Dislocated memories
Titel: | Dislocated memories : Jews, music, and postwar German culture / ed. by Tina Frühauf ... |
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Beteiligt: | |
Veröffentlicht: | Oxford : Oxford University Press, 2014 |
Umfang: | XVII, 302 Seiten : Illustrationen |
Format: | Buch |
Sprache: | Englisch |
RVK-Notation: |
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ISBN: | 9780199367481 |
Hinweise zum Inhalt: |
Inhaltsverzeichnis
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- Contributors
- p. ix
- Abbreviations
- p. xi
- On Transliteration and Translation
- p. xiii
- Acknowledgments
- p. xv
- About the Cover
- p. xvii
- Introduction
- p. 1
- Part I
- Perceptions of Represence
- 1
- A Historiography of Postwar Writings on Jewish Music during the 1930s and 1940s
- p. 11
- 2
- "With an Open Mind and with Respect": Klezmer as a Site of the Jewish Fringe in Germany in the Early Twenty-first Century
- p. 31
- 3
- Musical Memories of Terezin in Transnational Perspective
- p. 57
- Part II
- Dislocated Presence
- 4
- "Vu ahin zol ikh geyn?": Music Culture of Jewish Displaced Persons
- p. 75
- 5
- The Katset-Teater and the Development of Yiddish Theater in the DP Camp Bergen-Belsen
- p. 97
- 6
- "Driven from Their Home": Jewish Displacement and Musical Memory in the 1948 Movie Long Is the Road
- p. 121
- Part III
- Politics of Memory
- 7
- Remembering the Concentration Camps: Aleksander Kulisiewicz and His Concerts of Prisoners' Songs in the Federal Republic of Germany
- p. 141
- 8
- Eberhard Rebling, Lin Jaldati, and Yiddish Music in East Germany, 1949-1962
- p. 161
- 9
- Jewishness and Antifascism: Schoenberg's A Survivor from Warsaw in East Germany, 1958
- p. 187
- Part IV
- Modes of Commemoration
- 10
- Where Is the Holocaust in All This? György Ligeti and the Dialectics of Life and Work
- p. 205
- 11
- Represence of Jewishness in German Music Commemorating the Holocaust since the 1980s: Three Case Studies
- p. 222
- 12
- Germany's Commemoration of the Jüdischer Kulturbund
- p. 243
- Afterword
- p. 265
- Bibliography
- p. 277
- Index
- p. 297