Audiovisions
Titel: | Audiovisions : cinema and television as entr'actes in history / Siegfried Zielinski ; Translated by Gloria Custance |
---|---|
Verfasser: | |
Veröffentlicht: | Amsterdam : Amsterdam University Press, 1999 |
Umfang: | 1 Online-Ressource (356 Seiten) : Illustrationen |
Format: | E-Book |
Sprache: | Englisch |
Schriftenreihe/ mehrbändiges Werk: |
Film culture in transition |
RVK-Notation: |
·
|
ISBN: | 9053563032 ; 905356313X ; 9789053563137 |
alg: 31632213 001A $00004:01-02-13 001B $01999:06-06-25 $t07:12:01.000 001D $00004:01-02-13 001U $0utf8 001X $00 002@ $0Oau 002C $aText $btxt $2rdacontent 002D $aComputermedien $bc $2rdamedia 002E $aOnline-Ressource $bcr $2rdacarrier 003@ $031632213X 004A $090-5356-303-2 004A $090-5356-313-X 004A $A978-90-5356-313-7 006L $0362411328 $2HEB 007A $031632213X $aHEB 007I $0oapen-20.500.12657/35096 009Q $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $xR 010@ $aeng 011@ $a1999 017B $aZDB-94-OAL 021A $aAudiovisions $dcinema and television as entr'actes in history $hSiegfried Zielinski ; Translated by Gloria Custance 028A $BVerfasser $#Cilinski, Zigfrid $#Qilinsiji, Xigefulide $#Xi ge fu li de Qi lin si ji $#Xigefulide-Qilinsiji $#西格弗里德‧齐林斯基 $#齐林斯基, 西格弗里德 $4aut $D20220215 $Ecgwrk $7139762604 $8Zielinski, Siegfried$Z1951- [Tp1] $9217801102 033A $pAmsterdam $nAmsterdam University Press 033E $pThe Hague $nOAPEN 034D $a1 Online-Ressource (356 Seiten) 034M $aIllustrationen 036G $aFilm culture in transition 037A $aLiteraturverzeichnis Seite [319] - 345 044K $RElektronische Medien $RNeue Technologie $RTelekommunikation $RInformationstechnik $#Digital media $#Médias numériques $#Medios digitales $#Digitale Medien $#Digitale Medien $#neue Medien $#Digitale Medien $74196910-8 $8Neue Medien [Ts1] $9085989622 044K $RAudiovisuelles Material $#Cinematography $#Motion pictures $#Cinéma $#Películas cinematográficas $#Cine $#films $#Motion Pictures $#Film $#Film $#Kino Film $#Filmaufnahme $74017102-4 $8Film [Tsz] $9085039985 044K $RRundfunk $RFernsehsendung $#Television $#Television broadcasting $#Télévision $#Televisione $#Televisión $#television $#Fernsehen $#Fernsehen $#Fernsehen $#Television $#TV $#Fernseh-Rundfunk $74016825-6 $8Fernsehen [Ts1] $9085039349 045B $a791.4509 $ALoC $eDDC21oclc 045E $c791 $c900 045Z $8AP 33200 [Tkv] $9407317449 045Z $8AP 44900 [Tkv] $9407326081 047I $aThe production, distribution, and perception of moving images are undergoing a radical transformation. Ever-faster computers, digital technology, and microelectronic are joining forces to produce advanced audiovision -the media vanishing point of the 20th century. Very little will remain unchanged. The classic institutions for the mediation of film - cinema and television - are revealed to be no more than interludes in the broader history of the audiovisual media. This book interprets these changes not simply as a cultural loss but also as a challenge: the new audiovisions have to be confronted squarely to make strategic intervention possible. Audiovisions provides a historical underpinning for this active approach. Spanning 100 years, from the end of the 19th to the end of the 20th century, it reconstructs the complex genesis of cinema and television as historically relative - and thus finite - cultural forms, focussing on the dynamics and tension in the interaction between the apparatus and its uses. The book is also a plea for 'staying power' in studies of cultural technology and technological culture of film. Essayistic in style, it dispenses with complicated cross references and, instead, is structured around distinct historical phases. Montages of images and text provide supplemental information, contrast, and comment. lok: 31632213 3 exp: 31632213 3 1 #EPN 201B/01 $006-06-25 $t07:12:01.700 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519337 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 5 exp: 31632213 5 1 #EPN 201B/01 $006-06-25 $t07:12:01.707 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519345 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 8 exp: 31632213 8 1 #EPN 201B/01 $006-06-25 $t07:12:01.710 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519353 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 10 exp: 31632213 10 1 #EPN 201B/01 $006-06-25 $t07:12:01.712 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519361 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 11 exp: 31632213 11 1 #EPN 201B/01 $006-06-25 $t07:12:01.715 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $0130551937X 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 13 exp: 31632213 13 1 #EPN 201B/01 $006-06-25 $t07:12:01.717 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519388 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 21 exp: 31632213 21 1 #EPN 201B/01 $006-06-25 $t07:12:01.726 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519396 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 23 exp: 31632213 23 1 #EPN 201B/01 $006-06-25 $t07:12:01.729 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $0130551940X 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 24 exp: 31632213 24 1 #EPN 201B/01 $006-06-25 $t07:12:01.731 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519418 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 25 exp: 31632213 25 1 #EPN 201B/01 $006-06-25 $t07:12:01.734 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519426 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 