Modernism and opera
| Titel: | Modernism and opera / edited by Richard Begam and Matthew Wilson Smith |
|---|---|
| Beteiligt: | ; |
| Veröffentlicht: | Baltimore : Johns Hopkins University Press, 2016 |
| Umfang: | viii, 378 Seiten : Notenbeispiele |
| Format: | Buch |
| Sprache: | Englisch |
| Schriftenreihe/ mehrbändiges Werk: |
Hopkins studies in modernism |
| RVK-Notation: | |
| ISBN: | 9781421420622 ; 9781421420639 |
| Hinweise zum Inhalt: |
Inhaltsverzeichnis
|
X
- Acknowledgments
- p. ix
- Introduction
- p. 1
- I
- World War I and Before: Crises of Gender and Theatricality
- 1
- Laughing at the Redeemer: Kundry and the Paradox of Parsifal
- p. 29
- 2
- Maeterlinck, Debussy, and Modernism
- p. 63
- 3
- Echoes of the Self: Cosmic Loneliness in Bartók's Duke Bluebeard's Castle
- p. 101
- II
- Interwar Modernism: Movement and Countermovement
- 4
- The Great War and Its Aftermath: Strauss and Hofmannsthal's "Third-Way Modernism"
- p. 129
- 5
- Adorno's Shifting Wozzeck
- p. 148
- 6
- Many Modernisms, Two Makropulos Cases: Capek, Janácek, and the Shifting Avant-Gardes of Interwar Prague
- p. 186
- 7
- Schoenberg, Modernism, and Degeneracy
- p. 206
- 8
- Gertrude Stein, Minimalism, and Modern Opera
- p. 244
- III
- Opera after World War II: Tensions of Institutional Modernism
- 9
- Stravinsky, Auden, and the Midcentury Modernism of The Rake's Progress
- p. 271
- 10
- Gloriana and the New Elizabethan Age
- p. 290
- 11
- One Saint in Eight Tableaux: The Untimely Modernism of Olivier Messiaen's Saint François d'Assise
- p. 315
- 12
- Saariaho's L'Amour de Loin: Modernist Opera in the Twenty-First Century
- p. 341
- Contributors
- p. 361
- Index
- p. 365
