Photo archives and the idea of nation
| Titel: | Photo archives and the idea of nation / edited by Costanza Caraffa and Tiziana Serena |
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| Beteiligt: | ; |
| Veröffentlicht: | Berlin : De Gruyter, 2015 |
| Umfang: | VIII, 346 Seiten : Illustrationen ; 24 cm |
| Format: | Buch |
| Sprache: | Englisch |
| RVK-Notation: |
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| ISBN: | 9783110331813 ; 3110331810 |
| Hinweise zum Inhalt: |
Inhaltsverzeichnis
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X
- Foreword
- p. vii
- Photo Archives and the Idea of Nation
- p. 1
- Introduction: Photographs, Archives and the Discourse of Nation
- p. 3
- Photographic Archives and the Idea of Nation: Images, Imaginings, and Imagined Community
- p. 17
- Photo Archives, Identity, Heritage
- p. 41
- Photography, the Archive and the Invention of the American West
- p. 43
- Performing Ethnography/Projecting History: Photography and Irish Cultural Nationalism in Ulster
- p. 59
- Before the Museum: Photography and the Construction of the Canon of Polish Material Culture
- p. 77
- Dalmatia in the Visual Narrative. Georg Kowalczyk and Cornelius Gurlitt: An Atlas of Photographs of Dalmatian Monuments
- p. 95
- Monumenta Historiae Patriae: Marubi's Photographic Documentation (1858-1970) and the Birth of the Albanian Nation
- p. 119
- Toward an Iconology of Medieval Studies: Approaches to Visual Narratives in Modern Scholarship
- p. 141
- Microfilm Services and their Application to Scholarly Study, Scientific Research, Education and Re-Education in the Post-War Period
- p. 167
- Cultural Heritage, Nation, Italian State: Politics of the Photographic Archive between Centre and Periphery
- p. 179
- Photo Archives, Revolution, National Heroes
- p. 201
- "And the Bombs Fell for Many Nights." Stefano Lecchi's photographs of the 1849 Siege of Rome in the Cheney Album
- p. 203
- The Photographic Portrait of Georgi Benkovski, or the De-Archiving of the National Hero
- p. 221
- Archives and Icons: Constructing Post-Revolutionary Identities in Mexico
- p. 239
- Photo Archives as Construction
- p. 263
- "You need not take a camel...": The Archive of the Afghan Tourist Organization
- p. 265
- Compound Nation: Migrant Worker Portraits in the Politics and Photography of 1980s Namibia
- p. 279
- Nostalgia for the Modern: Archive Fever in Egypt in the Age of Post-Photography
- p. 301
- Afterword
- p. 319
- Photographs as Strong History?
- p. 321
- Contributors
- p. 331
- Index
- p. 335