American archives

Titel: American archives : gender, race, and class in visual culture / Shawn Michelle Smith
Verfasser:
Veröffentlicht: Princeton, NJ : Princeton Univ. Press, 1999
Umfang: XI, 299 S. : Ill.
Format: Buch
Sprache: Englisch
RVK-Notation:
Schlagworte:
ISBN: 0691004773 ; 0691004781 ; 9780691004785
  • List of Illustrations
  • p. ix
  • Acknowledgments
  • p. xii
  • Introduction American Archives
  • p. 3
  • Chapter 1
  • Prying Eyes and Middle-Class Magic in The House of the Seven Gables
  • p. 11
  • "Magnetic" Daguerreotypes and the Masculine Gaze
  • p. 12
  • Evil Eyes and Feminine Essence
  • p. 19
  • Making the House a Home
  • p. 24
  • The Public Private Sphere
  • p. 26
  • Chapter 2
  • The Properties of Blood
  • p. 29
  • The Blood That Flows in Subterranean Pipes
  • p. 31
  • Blood, Character, and Race
  • p. 41
  • The Spectacle of Race
  • p. 45
  • Seeing Bloodlines
  • p. 47
  • Chapter 3
  • Superficial Depths
  • p. 51
  • The Portrait and the Likeness. Photographing the Soul
  • p. 55
  • Class Acts: Real Things and True Performances
  • p. 62
  • The Criminal Body and the Portrait of a Type
  • p. 68
  • Consuming Commodities: Gender in the Age of Mechanical Reproduction
  • p. 93
  • Chapter 4
  • "Baby's Picture Is Always Treasured": Eugenics and the Reproduction of Whiteness in the Family Photograph Album
  • p. 113
  • Mechanically Reproducing Baby
  • p. 115
  • Reproducing Racial Inheritance
  • p. 122
  • Sentimental Aura and the Evidence of Race
  • p. 132
  • Chapter 5
  • America Coursing through Her Veins
  • p. 136
  • From the Bonds of Love to Bloodlines
  • p. 137
  • America's White Aristocracy
  • p. 141
  • In the Name of White Womanhood
  • p. 144
  • "A Heritage Unique in the Ages"
  • p. 150
  • Chapter 6
  • Photographing the "American Negro": Nation, Race, and Photography at the Paris Exposition of 1900
  • p. 157
  • Racialized Bodies, National Character, and Photographic Documentation
  • p. 158
  • Making Americans
  • p. 167
  • Conserving Race in the Nation
  • p. 177
  • Chapter 7
  • Looking Back: Pauline Hopkins's Challenge to Eugenics
  • p. 187
  • Envisioning Race: Bodies on Display in Hagar's Daughter "Sons of One Father"
  • p. 194
  • Excavating the Hidden Self
  • p. 198
  • Visions beyond the Color Line
  • p. 203
  • Chapter 8
  • Reconfiguring a Masculine Gaze
  • p. 206
  • Visions of Commodified Identity in Consumer Culture
  • p. 207
  • Conspicuous Consumption under a Masculine Gaze: Rethinking Gender in Sister Carrie
  • p. 210
  • Parting Glances
  • p. 220
  • Afterimages A Brief Look at American Visual Culture in the 1990s
  • p. 222
  • Notes
  • p. 227
  • Bibliography
  • p. 271
  • Index
  • p. 291