Gendered artistic positions and social voices
| Titel: | Gendered artistic positions and social voices : politics, cinema, and the visual Arts in state-socialist and post-socialist Hungary / Beata Hock |
|---|---|
| Verfasser: | |
| Veröffentlicht: | Stuttgart : Steiner, 2013 |
| Umfang: | 284 S. : Ill. |
| Format: | Buch |
| Sprache: | Deutsch |
| Schriftenreihe/ mehrbändiges Werk: |
Forschungen zur Geschichte und Kultur des östlichen Mitteleuropa ; 42 |
| Hochschulschrift: | Zugl.: Budapest, Central European Univ., Diss., 2009 |
| RVK-Notation: | |
| ISBN: | 3515102094 ; 9783515102094 |
| Hinweise zum Inhalt: |
Inhaltsverzeichnis
Inhaltstext |
X
- Acknowledgments
- p. 9
- Introduction
- p. 11
- Part I
- Constructing and bringing gendered identities into representation
- p. 15
- Chapter 1
- "Woman": A politically irrelevant category? Unstructured female identities in contemporary Hungarian society
- p. 19
- Chapter 2
- Cultural perspectives on social processes. Defining key terms and approaches
- p. 22
- 2.1
- Society as text
- p. 23
- 2.2
- The political import of representation
- p. 24
- 2.3
- The politicization of art theory, aesthetic terms, and art practice
- p. 25
- 2.4
- Feminist interdisciplinarity
- p. 26
- Chapter 3
- How to localize feminist thinking
- p. 29
- 3.1
- "Looking for feminism": East/West dichotomies and the danger of self-colonization
- p. 29
- 3.2
- Contested feminist identification, intentionality and other dilemmas
- p. 33
- 3.3
- Redefining the political: Two guiding aspects
- p. 40
- Part II
- Emancipation: An expendable political goal
- p. 47
- Chapter 4
- Re-assessing the state-socialist past and taking a perspective on the present
- p. 54
- 4.1
- An emerging feminist scholarship on Central and Eastern Europe
- p. 54
- 4.2
- How to localize feminist social science: Some difficulties
- p. 56
- Chapter 5
- The metamorphoses of the state's political message for women
- p. 63
- 5.1
- Women's political and civil rights participation: Sharing political capital
- p. 64
- 5.2
- Patterns in women's education and employment: Sharing economic and social capital
- p. 67
- 5.3
- Declared political promises - undeclared intentions: Reading between the lines of the message
- p. 73
- Chapter 6
- "Only themselves to blame": Society's codicil to the political message
- p. 80
- 6.1
- Political rhetoric versus the reality of life-practices: Sharing social and cultural capital
- p. 80
- 6.2
- "Double burden" versus "choiceoisie": Reconciling work and family life
- p. 89
- Chapter 7
- Receiving the message: Changing perceptions and constructions of gendered social roles and identities
- p. 93
- Conclusions and identifying some feminist issues of the "here and now"
- p. 99
- Part III
- Women and/in Hungarian Cinema (Industry), 1945-2005
- p. 105
- Chapter 8
- Theories and methodology
- p. 109
- 8.1
- Trends in existing feminist film theory and testing their applicability
- p. 111
- 8.2
- A critique of Cold War thinking on cultural production
- p. 116
- 8.3
- Quantitative and qualitative methods: A numerical survey and corpus analysis
- p. 120
- Chapter 9
- Women's inclusion in the industry
- p. 125
- Chapter 10
- Women directors representing women
- p. 129
- Chapter 11
- Woman represented in Hungarian cinema: Narratives and film texts
- p. 139
- 11.1
- Advancing new role models: The "production movies" of the 1950s
- p. 139
- 11.2
- The 1960s: Historical parables and models for the present
- p. 145
- 11.3
- The 1970s and 80s: The poetry of the every-day
- p. 148
- 11.4
- The 1990s and after: Structural reconfiguration and the dissipation of meaning
- p. 153
- Confusions to Part III
- p. 162
- Part IV
- Artworks and subject positions: Women visual artists from 1945 till the 2000s
- p. 165
- Chapter 12
- Theories and methodology
- p. 169
- 12.1
- Issues and strategies in feminist visual arts and the emerging Hungarian discourse
- p. 169
- 12.2
- Quantitative survey and qualitative interviews
- p. 173
- Chapter 13
- With emancipation in the background: Women in Hungarian visual arts, 1945-95
- p. 176
- 13.1
- A brief social history of the visual arts in Hungary after 1945
- p. 177
- 13.2
- An emancipation of one's own
- p. 185
- Chapter 14
- Self-representers: Artists, oeuvres and feminist interpretative approaches
- p. 199
- 14.1
- Inscribing gender difference on the canvas
- p. 200
- 14.2
- A self-confessed feminist artist
- p. 207
- 14.3
- Towards feminine texts
- p. 211
- 14.4
- Venturing out into the public
- p. 216
- 14.5
- Boys Don't Cry? Masculinity negotiated
- p. 224
- Confusions to Part IV
- p. 228
- Conclusion
- p. 233
- Appendices and Tables
- p. 239
- Bibliography
- p. 254
- List of Illustrations
- p. 273
- Plates
- p. 275
