Encrypting the past
Titel: | Encrypting the past : the German-Jewish Holocaust novel of the first generation / Kirstin Gwyer |
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Verfasser: | |
Veröffentlicht: | Oxford : Oxford Univ. Press, 2014 |
Umfang: | X, 244 S. |
Format: | Buch |
Sprache: | Englisch |
Schriftenreihe/ mehrbändiges Werk: |
Oxford modern languages and literature monographs |
RVK-Notation: | |
ISBN: | 9780198709930 |
Hinweise zum Inhalt: |
Inhaltsverzeichnis
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- Introduction: Mapping a Blind Spot: The German-Jewish Holocaust Novel of the First Generation
- p. 1
- 1
- An Absence in Context: Holocaust Representation in Testimony, Scholarship, and Literature
- p. 11
- Speaking the Unspeakable: Holocaust Survivor Testimony
- p. 12
- Speaking of Speaking the Unspeakable; The Study of Holocausr Representation
- p. 14
- Imagining the Unspeakable: Holocaust Fiction
- p. 20
- The Past as Trace: Postmodernism
- p. 30
- The Past as Symptom: Trauma Theory
- p. 36
- The Past as Legacy: 'post-memory'
- p. 45
- 'A real fictitious discourse': The Holocaust Novel in the First Generation
- p. 50
- 2
- Writing of Broken Time(s): H. G. Adler, Eine Reise, Die unsichtbare Wand
- p. 57
- A Twofold Testimonial Project
- p. 60
- The Return of Apeiron
- p. 69
- Dis(ad)vantaging the Reader
- p. 79
- Terra Incognita
- p. 87
- 3
- The Unhoused Past: Elisabeth Augustin, Auswege; Jenny Aloni, Der Wartesaal
- p. 90
- The Uncanny Legacy
- p. 93
- Losing the Plot: Elisabeth Augustin's Auswege
- p. 98
- Textual Labyrinths: Jenny Alont's Der Wartesaal
- p. 117
- 4
- The Past Encrypted: Erich Fried, Bin Soldat und ein Mädchen
- p. 136
- 'To omit a word always..."
- p. 137
- '...to resort to obvious periphrases...'
- p. 147
- 'That is the tortuous method preferred...'
- p. 153
- '...in each of the meanderings...'
- p. 161
- '...of his indefatigable novel...'
- p. 166
- 5
- Design from Debris: Wolfgang Hildesheimer, Tytiset, Masante
- p. 182
- 'Jenes große erinnerungspoetologische Projekt'?
- p. 188
- 'Der Schrecken [ist] eigentlich das Hauptthema'
- p. 191
- 'Speculations on ways to tell that story'
- p. 195
- 6
- Conclusion: What Comes 'After': The 'Postmemory' Holocaust Novel
- p. 205
- Bibliography
- p. 223
- Index
- p. 241