Farewell to Shulamit

Titel: Farewell to Shulamit : Spatial and Social Diversity in the Song of Songs / Carsten L. Wilke
Verfasser:
Veröffentlicht: Berlin : De Gruyter, 2017
Umfang: 1 Online-Ressource
Format: E-Book
Sprache: Englisch
Schriftenreihe/
mehrbändiges Werk:
Jewish Thought, Philosophy, and Religion ; 2
Schlagworte:
ISBN: 9783110500882 ; 9783110498875 ; 9783110500547
alg: 41745887
001A    $06055:05-10-17 
001B    $01999:30-06-25 $t00:54:09.000 
001D    $06055:05-10-17 
001U    $0utf8 
001X    $00 
002@    $0Oax 
002C    $aText $btxt $2rdacontent 
002D    $aComputermedien $bc $2rdamedia 
002E    $aOnline-Ressource $bcr $2rdacarrier 
003@    $0417458878 
004A    $A978-3-11-050088-2 
004O    $A978-3-11-049887-5 $Sp 
004O    $A978-3-11-050054-7 $Sp 
004P    $010.1515/9783110500882 $S0 
006C    $0984547066 $aOCoLC 
007A    $0417458878 $aHEB 
007I    $0gruy-9783110500882 
007I    $0gruy470685 
009P    $3Cover $uhttp://www.degruyter.com/doc/cover/9783110500882.jpg 
009Q    $S0 $uhttps://doi.org/10.1515/9783110500882 $xR 
010@    $aeng 
010E    $erda 
011@    $a2017 
017B    $aZDB-23-DGG 
017B    $aZDB-23-GOA 
021A    $aFarewell to Shulamit $dSpatial and Social Diversity in the Song of Songs $hCarsten L. Wilke 
028A    $BVerfasser $#Wilke, Carsten L. $#Wilke, Carsten Lorenz $4aut $D20220215 $Ecgwrk $7114197687 $8Wilke, Carsten$Z1962- [Tp3] $9148525008 
033A    $pBerlin $nDe Gruyter 
033E    $pBerlin $nWalter de Gruyter GmbH 
034D    $a1 Online-Ressource 
036E    $aJewish Thought, Philosophy, and Religion $l2 
037A    $aDescription based on online resource; title from PDF title page (publisher's Web site, viewed Apr. 18, 2017) 
044A    $aAmman $N650 
044A    $aDionysos $N650 
044A    $aDionysus $N650 
044A    $aHellenistic Judaism $N650 
044A    $ahellenistisches Judentum $N650 
044A    $aHohelied $N650 
044A    $aSong of Songs $N650 
044K    $RLeón, Luis $R096153563 $RBibel $R085192821 $RBibel $R085771368 $#Das @Hohelied $#Hohes Lied $#Hoheslied $#Lied der Lieder $#Schirha-Schirim $#Song of Songs $#Song of Solomon $#Hld $#Cant $#Cnt $#Ct $#Song $#Sng $#Canticum canticorum $#Das @Hohelied Salomos $#Das @Hohe Lied $#Das @Hohe Lied Salomon $#Das @hohe Lied von Salomo $#Hohelied $#Hohelied $#Bibel $#Le @cantique des cantiques $#Les @Cantiques Salomon $#El @Cantar de los Cantares $#Il @Cantico dei cantici $#Liber canticum canticorum $#Das @Lied der Lieder von Schelomo $#Shir haShirim $#Shir ha-schirim $#Song of songs $#Canticles $#Cantar de cantares $#שיר השירים $#CH-ZuZBF $74072593-5 $8$aBibel$pHoheslied [Tu1] $9085204331 
044K    $RExegese $#Bible Social scientific criticism $#Critique sociologique $#Sozialwissenschaftliche Exegese $74200241-2 $8Sozialgeschichtliche Exegese [Ts1] $9086011308 
044K    $#Historischer Hintergrund $#Geschichtlicher Hintergrund $74128644-3 $8Zeithintergrund [Ts1] $9085447307 
045E    $c930 $c290 $c220 
047A    $aSacherschließung maschinell aus paralleler Ausg. übernommen 
047I    $aThe Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible’s most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song’s voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text’s strophic patterns and its references to historical realia, explores the poem’s artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros. 

lok: 41745887 3
101B    $023-04-18 $t16:27:35.000 
101C    $023-04-18 
101U    $0utf8 
145S/01 $a770 

exp: 41745887 3 1 #EPN
201B/01 $005-10-17 $t23:07:11.601 
201U/01 $0utf8 
203@/01 $01007958510 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a05-10-17 $bl 

lok: 41745887 5

exp: 41745887 5 1 #EPN
201B/01 $007-10-17 $t22:18:12.648 
201U/01 $0utf8 
203@/01 $01008249432 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a07-10-17 $bl 

lok: 41745887 6

exp: 41745887 6 1 #EPN
201B/01 $007-10-17 $t22:18:12.650 
201U/01 $0utf8 
203@/01 $01008249440 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a07-10-17 $bl 

lok: 41745887 8

exp: 41745887 8 1 #EPN
201B/01 $005-10-17 $t23:07:11.606 
201U/01 $0utf8 
203@/01 $01007958529 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a05-10-17 $bl 

lok: 41745887 10

exp: 41745887 10 1 #EPN
201B/01 $005-10-17 $t23:07:11.610 
201U/01 $0utf8 
203@/01 $01007958537 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a05-10-17 $bl 

lok: 41745887 11

exp: 41745887 11 1 #EPN
201B/01 $007-10-17 $t22:18:12.653 
201U/01 $0utf8 
203@/01 $01008249459 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a07-10-17 $bl 

