ha-Bamah ke-vayit araʿi
| Titel: | ha-Bamah ke-vayit araʿi : ha-teʾaṭron shel Dz'igan ṿe-Shumakher (1927-1980) = The stage as a temporary home : on Dzigan and Shumacher's theater (1927-1980) / Dyego Roṭman |
|---|---|
| Verfasser: | |
| Veröffentlicht: | Yerushalayim : Hotsaʾat sefarim ʿa. sh. Y.L. Magnes ha-Universiṭah ha-ʿIvrit, [2017] |
| Umfang: | 8, 344 Seiten : Illustrationen |
| Format: | Buch |
| Sprache: | Hebräisch |
| Schriftenreihe/ mehrbändiges Werk: |
מחקר ועיון |
| RVK-Notation: |
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| ISBN: | 9789657759301 ; 004503011624 |
| Hinweise zum Inhalt: |
Inhaltsverzeichnis
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[The @stage as a temporary home: on Dzigan and Schumacher’s theater, 1927–1980 (ha-Bamah ke-vayit araʻi: ha-te'aṭron shel Dz'igan ṿe-Shumakher, 1927–1980), by Diego Rotman, Jerusalem, Magnes Press, 2017, pp. 344, 98 NIS, ISBN 978-965-7759-30-1], 2019 $952253743X 044K $#דזשיגאן, שמעון $#Dz'igan, Shim`en $#Dzshigan, Shim`on $#Dzshigan $#דזשיגאן $#Dz'igan, Shimòn $#Dzigan, S. $#Dżigan, Szymon $#Dzigan, Szymon $#Dzigan, Shimen $7119178540 $8Dzigan, Shimon$Z1905-1980 [Tp1] $9087518589 044K $#Shumacher, Israel $#Shumacher, Yisroel $#Szumacher, Izrael $#Schumacher, Israel $7113920470X $8Shumacher, Ysrael$Z1908-1961 [Tp1] $9416221998 044K $RPolen-Litauen $RKongresspolen $RWestgalizien $RStaat Krakau $#Generalgouvernement Polen $#Polska $#Rzeczpospolita Polska $#Polska Rzeczpospolita Ludowa $#Poland $#Pologne $#République Polonaise $#Generalne Gubernatorstwo w Polsce $#Polish People's Republic $#Polska Rzeczpospolita Polen $#PRL $#RP $#Polen Generalgouvernement $#Polska Generalgouvernement $#Besetzte Polnische Gebiete $#Besetztes Gebiet in Polen $#Okupowane Polskie Obszary $#Obszary Okupowane w Polsce $#Volksrepublik Polen $#Polska Rosyjska $#Republic Polen $#Respublika Pol'ša $#Pol'skaja Narodnaja Respublika $#République de Pologne $#Polen Links der Weichsel $#Polska po Lewej Stronie Wisły $#Lenkija $#Polija $#Gubernija Carstva Pol'skago $#Republik Polen $74046496-9 $8Polen [Tg1] $9085129801 044K $RPalästina $RIsrael $#Israel $#Israel $#Medinat Jisrael $#Yiśraʾel $#Ereṣ Yiśraʾel $#Israël $#Etat d'Israël $#State of Israel $#Yiśrāʾēl $#Ereṣ Yiśrāʾēl $#Medînat Yiśrā'ēl $#Isrāʾīl $#Izrael $74027808-6 $8Israel [Tg1] $9085071153 044K $RTheaterwissenschaft $#Theater $#Théâtre $#Theaters $#Théâtres $#Theaterleben $#Theaterkultur $74059702-7 $8Theater [Ts1] $908516612X 044K $RJüdische Sprachen $RDeutsch $#Yiddish language $#Yiddish (langue) $#Lingua yiddish $#Lengua yiddish $#Hebräisch-Deutsch $#Jüdisch-Deutsch $74028614-9 $8Jiddisch [Ts1] $9085075620 045F $a909.04924094380904 $eDDC23BSB 045F/01 $a909.04924 045F/03 $f0904 045F/03 $g438 045F/03 $g5694 045G $a792.094380904 $eDDC23BSB 045G/01 $a792.09 045G/03 $f0904 045G/03 $g438 045G/03 $g5694 045R $aGeschichte 1927-1980 045Z $8NY 9250 [Tkv] $9410953997 045Z $8NY 4770 [Tkv] $9410953466 045Z $8AP 78867 [Tkv] $9407339582 046L $aHebräisch 047I $aThe Stage as a Temporary Home takes us through the fascinating stages in the life and career of the duo Shimen Dzigan and Isroel Shumacher, over the course of half a century - from the beginning of their work at the Ararat avant-garde Yiddish theater in Łodz, Poland, and to their Warsaw theater, where they produced bold, groundbreaking political satire. The book further discusses their wanderings through the Soviet Union during the Second World War and their attempt to revive Jewish culture in Poland after the Holocaust, and finally describes their arrival in Israel, first as guest performers and later as permanent residents. Despite the