36 exp: 31632213 36 1 #EPN 201B/01 $006-06-25 $t07:12:01.736 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519434 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 51 exp: 31632213 51 1 #EPN 201B/01 $006-06-25 $t07:12:01.739 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519442 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 59 exp: 31632213 59 1 #EPN 201B/01 $006-06-25 $t07:12:01.742 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519450 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 75 exp: 31632213 75 1 #EPN 201B/01 $006-06-25 $t07:12:01.744 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519469 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 107 exp: 31632213 107 1 #EPN 201B/01 $006-06-25 $t07:12:01.747 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519477 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 108 exp: 31632213 108 1 #EPN 201B/01 $006-06-25 $t07:12:01.749 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519485 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 204 exp: 31632213 204 1 #EPN 201B/01 $006-06-25 $t07:12:01.751 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519493 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR lok: 31632213 205 exp: 31632213 205 1 #EPN 201B/01 $006-06-25 $t07:12:01.754 201C/01 $006-06-25 201U/01 $0utf8 203@/01 $01305519507 208@/01 $a06-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/35096 $XR
LEADER | 00000cam a2200000 c 4500 | ||
---|---|---|---|
001 | 31632213X | ||
003 | DE-603 | ||
005 | 20250606071201.0 | ||
007 | cr|||||||||||| | ||
008 | 130201s1999 xx |||| o| u00||u|eng c | ||
020 | |a 9053563032 | ||
020 | |a 905356313X | ||
020 | |a 9789053563137 | ||
035 | |a (DE-599)HEB31632213X | ||
035 | |a (DE-603)362411328 | ||
040 | |a DE-603 |b ger |c DE-603 |d DE-603 | ||
041 | |a eng | ||
082 | 7 | |8 1\p |a 791.4509 |2 21/oclc | |
084 | |a 791 |a 900 |q DE-101 |2 sdnb | ||
084 | |a AP 33200 |0 (DE-625)7300:658 |0 (DE-603)407317449 |2 rvk | ||
084 | |a AP 44900 |0 (DE-625)7516:658 |0 (DE-603)407326081 |2 rvk | ||
100 | 1 | |a Zielinski, Siegfried |d 1951- |e Verfasser |4 aut |0 (DE-603)217801102 |0 (DE-588)139762604 |2 gnd | |
245 | 0 | 0 | |a Audiovisions |b cinema and television as entr'actes in history |c Siegfried Zielinski ; Translated by Gloria Custance |
264 | 1 | |a Amsterdam |b Amsterdam University Press |c 1999 | |
264 | 2 | |a The Hague |b OAPEN | |
300 | |a 1 Online-Ressource (356 Seiten) |b Illustrationen | ||
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
490 | 0 | |a Film culture in transition | |
500 | |a Literaturverzeichnis Seite [319] - 345 | ||
520 | |a The production, distribution, and perception of moving images are undergoing a radical transformation. Ever-faster computers, digital technology, and microelectronic are joining forces to produce advanced audiovision -the media vanishing point of the 20th century. Very little will remain unchanged. The classic institutions for the mediation of film - cinema and television - are revealed to be no more than interludes in the broader history of the audiovisual media. This book interprets these changes not simply as a cultural loss but also as a challenge: the new audiovisions have to be confronted squarely to make strategic intervention possible. Audiovisions provides a historical underpinning for this active approach. Spanning 100 years, from the end of the 19th to the end of the 20th century, it reconstructs the complex genesis of cinema and television as historically relative - and thus finite - cultural forms, focussing on the dynamics and tension in the interaction between the apparatus and its uses. The book is also a plea for 'staying power' in studies of cultural technology and technological culture of film. Essayistic in style, it dispenses with complicated cross references and, instead, is structured around distinct historical phases. Montages of images and text provide supplemental information, contrast, and comment. | ||
650 | 7 | |a Neue Medien |0 (DE-588)4196910-8 |0 (DE-603)085989622 |2 gnd | |
650 | 7 | |a Film |0 (DE-588)4017102-4 |0 (DE-603)085039985 |2 gnd | |
650 | 7 | |a Fernsehen |0 (DE-588)4016825-6 |0 (DE-603)085039349 |2 gnd | |
856 | |u https://library.oapen.org/handle/20.500.12657/35096 |x Resolving-System |z kostenfrei | ||
883 | 0 | |8 1\p |q LoC | |
912 | |a ZDB-94-OAL | ||
924 | 1 | |9 603 |a (DE-603)1305519337 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519345 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519353 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519361 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)130551937X |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519388 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519396 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)130551940X |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519418 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519426 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519434 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519442 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519450 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519469 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519477 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519485 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519493 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1305519507 |b DE-603 |c HES |d d |