Migracje

Titel: Migracje : sztuka późnogotycka na Śląsku / autorzy not katalogowych: Jan Gromadzki, Zofia Herman-Templewicz, Ewa Houszka, Romuald Kaczmarek, Magdalena Karnicka, Małgorzata Kochanowska, Agnieszka Patała, Marek Perzchała, Jacek Witecki ; redakcja naukowa: Agnieszka Patała
Verfasser:
Beteiligt:
Körperschaft:
Veröffentlicht: Wrocław : Muzeum Narodowe we Wrocławiu, 2018
Umfang: 319 Seiten ; 31 cm
Format: Buch
Sprache: Polnisch
RVK-Notation:
Schlagworte:
ISBN: 9788365563675

The exhibition presents painting, sculpture and goldsmith work created in Silesia, and commissioned by the local inhabitants in other European locations from 1440 to 1520. In the words of the curator, Dr. Agnieszka Pataa, the title of this exhibition highlights the factor which played a decisive role in the specificity of Silesian towns, especially Wrocaw, and the nature of local artistic output. Indeed, the migrants of the title were the artists who left us really exceptional works which today are the pride and joy of many art collections in Poland and abroad. They arrived in Silesia from distant lands and settled in this region, establishing workshops which gave employment to a few other artisans, and worked on many commissions, often from faraway places. Among them were such artists as Wilhelm Kalteysen von Oche (whose revolutionary Altar of St. Barbara made in 1447 has been deservedly described as a "comet on the Silesian firmament"), and Jakob Beinhart, a talented and influential artist and entrepreneur originating from Bavarian Swabia, distinguished for their familiarity with the most important trends of the time, who created works able to elevate Silesian art to a leading position among the cultural heritage of what is now Poland, in the 15th and the early 16th cent. Naturally this phenomenon was not limited only to the period of 1440-1520, yet the Museum has in its possession several documented sources and some surviving artefacts from that time. They facilitate exceptionally precise analysis of the essence of such migrations, as well as following their stages, understanding the motivation of a migrant (an artist or a client) and finally, reading their intentions, the functioning and the influence exercised on the viewer of the created work.