The Oxford critical and cultural history of modernist magazines

Titel:	The Oxford critical and cultural history of modernist magazines / ed. by Peter Brooker ...
Teil:	2. North America 1894 - 1960
Beteiligt:	Brooker, Peter (Herausgeber)
Veröffentlicht:	Oxford : Oxford University Press, 2012
Umfang:	XXII, 1088 Seiten : Illustrationen
Format:	Buch
Sprache:	Englisch
Schriftenreihe/ mehrbändiges Werk:	The Oxford critical and cultural history of modernist magazines / ed. by Peter Brooker ... ; 2 alle Bände anzeigen
RVK-Notation:	HM 1398 · AP 23381
Schlagworte:	Literarische Zeitschrift Nordamerika Aufsatzsammlung Geschichte 1894-1960
ISBN:	9780199545810 ; 9780198778424
Hinweise zum Inhalt:	Inhaltsverzeichnis

Buchumschlag

X

List of Illustrations and Tables

List of Contributors

General Introduction: 'Magazines, magazines, magazines!'

Part I
Tradition and Experiment

Orientations

1
Poetry: a Magazine of Verse (1912-36), 'biggest of little magazines'

2
The Little Review (1914-29)

3
The Dial (1920-9)

4
The Crisis (1910-34)Precursors, Mainstream, and Margins

5
'Ephemeral Bibelots' in the 1890s

6
The Chap-Book (1894-8)

7
Modernism and the Quality Magazines: Vanity Fair (1914-36); American Mercury (1924- ); New Yorker (1925- ); Esquire (1933 - )

8
Pulp Magazines and the Popular Press

An American Art

9
American Manners: The Smart Set (1900-29); American Parade (1926)

10
In the American Grain: Contact (1920-3; 1932) and Pagany. A Native Quarterly (1930-3)

11
Through an American Lens: Camera Work (1903-17) and 291 (1915-6); Manuscripts

The Free Verse Controversy

12
The New Poetry: Glebe (1913-14), Others (1915-19); The Poetry Review of America (1916-17)

13
Poetry in Perspective: the Melange of the 1920s: The Measure (1921-26), Rhythmus (1923-4), and Palms (1923-30)

14
Into the 1930s: ound and Horn (1927-34) Troubadour (1928-32), Blues (1929-30), Smoke (1931-37), and Furioso (1939-53)Drama and the Critical Arts

15
A New Theatre: Theatre Arts Magazine (1916-64); Drama (1911-31)

16
'Audacious Modernity': The Seven Arts (1916-17), The Soil (1916-17), and The Trend (1911-15)

17
Hound and Horn (1927-34)

Part II
The Metropolis, Regionalism, Canada, and Europe

Greenwich Village

18
Greenwich Village (1915); Bruno's Chap Books (1915-16); Bruno's Weekly (1915-16); Bruno's (1917); Bruno's Bohemia (1918); Bruno's Review (1919); Bruno's Review of Two Worlds (1920-22)

19
The Avant-Garde in the Village: Rogue (1915)

20
Village Voices: The Ink-Pot (1916); Open Vistas (1925); The New Cow (1927); The Village Magazine (1910, 1920, 1925); The Greenwich Villager (1921-2; 33-4)The South and West

21
Fugitive Voices: The Reviewer (1921-25); The Lyric (1921- ); The Fugitive (1922-5)

22
Negotiating the Margins of the American South: The Double Dealer (1921-9)

23
The Call of the Southwest: The Texas Review (1915-24), Southwest Review (1924-), and The Morada (1929-30)

24
Middling Modernism and the Midwestern Little Magazine: The Midland (1915-33) and Prairie Schooner (1927-)

25
'Our Own Authentic Wonderland': The Modernist Geographical Imagination and 'Little Magazines' of the American West: Laughing Horse (1921-39), Westward (1927-34), Troubadour (1928-32), Gyroscope (1929-30), New Mexico Quarterly (1931-69), and Intermountain Review (1937-65)Canada

26
'Little magazines' in English Canada

Cross-Currents: America and Europe

27
Broom (1921-4) and Secession (1922-4)

28
'Growth through disagreement': S4N (1919-25)

29
Between Worlds: Gargoyle (1921-2); This Quarter (1925-32); and Tambour (1929-1930)

30
Exiles: the transatlantic review (1924-5) and The Exile (1927-8)

31
Between Modernisms: transition (1927-1938)

32
Critics Abroad: The Early Years of The Paris Review (1953-65)

33
Europe in America: Remapping Broken Cultural Lines: View (1940-7) and VVV (1942-4)

Part III
The Radical Decades

The Harlem Renaissance

34
Organisational Voices: The Messenger (1917-28) and Opportunity (1923-49)

35
'Devoted to younger negro artists': Fire!! (1926) and Harlem (1928)A Revolutionary Message

36
The Masses Speak: The Masses (1911-17); The Liberator (1918-24); New Masses (1926-48); and Masses and Mainstream (1948-63)

37
The Left in the Twenties: Good Morning (1919-22), The Freeman (1920-4), The Modern Quarterly (1923-9)

38
The Left in the Thirties: The Modern Quarterly (1929-33; became The Modern Monthly, 1933-40), Blast: A Magazine of Proletarian Short Stories (1933-4), and The Windsor Quarterly (1933-5)

39
Rebel Poets and Critics: The Rebel Poet (1931-2), The Anvil (1933-5), Dynamo (1934-5), and Partisan Review (1934-2003)The Critical 1940s

40
New Criticism's Major Journals: The Southern Review (1935-42); The Kenyon Review (1939-70); and The Sewanee Review (1892- )

41
Academic Magazines: The Morningside (1815-1932); Yale Review (1819- ); The Columbia Review (1932- ); The Wake (1944-6; 1948-53); Chicago Review (1946- ); The Georgia Review (1947- ), Epoch (1947- ); The Beloit Poetry Journal (1950-); Tri

Quarterly (1958-); and The Big Table (1959-60)In the Modernist Grain

42
Black Mountain and Associates: Origin (1951-2007) and The Black Mountain Review (1954-7)

43
New York Poets: Folder (1953-6); Neon (1956-60); and Yugen (1958-62)

44
'little... only with some qualification': the Beats and Beat 'little magazines': Neurotica (1948-52) The Ark (1947); Ark II Moby I (1956); Ark III (1957); Black Mountain Review (1957); Evergreen Review (1957-9); Chicago Review (1958); Big Table (1959-65); Kulchur (1960-5); and Yugen (1958-62)

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