Rethinking Dvořák

Titel: Rethinking Dvořák : views from five countries ; [the majority of the essays in this vol. were engendered by the Dvořák Sesquicentennial Conference and Festival in America] / edited by David R. Beveridge
Beteiligt:
Körperschaft:
Veröffentlicht: Oxford : Clarendon Press, 1996
Umfang: XI, 305 Seiten : Illustrationen, Notenbeispiele
Format: Buch
Sprache: Englisch
RVK-Notation:
Schlagworte:
ISBN: 0198164114 ; 9198164114
Lokale Klassifikation: 2 D 108 ; 23 9 H
  • Dedication
  • p. v
  • Acknowledgements
  • p. vii
  • Introduction
  • p. 1
  • A Word About Opus Numbers
  • p. 11
  • 1
  • Metamorphoses of Dvo0264+0301ák's Image in the Course of Time
  • p. 13
  • I
  • The Unknown Dvor+0306ák: a Mini-Symposium on the Early Song Cycle, Cypresses
  • p. 29
  • 2
  • Cypresses: an Appreciation, and a Summary of Editorial Problems on the Eve of Its First Publication
  • p. 31
  • 3
  • Texts to Dvor+0306k's Cypresses
  • p. 37
  • 4
  • Dvor+0306ák's First Songs: Some Insights into Cypresses
  • p. 47
  • 5
  • Cypresses: a Song Cycle and Its Metamorphoses
  • p. 55
  • II
  • The Unknown Dvor+0306ák: Operas
  • p. 71
  • 6
  • From the Vistula to the Danube by Way of the Vltava: Dvos+0306ák's Vanda in Vienna
  • p. 73
  • 7
  • Vanda and Armida, a Grand-Operatic Sisterhood
  • p. 81
  • 8
  • Dvor+0306ák's Dimitrij -- a Challenge to Editors
  • p. 99
  • 9
  • Rusalka and Its Librettist, Jaroslav Kvapil: Some New Discoveries
  • p. 107
  • III
  • Dvor+0306ák as a Czech Composer
  • p. 115
  • 10
  • Dvor+0306ák and the Meaning of Nationalism in Music
  • p. 117
  • 11
  • The 'Dvor+0306ák Battles' in Bohemia: Czech Criticism of Antonín Dvor+0306ák, 1911-15
  • p. 125
  • 12
  • Dvor+0306àk in the View of the Artist: Portraits by His Contemporaries, and His Portrayal in the Patriotic Mural Czech Spring
  • p. 135
  • IV
  • Dvor+0306ák as a Slavic Composer
  • p. 141
  • 13
  • Dvor+0306ák's Slavic Spirit, and His Relation to Tchaikovsky and Russia
  • p. 143
  • 14
  • Dvor+0306ák's Eighth Symphony: a Response to Tchaikovsky?
  • p. 155
  • V
  • Dvo0264+0301k as a European Composer
  • p. 169
  • 15
  • Dvo0264+0301k's Contribution to Progressive Trends in the European Symphony, 1865-95
  • p. 171
  • 16
  • Dvor+0306ák's Early Symphonies in the Context of European Symphonic Writing of the Mid-Nineteenth Century
  • p. 181
  • 17
  • Schubertian Tonal Plans Reinterpreted: Dvor+0306ák's 'shadow-Key' Sonata Forms
  • p. 193
  • 18
  • The 'Uncomfortable' Dvor+0306ák: Critical Reactions to the First Performances of His Symphonic Poems in German-Speaking Lands
  • p. 201
  • 19
  • Music and Words in Dvor+0306ák's Symphonic Works: a Nietzschean Perspective on the 'New World' Symphony and the Wild Dove
  • p. 211
  • 20
  • Dvo0264+0301+ák and Elgar
  • p. 225
  • VI
  • The Impact of America on Dvor+0306ák
  • p. 235
  • 21
  • Dvor+0306ák Among the Yankees: George Chadwick and the Impact of the Boston School
  • p. 237
  • 22
  • Dvor+0306k's Pentatonic Landscape: the Suite in a Major
  • p. 245
  • VII
  • The Impact of Dvor+0306k on America
  • p. 255
  • 23
  • Dvor+0306ák and the Historiography of American Music
  • p. 257
  • 24
  • Dvor+0306k and His Black Students
  • p. 265
  • 25
  • Dvor+0306ák, Nationalism, Myth, and Racism in the United States
  • p. 275
  • Appendix: Dvoq+0306ák's Interviews with British Newspapers
  • p. 281
  • Contributors' Profiles
  • p. 295
  • Index
  • p. 301