Cinema, state socialism and society in the Soviet Union and Eastern Europe, 1917-1989
| Titel: | Cinema, state socialism and society in the Soviet Union and Eastern Europe, 1917-1989 : re-visions |
|---|---|
| Beteiligt: | ; |
| Veröffentlicht: | London : Routledge, 2014 |
| Umfang: | xviii, 216 pages : illustrations |
| Format: | Buch |
| Sprache: | Englisch |
| Schriftenreihe/ mehrbändiges Werk: |
BASEES/Routledge series on Russian and East European studies |
| RVK-Notation: |
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| ISBN: | 9780415813235 |
- List of illustrations
- p. xiii
- List of contributors
- p. xiv
- Acknowledgments
- p. xvii
- Introduction: questioning and questing: re-staging state socialist cinema
- p. 1
- Part I
- On spaces and nations
- p. 7
- 1
- Squeezing space, releasing space: spatial research in the study of Eastern European cinema
- p. 9
- 2
- Thinking again about Cold War cinema
- p. 24
- 3
- Incommensurable distance: versions of national identity in Georgian Soviet cinema
- p. 49
- Part II
- Ideologies of representation
- p. 75
- 4
- Mirrors of death: subversive subtexts in Bulgarian cinema, 1964-1979
- p. 77
- 5
- Popular cinema in late 1960s Romania
- p. 94
- 6
- Stalinist cinema and the search for audiences: Liubov' Orlova and the case for star studies
- p. 115
- Part III
- (Re)recordings, (re)focusings, (re)discoveries
- p. 149
- 7
- The political camera: comparing 1956 in three moments of Hungarian history
- p. 151
- 8
- Back to the archives: the testimonial power of Soviet silent footage of the Holocaust
- p. 172
- 9
- The human and the possible: animation in Central and Eastern Europe
- p. 186
- Index
- p. 209


