM (Institute for Creativity and Innovation, Aix-Marseille University), aimed at creating audiovisual systems for capturing sensitive social and artistic situations, where the measurement of human interactions dictates the image format. Extremely unobtrusive and respectful of the choral space, our recording system is audiovisual. Its spatial setup was initially validated in the laboratory and then, the day before the recording, on-site, to test the equipment, present it to the choir members, and verify that the experiment did not introduce any bias. Its technical aspects resulted from a multidisciplinary collaborative effort with experts from the PRISM laboratory.Our audiovisual recording system produced original ... |
| Document Type: |
conference object |
| Language: |
French |
| DOI: |
10.3389/fpsyg.2016.01049 |
| Availability: |
https://hal.science/hal-05531768; https://hal.science/hal-05531768v1/document; https://hal.science/hal-05531768v1/file/BJC%2011.25.pdf; https://doi.org/10.3389/fpsyg.2016.01049 |
| Rights: |
https://creativecommons.org/licenses/by-nc-nd/4.0/ ; info:eu-repo/semantics/OpenAccess |
| Accession Number: |
edsbas.27352D5A |
| Database: |
BASE |