The Routledge companion to expressionism in a transnational context

Titel: The Routledge companion to expressionism in a transnational context / edited by Isabel Wünsche
Beteiligt:
Veröffentlicht: New York; London : Routledge, 2019
Umfang: xxxvi, 582 Seiten : Illustrationen
Format: Buch
Sprache: Englisch
RVK-Notation:
Schlagworte:
ISBN: 9781138712553 ; 9781315200088
  • List of Illustrations
  • p. ix
  • Acknowledgments
  • p. xxviii
  • List of Contributors
  • p. xxx
  • Notes to the Reader
  • p. xxxvi
  • Expressionist Networks, Cultural Debates, and Artistic Practices: A Conceptual Introduction
  • p. 1
  • Part I
  • Central and Eastern Europe and the Baltic States
  • p. 31
  • 1
  • Prague-Brno: Expressionism in Context
  • p. 33
  • 2
  • Ko¿ice Modernism and Anton Jaszusch's Expressionism
  • p. 56
  • 3
  • Expressionism in Hungary: From the Neukunstgruppe to Der Sturm
  • p. 73
  • 4
  • Poznan Expressionism and Its Connections with the German and International Avant-Garde
  • p. 92
  • 5
  • Expressionist Networks in the Russian Empire, Soviet Russia, and the Soviet Union
  • p. 113
  • 6
  • Expressionism in Lithuania: From German Artistic Import to National Art
  • p. 134
  • 7
  • Expressionist Originality in Latvian Art: Between Confirmation and Destruction
  • p. 158
  • 8
  • The Ambivalent Affair of Estonian Expressionism
  • p. 173
  • Part II
  • Scandinavia
  • p. 189
  • 9
  • Expressionism in Denmark; Art and Discourse
  • p. 191
  • 10
  • Expressionisms in Sweden: Anti-Realism, Primitivism, and Politics in Painting and Print
  • p. 206
  • 11
  • Nationalism, Transnationalism, and the Discourses on Expressionism in Finland: From the November Group to Ina Behrsen-Colliander
  • p. 222
  • 12
  • Expressionism in Sámi Art: John Savio's Woodcuts of the 1920s and 1930s
  • p. 243
  • 13
  • Early Expressionism in Icelandic Art: Jón Stefánsson, Jóhannes Kjarval, and Finnur Jónsson
  • p. 257
  • Part III
  • Western Europe
  • p. 273
  • 14
  • Early Engagements: Peripheral British Responses to German Expressionism
  • p. 275
  • 15
  • Expressionism in the Netherlands
  • p. 295
  • 16
  • Flemish Expressionism in Belgium
  • p. 316
  • 17
  • Jewish Expressionists in France, 1900-1940
  • p. 332
  • 18
  • German Expressionism in Italy: Herwarth Walden's Der Sturm, the Berlin Novembergruppe, and the Modernist Circles of Florence, Turin, and Rome
  • p. 343
  • 19
  • Expressionism and the Spanish Avant-Garde between Restoration and Renovation
  • p. 365
  • 20
  • Portuguese Expressionism, or German Expressionism in Portugal?
  • p. 377
  • Part IV
  • Southeastern Europe
  • p. 393
  • 21
  • Expressionism in Slovenia: The Aspects of a Term
  • p. 395
  • 22
  • From Anxiety to Rebellion: Expressionism in Croatian Art
  • p. 408
  • 23
  • On New Art and Its Manifestations: Rethinking Expressionism in the Visual Arts in Belgrade
  • p. 426
  • 24
  • Tokens of Identity: Expressionisms in Romania around the First World War
  • p. 442
  • 25
  • Expressionism in Bulgaria: Critical Reflections in Art Magazines and the Graphic Arts
  • p. 465
  • Part V
  • Beyond Europe
  • p. 485
  • 26
  • Expressionism in Canada and the United States
  • p. 487
  • 27
  • Expressionism in Latin America and Its Contribution to the Modernist Discourse
  • p. 507
  • 28
  • The Expressionist Roots of South African Modernism
  • p. 525
  • Selected Bibliography
  • p. 542
  • Name Index
  • p. 553
  • Subject Index
  • p. 567
  • Geographical Index
  • p. 578