Consuming music
| Titel: | Consuming music : individuals, institutions, communities, 1730-1830 / edited by Emily H. Green and Catherine Mayes |
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| Beteiligt: | ; |
| Veröffentlicht: | [2017] |
| Umfang: | VI, 255 Seiten : Illustrationen, Notenbeispiele |
| Format: | Buch |
| Sprache: | Englisch |
| Schriftenreihe/ mehrbändiges Werk: |
Eastman studies in music |
| RVK-Notation: |
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| ISBN: | 9781580465779 |
| Hinweise zum Inhalt: |
Inhaltsverzeichnis
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X
- Acknowledgments
- p. vii
- Introduction
- p. 1
- Part 1
- Selling Variety
- 1
- Music's First Consumers: Publishers in the Late Eighteenth Century
- p. 13
- 2
- Inside a Viennese Kunsthandlung: Artaria in 1784
- p. 29
- Part 2
- Edifying Readers
- 3
- Morality and the "Fair-Sexing" of Telemann's Faithful Music Master
- p. 65
- 4
- Eighteenth-Century Mediations of Music Theory: Meter, Tempo, and Affect in Print
- p. 102
- Part 3
- Marketing the Mundane
- 5
- Musical Style as Commercial Strategy in Romantic Chamber Music
- p. 127
- 6
- In Vienna "Only Waltzes Get Printed": The Decline and Transformation of the Contredanse Hongroise the Early Nineteenth Century
- p. 154
- 7
- The Power to Please: Gender and Celebrity Self-Commodification in the Early American Republic
- p. 176
- Part 4
- Cultivating Communities
- 8
- Exchanging Ideas in a Changing World: Adolph Bernhard Marx and the Berliner allgemeine musikalische Zeitung in 1824
- p. 205
- 9
- Parisian Opera between Commons and Commodity, ca. 1830
- p. 222
- List of Contributors
- p. 241
- Index
- p. 243