lok: 41745887 13

exp: 41745887 13 1 #EPN
201B/01 $007-10-17 $t22:18:12.655 
201U/01 $0utf8 
203@/01 $01008249467 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a07-10-17 $bl 

lok: 41745887 21

exp: 41745887 21 1 #EPN
201B/01 $005-10-17 $t23:07:11.618 
201U/01 $0utf8 
203@/01 $01007958553 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a05-10-17 $bl 

lok: 41745887 23

exp: 41745887 23 1 #EPN
201B/01 $005-10-17 $t23:07:11.621 
201U/01 $0utf8 
203@/01 $01007958561 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a05-10-17 $bl 

lok: 41745887 24

exp: 41745887 24 1 #EPN
201B/01 $007-10-17 $t22:18:12.658 
201U/01 $0utf8 
203@/01 $01008249475 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a07-10-17 $bl 

lok: 41745887 25

exp: 41745887 25 1 #EPN
201B/01 $005-10-17 $t23:07:11.626 
201U/01 $0utf8 
203@/01 $0100795857X 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a05-10-17 $bl 

lok: 41745887 36

exp: 41745887 36 1 #EPN
201B/01 $007-10-17 $t22:18:12.664 
201U/01 $0utf8 
203@/01 $01008249491 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a07-10-17 $bl 

lok: 41745887 54

exp: 41745887 54 1 #EPN
201B/01 $022-05-20 $t16:52:13.191 
201C/01 $022-05-20 
201U/01 $0utf8 
203@/01 $01107626633 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a22-05-20 $bl 

lok: 41745887 69

exp: 41745887 69 1 #EPN
201B/01 $007-10-17 $t22:18:12.672 
201U/01 $0utf8 
203@/01 $01008249521 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a07-10-17 $bl 

lok: 41745887 71

exp: 41745887 71 1 #EPN
201B/01 $007-10-17 $t22:18:12.675 
201U/01 $0utf8 
203@/01 $0100824953X 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a07-10-17 $bl 

lok: 41745887 75

exp: 41745887 75 1 #EPN
201B/01 $007-10-17 $t22:18:12.679 
201U/01 $0utf8 
203@/01 $01008249548 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a07-10-17 $bl 

lok: 41745887 76

exp: 41745887 76 1 #EPN
201B/01 $007-10-17 $t22:18:12.688 
201U/01 $0utf8 
203@/01 $01008249556 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a07-10-17 $bl 

lok: 41745887 107

exp: 41745887 107 1 #EPN
201B/01 $022-05-20 $t16:52:13.195 
201C/01 $022-05-20 
201U/01 $0utf8 
203@/01 $01107626641 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a22-05-20 $bl 

lok: 41745887 204

exp: 41745887 204 1 #EPN
201B/01 $005-10-17 $t23:07:11.631 
201U/01 $0utf8 
203@/01 $01007958588 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a05-10-17 $bl 

lok: 41745887 205

exp: 41745887 205 1 #EPN
201B/01 $005-10-17 $t23:07:11.636 
201U/01 $0utf8 
203@/01 $01007958596 
204P/01 $010.1515/9783110500882 $S0 
208@/01 $a05-10-17 $bl
LEADER 00000cam a22000002c 4500
001 417458878
003 DE-603
005 20250630005409.0
007 cr||||||||||||
008 171005s2017 xx |||| o| u00||u|eng c
020 |a 9783110500882 
024 7 |a 10.1515/9783110500882  |2 doi 
035 |a (DE-599)HEB417458878 
040 |a DE-603  |b ger  |c DE-603  |d DE-603  |e rda 
041 |a eng 
084 |a 930  |a 290  |a 220  |q DE-101  |2 sdnb 
100 1 |a Wilke, Carsten  |d 1962-  |e Verfasser  |4 aut  |0 (DE-603)148525008  |0 (DE-588)114197687  |2 gnd 
245 0 0 |a Farewell to Shulamit  |b Spatial and Social Diversity in the Song of Songs  |c Carsten L. Wilke 
264 1 |a Berlin  |b De Gruyter  |c 2017 
264 2 |a Berlin  |b Walter de Gruyter GmbH 
300 |a 1 Online-Ressource 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
490 0 |a Jewish Thought, Philosophy, and Religion  |v 2 
500 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed Apr. 18, 2017) 
520 |a The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible’s most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song’s voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text’s strophic patterns and its references to historical realia, explores the poem’s artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros. 
630 0 7 |a Bibel  |p Hoheslied  |0 (DE-588)4072593-5  |0 (DE-603)085204331  |2 gnd 
650 7 |a Sozialgeschichtliche Exegese  |0 (DE-588)4200241-2  |0 (DE-603)086011308  |2 gnd 
650 7 |a Zeithintergrund  |0 (DE-588)4128644-3  |0 (DE-603)085447307  |2 gnd 
776 1 |z 9783110498875 
776 1 |z 9783110500547 
856 |u https://doi.org/10.1515/9783110500882  |x Resolving-System  |z kostenfrei 
856 4 2 |u http://www.degruyter.com/doc/cover/9783110500882.jpg  |3 Cover 
912 |a ZDB-23-DGG 
924 1 |9 603  |a (DE-603)1007958510  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1008249432  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1008249440  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1007958529  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1007958537  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1008249459  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1008249467  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1007958553  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1007958561  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1008249475  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)100795857X  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1008249491  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1107626633  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1008249521  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)100824953X  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1008249548  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1008249556  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1107626641  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1007958588  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1007958596  |b DE-603  |c HES  |d d