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004A $A978-0-8223-7240-0
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021A $aMaking Light $dHaydn, Musical Camp, and the Long Shadow of German Idealism $hRaymond Knapp
028A $BVerfasser $4aut $D20220215 $Ecgwrk $7173096220 $8Knapp, Raymond$Z1952- [Tp3] $9284699543
033A $pDurham $nDuke University Press
033E $pBaltimore, Md. $nProject MUSE
034D $a1 Online-Ressource (xix, 380 pages :)
034M $aIllustrations, music
037A $aIncludes bibliographical references (pages 343-366) and index
037A $aDescription based on print version record
044A $aMusic $xPhilosophy and aesthetics $N650
044A $aIdealism, German $N650
044A $aElectronic books $2local $N655
044K $RHaydn, Johann Michael $RKeller, Anna Maria $RKoller, Anna Maria $#Hayden, Giuseppe $#Hayden, Joseph $#Hayden $#Haydn $#Haydn, Frans Joseph $#Gajdn, Franc Iozef $#Haidn, Joseph $#Haydn, Giusseppe $#Haydn, Ioseph $#Hayd'n, I. $#Hayd'n, J. $#Haiden, Joseph $#Gajdn, Jozef $#Gaiden $#Heyden, Joseph $#Heydn, Ioseph $#Heydn, Joseph $#Haydn, Franz Josef $#Haydn, Franz J. $#Haydn, Jos. $#Haydn, J. $#Haydn, Iosephvs $#Haydn, Giuseppe $#Gajdn, Josef $#Haydn, Josef $#Haydn, Franz Joseph $#Gajdn, I. $#Haydn, Franz Joseph $#Hayden, Franz Joseph $#Haydn, Franz Joseph $#Haydn, F. J. $#Haydn, François Joseph $#Gajdn, I. $#Hydn, Franz Joseph $#Haydn, Franz-Joseph $#Gajdn, Iosif $#Gajdn, J. $7118547356 $8Haydn, Joseph$Z1732-1809 [Tp1] $9086888382
044K $RSystematische Musikwissenschaft $RMusikphilosophie $#Music Philosophy and aesthetics $#Musique Philosophie et esthétique $#Musik Ästhetik $74040808-5 $8Musikästhetik [Ts1] $9085111651
044K $RPhilosophie $RMusikästhetik $#Music Philosophy and aesthetics $#Musique Philosophie et esthétique $#Musik Philosophie $74123809-6 $8Musikphilosophie [Ts1] $9085410527
044K $RNachidealistische Philosophie $RIdealismus $#Idealism, German $#Idéalisme allemand $#Idealismo alemán $74011784-4 $8Deutscher Idealismus [Ts1] $9085025097
044K $RMusik $RTrivialmusik $#Popular music $#Musique populaire $#Populärmusik $#U-Musik $#Leichte Musik $#Populäre Musik $#Popularmusik $74061916-3 $8Unterhaltungsmusik [Ts1] $9085172243
044K $#Amerika $#Amerika $#Neue Welt $#Westliche Hemisphäre $#America $74001670-5 $8Amerika [Tg1] $9084995505
045B $a780.92 $eDDC23eng
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047A $aSacherschließung maschinell aus paralleler Ausg. übernommen
047I $aTraces the musical legacy of German Idealism as it led to the declining prestige of composers such as Haydn while influencing the development of American popular music in the nineteenth century. The author identifies in Haydn and in early popular American musical cultures such as minstrelsy and operetta a strain of high camp - a mode of engagement that relishes both the superficial and serious aspects of an aesthetic experience - that runs antithetical to German Idealism's musical paradigms. By considering the disservice done to Haydn by German Idealism alongside the emergence of musical camp in American popular music, the author outlines a common ground: a humanistically based aesthetic of shared pleasure that points to ways in which camp receptive modes might rejuvenate the original appeal of Haydn's music that has mostly eluded audiences. In so doing, the author remaps the historiographical modes and systems of critical evaluation that dominate musicology while troubling the divide between serious and popular music.
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