Contested interpretations of the past in Polish, Russian, and Ukrainian film
| Titel: | Contested interpretations of the past in Polish, Russian, and Ukrainian film : screen as battlefield / edited by Sander Brouwer |
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| Beteiligt: | |
| Veröffentlicht: | Leiden; Boston : Brill Rodopi, [2016] |
| Umfang: | xvi, 187 Seiten : Illustrationen |
| Format: | Buch |
| Sprache: | Englisch |
| Schriftenreihe/ mehrbändiges Werk: |
Studies in Slavic literature and poetics ; volume 60 |
| RVK-Notation: |
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| ISBN: | 9789004311725 ; 9789004311749 |
| Hinweise zum Inhalt: |
Inhaltsverzeichnis
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- Acknowledgements
- A Note on Transliteration
- Introduction
- p. ix
- Between the Poetic and the Documentary: Ukrainian Cinema's Responses to World War II
- p. 1
- "Wanna Be in the New York Times?": Epic History and War City as Global Cinema
- p. 21
- At War: Polish-Russian Relations in Recent Polish Films
- p. 41
- Displacement, Suffering and Mourning: Post-war Landscapes in Contemporary Polish Cinema
- p. 59
- "I Am Afraid of this Land": The Representation of Russia in Polish Documentaries about the Smolensk Plane Crash
- p. 77
- "Nuclear Belonging": "Chernobyl" in Belarusian, Ukrainian (and Russian) films
- p. 95
- From Empire to Smuta and back. The Mythopoetics of Cyclical History in Russian Film and TV-Documentaries
- p. 123
- Tsar Peter, Mazepa and Ukraine: A Love Triangle. lurii IIlienko's4 Prayer for hetman Mazepa
- p. 143
- Encircling an Unrepresentable Past: The Aesthetic of Trauma in Karen Shakhnazarov's Dreams (1993)
- p. 163
- Index
- p. 183
