Popular Cinemas in East Central Europe
| Titel: | Popular Cinemas in East Central Europe : Film Cultures and Histories / edited by Dorota Ostrowska, Francesco Pitassio and Zsuzsanna Varga |
|---|---|
| Beteiligt: | ; ; |
| Veröffentlicht: | London : I. B. Tauris, 2017 |
| Umfang: | xvi, 363 Seiten |
| Format: | Buch |
| Sprache: | Englisch |
| RVK-Notation: | |
| ISBN: | 9781784533977 |
X
- Figures
- p. viii
- Graphs
- p. viii
- Tables
- p. ix
- List of Contributors
- p. x
- Acknowledgements
- p. xv
- A Note on Naming Conventions
- p. xvi
- Introduction: European Popular Cinema: The Centre and Its Margins
- p. 1
- Part I
- Politics of Popular Cinema in the Interwar Period
- 1
- Czech Historical Film and Historical Traditions: The Merry Wives (1938)
- p. 31
- 2
- Starlets and Heart-throbs: Hungarian Cinema in the Inter war Period
- p. 47
- Part II
- Towards Socialism: Continuities and Ruptures
- 3
- The Stripping of His Charms: The Stability and Transformation of Oldrich Novy's Star Image (1936-55)
- p. 67
- 4
- Transformations: Hungarian Popular Cinema in the 1950s
- p. 85
- 5
- Postwar Czechoslovak Comedy: Thy Autonomisation of Parody, and Lemonade Joe (1964)
- p. 102
- Part III
- Socialist Film Cultures
- 6
- How To Be Loved? Three Takes on 'The Popular' in Socialist and Non-Socialist Cinema: The Popular and The People
- p. 123
- 7
- 'Humanist Screens': Foreign Cinema in Socialist Poland (1945-56)
- p. 136
- 8
- Poland's Wild West and East: Polish Westerns of the 1960s
- p. 157
- 9
- Film in Full Gallop: Aesthetics and the Equine in Poland's Epic Cinema
- p. 173
- 10
- The Czechoslovak-East German Co-production Tri ori¿ky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella: A Transnational Tale
- p. 184
- 11
- The Paradox of Popularity: The Case of the Socialist Crime Movie in Hungary
- p. 198
- Part IV
- Out of Socialism: Co-Habiting Models of Popular Cinema
- 12
- Popular Nostalgia: On Alternative Modes of Popular Cinema in Post-1989 Czech Production
- p. 215
- 13
- The Power of Love: Polish Post-communist Popular Cinema
- p. 233
- 14
- When Walls Fall: Families in Hungarian Films of the New Europe
- p. 248
- Part V
- National Cinemas and Globalised Film Cultures
- 15
- The 'Hollywood Factor' in the Most Popular Hungarian Films of the Period 1996-2014: When a Small Post-communist Cinema Meets a Mainstream One
- p. 263
- 16
- The Exhibition of Popular Cinema in the Czech Republic and Slovakia: After 1989 Within the Context of the European Union
- p. 282
- Bibliography
- p. 302
- Filmography
- p. 327
- Index
- p. 346
