The musical rhetoric of the Polish baroque
| Titel: | The musical rhetoric of the Polish baroque / Tomasz Jasiński. Transl. by Wojciech Bońkowski |
|---|---|
| Verfasser: | |
| Beteiligt: | |
| Veröffentlicht: | Frankfurt am Main : PL Acad. Research, 2015 |
| Umfang: | 406 Seiten : Notenbeispiele ; 210 mm x 148 mm |
| Format: | Buch |
| Sprache: | Englisch |
| Schriftenreihe/ mehrbändiges Werk: |
Eastern European studies in musicology ; 4 |
| Einheitssachtitel: | Polska barokowa retoryka muzyczna |
| RVK-Notation: | |
| ISBN: | 3631627602 ; 9783631627600 |
| Hinweise zum Inhalt: |
Einführung/Vorwort
Inhaltstext Inhaltsverzeichnis |
X
- Foreword to the First Edition
- p. 11
- Foreword to the Second Edition
- p. 13
- Foreword to the English Edition
- p. 15
- Introduction
- p. 17
- 1
- The Baroque Art of Musical Rhetoric. A Historical Outline
- p. 18
- 1.1
- Prehistory
- p. 18
- 1.2
- Origins
- p. 20
- 1.3
- Development
- p. 28
- 1.3.1
- Theory
- p. 28
- 1.3.2
- Practice
- p. 38
- 2
- Polish Musicology and the Issue of Figures. State of Research
- p. 41
- 3
- Research Premises
- p. 45
- Chapter 1
- Emergence of a Domestic Musical Rhetorical Tradition in the Renaissance
- p. 49
- 1
- Latin Polyphony
- p. 50
- 2
- Polyphonic Song in Polish Language
- p. 57
- 3
- Beginning of the Baroque
- p. 63
- Chapter 2
- The Universal Language of Figures
- p. 73
- 1
- Basic Figures
- p. 73
- 1.1
- Anabasis-catabasis
- p. 74
- 1.2
- Epizeuxis, Climax
- p. 87
- 1.3
- Exclamatio
- p. 94
- 1.4
- Antftheton
- p. 101
- 2
- Beyond Stylistic Dualism
- p. 105
- 3
- Hypotyposis before Emphasis
- p. 109
- Chapter 3
- Word Interpretations
- p. 113
- 1
- Onomatopoeia
- p. 114
- 2
- Intellectual Constructions: "Ingenious Figures"
- p. 125
- 2.1
- Fuga and Other Polyphonic Means
- p. 126
- 2.2
- Imaginatio Crucis
- p. 132
- 3
- Towards Emphasis
- p. 137
- 3.1
- Saltus Duriusculi
- p. 137
- 3.2
- Dissonances
- p. 141
- 3.3
- Chromaticism and Alterations
- p. 145
- 4
- From Figure to Form
- p. 155
- 5
- Audite mortales
- p. 178
- Chapter 4
- Figures and Vernacular Language
- p. 187
- Chapter 5
- Oratorial Aspects of Instrumental Music
- p. 205
- 1
- Figures
- p. 207
- 2
- The Semantic Perspective
- p. 210
- Chapter 6
- Musical Rhetoricians
- p. 225
- 1
- Mikolaj Zielenski
- p. 225
- 2
- Franciszek Lilius
- p. 228
- 3
- Marcin Mielczewski
- p. 229
- 4
- Bartlomiej Pekiel
- p. 231
- 5
- Jacek Rózycki
- p. 233
- 6
- Damian Stachowicz
- p. 236
- 7
- Stanislaw Sylwester Szarzynski
- p. 240
- 8
- Grzegorz Gerwazy Gorczycki
- p. 243
- Chapter 7
- The European Context
- p. 251
- 1
- Polish Music Versus Imports
- p. 252
- 2
- A Distance to Masters
- p. 264
- 3
- In the Light of the Musical Theory of the Affects
- p. 287
- 4
- From the Point of View of the Aesthetic Dilemmas of the Baroque
- p. 294
- Conclusion
- p. 307
- Catalogue of Figures
- p. 311
- Editorial Note
- p. 367
- Bibliography
- p. 371
- 1
- Musical Scores
- p. 371
- 1.1
- Printed Editions
- p. 371
- 1.2
- Manuscripts
- p. 378
- 2
- Literature
- p. 379
- 2.1
- Source Texts
- p. 379
- 2.2
- Studies
- p. 381
- Index
- p. 401
