Curating "Eastern Europe" and beyond

Titel: Curating "Eastern Europe" and beyond : art histories through the exhibition / [ed.: Mária Orišková. Authors: Louisa Avgita, Kelly Presutti ...]
Beteiligt: ;
Veröffentlicht: Frankfurt am Main : Lang, 2013
Bratislava : VEDA, SAS Publ. House, 2013
Umfang: 205 Seiten : Illustrationen ; 24 cm
Format: Buch
Sprache: Englisch
Schriftenreihe/
mehrbändiges Werk:
Spectrum Slovakia series ; 4
Schlagworte:
ISBN: 3631642180 ; 8022413259 ; 9783631642184 ; 9788022413251
Buchumschlag
X
Lokale Klassifikation: 31 9 B ; 31 15 R ; 31 7 Q ; 31 15 D ; 24 13 Ja ; 23 13 Ja
  • Curating 'Eastern Europe' and Beyond. Art Histories through the Exhibition: An Introduction
  • p. 7
  • The Rewriting of Art History as Art: Mapping the "East"
  • p. 19
  • Les Promesses du Passé: Shaping Art History via the Exhibition
  • p. 36
  • Retrospective Exhibitions and Identity Politics: The Capitalization of Criticality in Curatorial Accounts of Eastern European Art after 1989
  • p. 44
  • Curating 'Eastern Europe': From the Politics of Representation to Collaboration and Networking
  • p. 65
  • State Representation vs. Professional Canon: How East European Museums Exhibit Their Collections of Contemporary Art
  • p. 82
  • New Museums / New Europe: Traumaphilia - Traumaphobia
  • p. 91
  • The Museum of Contemporary Art
  • p. 99
  • The Museum Xerox-Machine - a 'mid-term' review of L'Internationale
  • p. 113
  • Curating Modernity. A Case Study of the Exhibition Modernizations: The Future Perfect 1918-1939
  • p. 126
  • Working through Traumatic History in Central Europe
  • p. 138
  • Balkanian, Atten-tion!
  • p. 152
  • Whose Nostalgia Is Ostalgia? An Eastern Europe and Former Soviet Republics Survey Exhibition in the New Museum, New York
  • p. 165
  • Exhibition is Non-Verbal Communication
  • p. 172
  • With Special Thanks to: Balkan Curator, first person feminine
  • p. 177
  • Naked Babes, Macho Feminists, and Queer Eyes. Curating Gender in Contemporary Czech and Slovak Exhibition Practice
  • p. 186
  • Notes on Contributors
  • p. 197