restrictions on Yiddish actors in Israel, the duo insisted on performing in their own language and succeeded in translating the new Israeli reality into unique and timely satire. In the 1950s, they voiced a political and cultural critique of a kind that was not heard on any of the Hebrew stages. After they parted ways, and following the death of Shumacher in 1961, Dzigan continued to perform on his own and with other Israeli artists until his death in 1980. The book is based on rare recordings, transcriptions, programs, personal diaries, letters, photographs, oral testimonies, and critical articles, all of which come together to create the first critical portrait of this extraordinary duo. The book also examines their art, the connection between theater and politics, and the complex relationship between majority culture and minority language. The study includes several valuable indexes: of titles of programs and plays, of the artists who participated in them, of writers and the drafts they wrote, of actors and the programs in which they participated, and a general name index. The book also includes a facsimile of the manuscript Der Nayer Dybbuk [The New Dybbuk] lok: 42672143 3 101B $019-04-21 $t12:04:19.000 101C $027-02-18 101U $0utf8 144Z/20 $aj18mai 145S/01 $a760 145S/02 $a931 145S/06 $a770 145Z/01 $a907 905 Nia 145Z/02 $a907 900 T 246 Nia 145Z/03 $a907 900 Ad 0100 Dzigan, S. 145Z/04 $a907 900 Ad 0100 Shumacher, Y. exp: 42672143 3 1 #EPN 201B/01 $002-05-18 $t11:01:27.000 201C/01 $027-02-18 201U/01 $0utf8 203@/01 $01018615369 208@/01 $a02-05-18 $bzAa 209A/01 $a90.942.35 $du $f000 $h90 942 35 $x00 209G/01 $a90942352 $x00 247C/01 $8601000-3 <30>Frankfurt, Universitätsbibliothek J. C. 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| 520 | |a The Stage as a Temporary Home takes us through the fascinating stages in the life and career of the duo Shimen Dzigan and Isroel Shumacher, over the course of half a century - from the beginning of their work at the Ararat avant-garde Yiddish theater in Łodz, Poland, and to their Warsaw theater, where they produced bold, groundbreaking political satire. The book further discusses their wanderings through the Soviet Union during the Second World War and their attempt to revive Jewish culture in Poland after the Holocaust, and finally describes their arrival in Israel, first as guest performers and later as permanent residents. Despite the restrictions on Yiddish actors in Israel, the duo insisted on performing in their own language and succeeded in translating the new Israeli reality into unique and timely satire. In the 1950s, they voiced a political and cultural critique of a kind that was not heard on any of the Hebrew stages. After they parted ways, and following the death of Shumacher in 1961, Dzigan continued to perform on his own and with other Israeli artists until his death in 1980. The book is based on rare recordings, transcriptions, programs, personal diaries, letters, photographs, oral testimonies, and critical articles, all of which come together to create the first critical portrait of this extraordinary duo. The book also examines their art, the connection between theater and politics, and the complex relationship between majority culture and minority language. The study includes several valuable indexes: of titles of programs and plays, of the artists who participated in them, of writers and the drafts they wrote, of actors and the programs in which they participated, and a general name index. The book also includes a facsimile of the manuscript Der Nayer Dybbuk [The New Dybbuk] | ||
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