Editions of Chopin's works in the nineteenth century
| Titel: | Editions of Chopin's works in the nineteenth century : aspects of reception history / Wojciech Bońkowski |
|---|---|
| Verfasser: | |
| Veröffentlicht: | Frankfurt am Main; Bern; Bruxelles; New York; Oxford; Warszawa; Wien : PL Academic Research, [2016] |
| Umfang: | 364 Seiten : Illustrationen |
| Format: | Buch |
| Sprache: | Englisch |
| Schriftenreihe/ mehrbändiges Werk: |
Eastern European studies in musicology ; volume 7 |
| Andere Ausgaben: |
Erscheint auch als Online-Ausgabe. 10.3726/978-3-653-05465-1
|
| ISBN: | 9783631629413 ; 3631629419 ; 9783653054651 |
| Hinweise zum Inhalt: |
Hinweise zum Inhalt
Inhaltstext Inhaltsverzeichnis |
X
- Foreword
- p. 9
- Chapter 1
- State of research
- p. 17
- 1
- Music editing, History and theory
- p. 17
- 1.1
- Music editing as a specific form of scientific editing
- p. 17
- 1.2
- Historical research on music editions
- p. 18
- 2
- Chopin reception studies
- p. 23
- 3
- Studies on Chopin editions
- p. 26
- 3.1
- Research on manuscripts and other primary sources
- p. 28
- 3.2
- Research on later editions
- p. 30
- 3.3
- Editorial criticism of editions
- p. 31
- Chapter 2
- Editions of Chopin's works: sources and typology
- p. 35
- 1
- Chopin editions in the nineteenth and twentieth century. State of research
- p. 35
- 2
- Nineteenth-century theory of editing
- p. 36
- 3
- Typology of editions
- p. 49
- 3.1
- Music editions classification in the existing literature
- p. 49
- 3.2
- Typology of editions. Pragmatic criterion: goal of the edition
- p. 52
- 3.2.1
- Source editions (urtexts)
- p. 52
- 3.2.2
- Critical editions
- p. 55
- 3.2.3
- Practical (teaching) editions
- p. 58
- 3.2.4
- Interpretative (performing) editions
- p. 60
- 3.2.5
- Analytical editions
- p. 63
- 3.3
- Typology of editions. Source criterion: documentary base of the edition
- p. 69
- 3.3.1
- Editions based on original editions
- p. 70
- 3.3.2
- Editions based on documented compositional intentions
- p. 71
- 3.3.3
- Editions based on noncompositional sources
- p. 72
- 3.4
- Typology of editions. Other possible criteria
- p. 73
- 3.4.1
- Biographical criterion: the editor
- p. 73
- 3.4.2
- Philological criterion: scope and degree of editorial interventions
- p. 75
- Chapter 3
- Editions of Chopin's works: the historical perspective
- p. 77
- 1
- Legal and economic context of music editing in the nineteenth century
- p. 77
- 1.1
- Quantitative context: circulation
- p. 77
- 1.2
- Financial context
- p. 79
- 1.3
- Legal context: copyright
- p. 81
- 2
- Geographical distribution of editions
- p. 86
- 2.1
- Germany and Austria
- p. 86
- 2.2
- France
- p. 94
- 2.3
- United Kingdom and United States
- p. 95
- 2.4
- Russia
- p. 99
- 2.5
- Poland
- p. 101
- 2.6
- Other countries
- p. 103
- 3
- Distribution of editions by genre
- p. 104
- 3.1
- Editions of the different genres
- p. 104
- 3.2
- Most popular works
- p. 105
- Chapter 4
- Editions of Chopin's works: the analytical perspective
- p. 109
- 1
- Premises and contexts of analysis
- p. 109
- 2
- The Karl Klindworth edition
- p. 111
- 3
- French editions after the expiry of copyright
- p. 121
- 3.1
- Impressions and dating
- p. 126
- 3.1.1
- Édition Originale Brandus & C ie
- p. 128
- 3.1.2
- Édition Classique Heugel & C ie
- p. 136
- 3.2
- Musical text editing
- p. 143
- 4
- The case of an English edition of the Concertos
- p. 150
- 4.1
- Musical text editing
- p. 154
- 5
- Editions by the Warsaw house of Gebethner i Wolff
- p. 165
- 5.1
- Musical text editing
- p. 167
- 5.2
- Filiation of the different editions
- p. 175
- Chapter 5
- Editions of Chopin's works: the social and aesthetic perspective
- p. 191
- 1
- Editions of Chopin's works and the understanding of musical work in the nineteenth century
- p. 192
- 1.1
- Musical work identity in the nineteenth century
- p. 193
- 1.2
- Musical work versus performance and score in the nineteenth century
- p. 195
- 1.3
- Variants
- p. 198
- 2
- Editions of Chopin's works as a reflection of trends in performance
- p. 200
- 2.1
- Schools of Chopin playing
- p. 202
- 2.2
- Polish school: performing and editing issues
- p. 206
- 2.2.1
- An edition that never was: the Koczalski case
- p. 209
- 2.3
- The Polish-Viennese school: "dispersal of meanings"
- p. 213
- 2.4
- The French school: "in the shadow of shallow virtuosity"
- p. 217
- 2.5
- Germany: Chopin concretised
- p. 221
- 3
- Between salon and monument: ideologies in Chopin reception and editing
- p. 226
- 3.1
- Trivialisation and its strategies
- p. 226
- 3.1.1
- Change of substance
- p. 226
- 3.1.2
- Change of extramusical characteristics: Titles of Chopin's works
- p. 229
- 3.1.3
- Change of context: Chopin in the kindergarten and conservatoire
- p. 232
- 3.2
- Arbiter elegantiae: a different understanding of the salon
- p. 234
- 4
- Women in Chopin editions (or not)
- p. 240
- 4.1
- Feminism in musicological research
- p. 240
- 4.2
- Who consumed Chopin? The sociology of the salon
- p. 242
- 4.3
- From effeminacy to "sodomy." The dark side of femininity
- p. 246
- 4.4
- The circle of female students
- p. 249
- 5
- Editions of Chopin's works and national aspects of reception
- p. 257
- 5.1
- National differentiation of the repertoire
- p. 258
- 5.2
- Late works
- p. 263
- 5.3
- National paradigms of reception
- p. 265
- 5.3.1
- Poland: superficial familiarity
- p. 265
- 5.3.2
- France and Germany: appropriating Chopin
- p. 267
- 5.3.3
- England: a disease that needs to be cured
- p. 271
- 6
- The value of Chopin's works editions in the nineteenth century
- p. 276
- Bibliography
- p. 289
- A
- Sources
- p. 289
- 1
- Editions of Chopin's works
- p. 289
- 1.1
- Nineteenth century
- p. 289
- 1.2
- Twentieth century
- p. 300
- 2
- Publishers' catalogues
- p. 302
- B
- References
- p. 307
- List of illustrations
- p. 319
- Appendix
- p. 323
- Index of publishers
- p. 353
- Index of names
- p. 357
