Six Canonical Projects by Rem Koolhaas
| Titel: | Six Canonical Projects by Rem Koolhaas |
|---|---|
| Verfasser: | |
| Veröffentlicht: | [Erscheinungsort nicht ermittelbar] : jovis Verlag, 2015 |
| Umfang: | 1 electronic resource (370 Seiten p.) |
| Format: | E-Book |
| Sprache: | Englisch |
| RVK-Notation: | |
| ISBN: | 9783868592191 |
X
- Acknowledgments
- p. 8
- Introduction
- p. 9
- Biographical Notes
- p. 25
- 1
- Wall: Exodus, or the Voluntary Prisoners of Architecture, London 1972
- p. 31
- The Walt as a Means of Division, Exclusion, and Difference
- p. 33
- Good Half and Bad Half of the City: Exodus, or The Voluntary Prisoners of Architecture
- p. 33
- Decision-Making and the Authority of the Plan
- p. 42
- Somatology and the Fictitious Entity of the Prison
- p. 49
- Deterministic Form and Flexibility
- p. 52
- Delimiting the World and Enabling Difference
- p. 57
- Taking Place and the Sacred Nature of City Walls
- p. 59
- The Ideal City and Other Models of Utopian Life
- p. 63
- The Closed and the Open Society as Ideal Worlds
- p. 63
- Nova Insula Utopia, or The Nowhere Place
- p. 66
- Urban Vacancy and the Disappearance of Public Space
- p. 68
- Reinventing Utopia, or Daily Life Beyond Necessity
- p. 70
- Utopia Zero Degree, or Freedom Beyond Planning
- p. 73
- The Manhattan Skyscraper as Utopia Zero Degree
- p. 73
- The City as Script and Social Condenser
- p. 76
- Amplifying the Program within Structures of Control
- p. 80
- The Wall as a Means of Freedom Beyond Planning
- p. 82
- 2
- Void: Ville Nouvelle Melun-Sénart, Paris 1987
- p. 87
- Failed Agencies of Modern Urbanism
- p. 89
- Planning Makes No Difference
- p. 89
- Chaos and Nothingness: Ville Nouvelle Melun-Sénart
- p. 91
- Metropolis and Disorder, or The City Without Qualities
- p. 99
- Void and Future Development
- p. 105
- The Watertight Formula of the Modern City
- p. 105
- Tabula Rasa and Prospective Preservation
- p. 109
- The Grid as Field of Projection
- p. 112
- Void as Environment of Control and Choice
- p. 116
- Infrastructure and Kit-of-Parts Architecture
- p. 116
- Experiments of the Non-Plan and the Unhouse
- p. 119
- The City as Social Work of Art
- p. 122
- The Armature of Genericity
- p. 125
- Critical Theory and the Architect's Status
- p. 125
- The End of the Dialectic City
- p. 129
- The Operating System of the Roma Quadrats
- p. 131
- City Planning and Bricolage Technique
- p. 135
- 3
- Montage: Maison À Bordeaux, France 1994-1998
- p. 139
- Dismantling Modernist Fragments
- p. 141
- The Armature of Modernism: The Maison à Bordeaux
- p. 141
- Architectural Promenade and Sequential Perception
- p. 144
- Dismantlement and Disappearance
- p. 151
- Between Modernist and Surrealist Ideas
- p. 157
- Transgression and the Accursed Share in Architecture
- p. 165
- The Rational and Irrational Side of Architecture
- p. 168
- Architecture as Paranoid Critical Activity
- p. 168
- Maritime Analogy
- p. 171
- Un Cadavre Exquis
- p. 175
- Metaphoric Planning and the Skyscraper Diagram
- p. 177
- Montage and Filmic Reality
- p. 181
- The Metropolis as Manifesto of Modem Life
- p. 181
- Inventing Reality through Writing
- p. 185
- Post-Structuralist Theory, or The Whole, Real, There
- p. 189
- Montage and Creative History
- p. 193
- 4
- Trajectory: Dutch Embassy, Berlin 1999-2003
- p. 199
- The Trajectory as Lived Experience of the Body
- p. 201
- The Wail and the Cube: The Dutch Embassy in Berlin
- p. 201
- The Pliable Surface as Inside-Out City
- p. 208
- The Car as Modernist Sign of Motion and Lived Experience
- p. 215
- Psychogeographic Mapping of the City
- p. 217
- Architecture as Event, Transcript, and Folie
- p. 222
- Identity and Aura, or The Trajectory as Historical Narrative
- p. 227
- Historical Aura as Source of Identity
- p. 227
- Displacement, Appropriation, and Erasure of Identity
- p. 232
- Projecting National Identity, or The Typical and the Unique
- p. 235
- The Dioscuri Motif, or Standardization and Individuality
- p. 237
- Junkspace as the End of the Typical and the Generic
- p. 241
- The Typical and the Generic
- p. 241
- Junkspace as Dérive
- p. 245
- Generic versus Brand
- p. 248
- Typology and Flexibility, or Frame for Change
- p. 253
- TheTrajectory as Diagram of Performance
- p. 255
- 5
- Infrastructure: Public Library, Seattle 1999-2004
- p. 261
- Expanding the Program of Semi-Public Space
- p. 263
- Structures for Non-Specific Events
- p. 263
- The Diagrammatic Section: The Seattle Public Library
- p. 267
- Stable and Unstable Zones, or The Event-Structure of Semi-Public Space
- p. 273
- Infrastructure Diagrams of Circulation
- p. 277
- The Dialectic between Needle and Globe Structure
- p. 277
- The Elevator as a Diagram of Discontinuity
- p. 283
- The Escalator as a Diagram of Continuity and Circulation
- p. 288
- Shopping and the Public Sphere
- p. 291
- Technological Determinism and the Public Sphere
- p. 294
- The Technological Sublime as Social Event
- p. 294
- Infrastructural Techno-Utopias
- p. 298
- Public Space as "Air-Conditioning Project"
- p. 300
- 6
- Shape: CCTV, Beijing 2002-2008
- p. 305
- The Outdated Typology of the Skyscraper
- p. 307
- An Adaptive Species: The CCTV Building in Beijing
- p. 307
- New Typologies of the City
- p. 310
- Shape as Content and Container
- p. 315
- Neo-Liberal Conditions of Architectural Practice
- p. 317
- Plasticity, or The Dialectic between Form and Shape
- p. 317
- Post-Criticality
- p. 321
- Originality and the Avant-Garde
- p. 324
- Conclusion
- p. 329
- Bibliography
- p. 338
- Name Index
- p. 355
- Imprint
- p. 368
