Musicians' mobilities and music migrations in early modern Europe
| Titel: | Musicians' mobilities and music migrations in early modern Europe : biographical patterns and cultural exchanges / Gesa zur Nieden, Berthold Over (eds.) |
|---|---|
| Beteiligt: | ; |
| Veröffentlicht: | Bielefeld : transcript, [2016] |
| Umfang: | 428 Seiten : Illustrationen, Diagramme, Karten, Notenbeispiele ; 22.5 cm x 14.8 cm, 468 g |
| Format: | Buch |
| Sprache: | Englisch |
| Schriftenreihe/ mehrbändiges Werk: |
Mainz historical cultural sciences ; Volume 33 |
| RVK-Notation: | |
| ISBN: | 383763504X ; 9783837635041 ; 9783839435045 |
| Hinweise zum Inhalt: |
Inhaltsverzeichnis
Hinweise zum Inhalt |
X
- Preface
- p. 9
- Roads "which are commonly wonderful for the musicians" - Early Modern Times Musicians' Mobility and Migration
- p. 11
- Between Collective Biography and Biography: Cultural-Historical Approaches to Musicians' Migrations in the Early Modern Age
- Migration and Biography. The Case of Agostino Steffani
- p. 35
- "Try it elsewhere [...]" - Konrad Hagius and Musicians' Mobility in Early Modern Times in Light of Local and Regional Profile
- p. 51
- Competition at the Catholic Court of Munich. Italian Musicians and Family Networks
- p. 73
- From Munich to 'Foreign' Lands and Back Again. Relocation of the Munich Court and Migration of Musicians (c. 1690-1715)
- p. 91
- Migratory and Traveling Musicians at the Polish Royal Courts in the 17 th Century. The Case of Kaspar Förster the Younger
- p. 135
- Foreign Musicians at the Polish Court in the Eighteenth Century. The Case of Pietro Mira
- p. 151
- Luka Sorgo - a Nobleman and Composer from Dubrovnik
- p. 171
- MUSICI and MusMig. Continuities and Discontinuities
- p. 185
- Sources of Musicians' Migrations Between Court and City
- Musical Travels. Sources of Musicians' Tours and Migrations in the Seventeenth and Eighteenth Century
- p. 207
- "... und bißhero mein Glück in der Welt zu suchen..." - Notes on the Biography of Jonas Friederich Boenicke
- p. 227
- The Russian Experience. The Example of Filippo Balatri
- p. 241
- Soloists of the Opera Productions in Brno, Hole¿ov, Kromer¿and Vy¿kov. Italian Opera Singers in Moravian Sources c. 1720-1740 (Part I)
- p. 255
- Vienna Kärntnertortheater Singers in the Letters from Georg Adam Hoffmann to Count Johann Adam von Questenberg. Italian Opera Singers in Moravian Sources c. 1720-1740 (Part II)
- p. 275
- Dissemination and Transfer of Music and Music Theory Between Copies, Adaptations and References
- Estienne Roger's Foreign Composers
- p. 295
- From "Sonate a quattro" to "Concertos in Seven Parts". The Acclimatization of Two Compositions by Francesco Scarlatti
- p. 311
- Spread of Italian Libretti. Maria Clementina Sobieska Stuart - a Patron of Roman Operas
- p. 323
- Migration of Musical Repertoire. The Attems Music Collection from Around 1744
- p. 341
- The Case of Juraj Krizanic (1619-1683?) - His Texts on Music. From Artefacts to Cultural Study (Croatian Writers on Music and Transfer of Ideas in Their New Environments)
- p. 379
- People and Places in a (Music) Source. A Case Study of Giuseppe Michele Stratico and His Theoretical Treatises (Croatian Writers on Music and Transfer of Ideas in Their New Environments)
- p. 389
- List of Contributors
- p. 403
- Index of Persons
- p. 409
- Index of Places
- p. 425
