Popular Music and Public Diplomacy
| Titel: | Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives |
|---|---|
| Beteiligt: | ; |
| Ausgabe: | 1. Aufl. |
| Veröffentlicht: | Bielefeld : transcript Verlag, 2018 |
| Umfang: | 1 Online-Ressource (328 Seiten) |
| Format: | E-Book |
| Sprache: | Englisch |
| Schriftenreihe/ mehrbändiges Werk: |
Studien zur Popularmusik |
| RVK-Notation: | |
| ISBN: | 9783839443583 ; 9783837643589 |
X
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Aufl. 033A $pBielefeld $ntranscript Verlag 033E $pStuttgart $nUTB GmbH 034D $a1 Online-Ressource (328 Seiten) 036G $aStudien zur Popularmusik 044K $RMusik $RTrivialmusik $#Popular music $#Musique populaire $#Populärmusik $#U-Musik $#Leichte Musik $#Populäre Musik $#Popularmusik $74061916-3 $8Unterhaltungsmusik [Ts1] $9085172243 044K $RPolitische Kommunikation $RDiplomatie $#Diplomatie publique $#Public Diplomacy $7104358448X $8Public Diplomacy [Ts1] $9333045769 045B $a780 045E $c780 $c320 $c300 045R $aGeschichte 045Z $8LS 48015 [Tkv] $9410216402 047A $aSacherschließung maschinell aus paralleler Ausg. übernommen 047I $aLong description: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries. - Biographical note: Mario Dunkel (Prof. Dr.) teaches in the music department of the Carl von Ossietzky University of Oldenburg. His articles have appeared in »American Music«, »Popular Music and Society«, »The European Journal of Musicology«, and other outlets. He is the principal investigator of a European research project on populism and European popular music (funded by the Volkswagen Foundation). His research interests include transcultural music pedagogy, the practice and history of music diplomacy as well as the conceptualization and performance of music history in Europe and the U.S.Sina A. Nitzsche (Dr.) teaches American Studies at the TU Dortmund University and at the Ruhr-University Bochum. The founder of the European Hip-Hop Studies Network, she co-edited Hip-Hop in Europe: Cultural Identities and Transnational Flows and Breaking the Panel!: Comics as a Medium. Her articles have appeared in International Journal of Cultural Studies and Journal of World Popular Music. 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