Art beyond borders
| Titel: | Art beyond borders : artistic exchange in communist Europe (1945-1989) / edited by Jérôme Bazin, Pascal Dubourg Glatigny, and Piotr Piotrowski |
|---|---|
| Beteiligt: | ; ; |
| Veröffentlicht: | Budapest; New York : Central European University Press, 2015 |
| Umfang: | xiii, 494 Seiten, 24 ungezählte Seiten Bildtafeln : Illustrationen, Karten |
| Format: | Buch |
| Sprache: | Englisch |
| Schriftenreihe/ mehrbändiges Werk: |
Leipzig studies on the history and culture of East-Central Europe ; volume 3 |
| RVK-Notation: | |
| ISBN: | 9789633860830 |
| Hinweise zum Inhalt: |
Inhaltsverzeichnis
|
X
- List of Illustrations
- p. ix
- Making Critical Art History in a Time of Academic Conformism
- p. xi
- 1
- Introduction: Geography of Internationalism
- p. 1
- Part I
- Moving People
- 2
- The Moscow Underground Art Scene in an International Perspective
- p. 31
- 3
- The British Art Critic and the Russian Sculptor: The Making of John Berger's Art and Revolution
- p. 45
- 4
- Pop Art in the GDR: Willy Wolff's Dialogue with the West
- p. 57
- 5
- Twinkling Networks, Invisible Ties: On the Unofficial Contacts of Byelorussian Artists in the 1980s
- p. 71
- 6
- Chocolate, Pop and Socialism: Peter Ludwig and the GDR
- p. 81
- 7
- Gabriele Mucchi's Career Paths in Italy, Czechoslovakia and the GDR
- p. 91
- 8
- The Murals by Spanish Exile Josep Renau in Halle-Neustadt, a Socialist Town Built for Chemical Workers in the GDR
- p. 101
- 9
- Women Artists' Trajectories and Networks within the Hungarian Underground Art Scene and Beyond
- p. 113
- 10
- Heightened Alert: The Underground Art Scene in the Sights of the Secret Police-Surveillance Files as a Resource for Research into Artists' Activities in the Underground of the 1960s and 1970s
- p. 115
- Part II
- Moving Objects
- 11
- Remapping Socialist Realism: Renato Guttuso in Poland
- p. 139
- 12
- Picasso behind the Iron Curtain: From the History of the Postwar Reception of Pablo Picasso in East-Central Europe
- p. 151
- 13
- On Propagarede: The Late Period of the Romanian Artist M.H. Maxy
- p. 165
- 14
- Realism and Internationalism: On Neuererdiskussion by Willi Neubett (1969)
- p. 179
- 15
- Socialist Realism in Greece (1944-67)
- p. 191
- 16
- Constructive-Concrete Art in the GDR, Poland, and Hungary
- p. 201
- 17
- Nationalizing Modernism: Inhibitions of Hungarian and Czechoslovakian Avant-garde in Warsaw
- p. 209
- 18
- Avant-garde Construction: Leonhard Lapin and His Concept of Objective Art
- p. 225
- 19
- Fluxus in Prague: The Koncert Fluxu of 1966
- p. 241
- 20
- International Contact with Mail Art in the Spirit of Peaceful Coexistence: Birger Jesch's Mail Art Project (1980-81)
- p. 255
- Part III
- Gathering People
- 21
- (Socialist) Realism Unbound: The Effects of International Encounters on Soviet Art Practice and Discourse in the Khrushchev Thaw
- p. 267
- 22
- "Friendly Atmospheres"? The Union Internationale des Architectes between East and West in the 1950s
- p. 297
- 23
- Zagreb as the Location of the "New Tendencies" International Art Movement (1961-73)
- p. 311
- 24
- The Graphic Arts Biennials in the 1950s and 1960s: The Slim "Cut" in the Iron Curtain-The Bulgarian Case
- p. 323
- 25
- The Biennale der Ostseeländer. The GDR's Main International Arts Exhibition
- p. 335
- 26
- Czechoslovakia at the Venice Biennale in the 1950s
- p. 345
- 27
- "Biennale of Dissent" (1977); Nonconformist Art from the USSR in Venice
- p. 357
- 28
- Correcting the Czech(oslovakian) Error: The Cooperation of Hungarian and Czechoslovakian Artists in the Face of the Warsaw Pact Invasion of Czechoslovakia
- p. 369
- 29
- Crossing the Border: The Foksal Gallery from Warsaw in Lausanne/Paris (1970) and Edinburgh (1972 and 1979)
- p. 381
- 30
- To Each Their Own Reality: The Art of the FRG and the GDR at the Musée d'Art Moderne de la Ville de Paris in 1981
- p. 393
- Part IV
- Defining Europe
- 31
- Moscow-Paris-Havana-Mexico, 1945-60
- p. 405
- 32
- A Dying Colonialism, a Dying Orientalism: Algeria, 1951
- p. 423
- 33
- Global Socialist Realism: The Representation of Non-European Cultures in Polish Art of the 1950s
- p. 439
- 34
- The Influence of Kathe Kollwitz on Chinese Creation: Between Expressionism and Revolutionary Realism
- p. 453
- 35
- The Eastern Connection: Depictions of Soviet Central Asia
- p. 461
- 36
- The Visualization of the Third Way in Tito's Yugoslavia
- p. 473
- Name Index
- p. 485
