Schenker studies
| Titel: | Schenker studies / edited by Hedi Siegel |
|---|---|
| Beteiligt: | |
| Veröffentlicht: | Cambridge : Cambridge University Press, 2009 |
| Umfang: | xii, 206 Seiten : Illustrationen ; 25 cm |
| Format: | Buch |
| Sprache: | Englisch |
| Schriftenreihe/ mehrbändiges Werk: |
Schenker studies / ed. by Hedi Siegel ; [1]  alle Bände anzeigen
|
| Andere Ausgaben: |
Online version: Schenker studies. - Cambridge : Cambridge University Press, 2009
|
| ISBN: | 0521106869 ; 9780521106863 |
X
- Preface
- Part I
- Historical Studies
- 1
- Introduction
- 2
- Schenkerian theory and manuscript studies: modes of interaction
- 3
- A source for Schenker's study of thorough bass: his annotated copy of J. S. Bach's Generalbassbuchlein
- 4
- Music and morphology: Goethe's influence on Schenker's thought
- 5
- Schenkerian theory and the analysis of Renaissance music
- 6
- Foreground, middleground and background: their significance in the history of tonality
- Part II
- Analytical Studies
- 7
- Introduction
- 8
- Dual-key movements
- 9
- J. S. Bach's 'binary' dance movements: form and voice leading
- 10
- Aspects of the Neapolitan sixth chord in Mozart's music
- 11
- Enharmonic transformation in the first movement of Mozart's Piano Concerto in C minor, K. 491
- 12
- Schenker and chromatic tonicisation: a reappraisal
- 13
- Departures from the norm in two songs from Schumann's
- 14
- Either/or
- Part III
- Schenker Studies Today
- 15
- Introduction
- 16
- Schenkerian theory in Great Britain: developments and responses
- 17
- The Americanisation of Heinrich Schenker
- Index
