Borrowed forms
| Titel: | Borrowed forms : the music and ethics of transnational fiction / Kathryn Lachman |
|---|---|
| Verfasser: | |
| Veröffentlicht: | Liverpool : Liverpool University Press, 2014 |
| Umfang: | 1 Online-Ressource (viii, 206 Seiten .) |
| Format: | E-Book |
| Sprache: | Englisch |
| ISBN: | 9781781387290 ; 178138729X ; 9781781385968 ; 1781385963 ; 9781781380307 ; 1781380309 |
X
alg: 46049203 001A $06055:04-03-20 001B $01999:04-03-25 $t23:40:41.000 001D $06055:04-03-20 001U $0utf8 001X $00 002@ $0Oax 002C $aText $btxt $2rdacontent 002D $aComputermedien $bc $2rdamedia 002E $aOnline-Ressource $bcr $2rdacarrier 003@ $0460492039 004A $A978-1-78138-729-0 004A $01-78138-729-X 004A $A978-1-78138-596-8 004A $01-78138-596-3 004A $A978-1-78138-030-7 004A $01-78138-030-9 006C $0900208002 $aOCoLC 007A $0460492039 $aHEB 007I $0JBK-10.2307/j.ctt18mbcbq 009Q $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $xH 010@ $aeng 011@ $a2014 013D $#Beiträge Formschlagwort $#Einzelbeiträge $#Sammelwerk Formschlagwort $74143413-4 $8Aufsatzsammlung [Ts1] $9085562742 017B $aZDB-39-JOA 021A $aBorrowed forms $dthe music and ethics of transnational fiction $hKathryn Lachman 028A $BVerfasser $#Lachman, Kathryn M. $4aut $D20231015 $Ecgwrk $71056971282 $8Lachman, Kathryn$Z1973- [Tp3] $9346646200 033A $pLiverpool $nLiverpool University Press 033E $pNew York $nJSTOR 034D $a1 Online-Ressource (viii, 206 Seiten .) 037A $aIncludes bibliographical references and index 044A $aFiction $S#0 $xHistory and criticism $y20th century $N650 044A $aMusic in literature $S#0 $N650 044A $aMusic and literature $S#0 $N650 044A $aTransnationalism in literature $S#0 $N650 044A $aLiterature and transnationalism $S#0 $N650 044A $aMusic and transnationalism $S#0 $N650 044A $aLiterary studies: post-colonial literature $2bicssc $S#7 $N650 044A $aBIOGRAPHY & AUTOBIOGRAPHY $2bisacsh $S#7 $xLiterary $N650 044A $aFiction $2fast $S#7 $N650 044A $aLiterature and transnationalism $2fast $S#7 $N650 044A $aMusic and literature $2fast $S#7 $N650 044A $aMusic and transnationalism $2fast $S#7 $N650 044A $aMusic in literature $2fast $S#7 $N650 044A $aTransnationalism in literature $2fast $S#7 $N650 044A $aTransnationalisierung $2gnd $S#7 $gMotiv $N650 044A $aErzähltechnik $2gnd $S#7 $N650 044A $aMusik $2gnd $S#7 $N650 044A $aMusic $S## $N653 044A $aCriticism, interpretation, etc $2fast $S#7 $N655 044K $RMusikalische Ikonographie $RMotiv $#Music in art $#Music in literature $74114652-9 $8Musik$gMotiv [Ts1] $9085343994 044K $RLiteraturtheorie $RPoetik $RErzählforschung $RNarrativität $#Discourse analysis, Narrative $#Narration (Rhetoric) $#Analyse du discours narratif $#Narration $#Análisis del discurso narrativo $#Narratologie $74152975-3 $8Erzähltheorie [Ts1] $9085640263 044K $RBuch $RSchriftsteller $#Literature $#Littérature $#Letteratura $#Literatura $#literature $#Literature $#Literatur $#Literatur $#Belletristik $#Dichtung Literatur $#Schöne Literatur $#Sprachkunst $#Wortkunst $74035964-5 $8Literatur [Tsz] $9085097128 044K $#Music $#Musique $#Musica $#music $#Music $#Musik $#Musik $74040802-4 $8Musik [Tsz] $9085111635 045B $a809/.9335780904 $eDDC23eng 045B $a809.304 045E $c780 047A $aSacherschließung maschinell aus paralleler Ausg. übernommen 047I $aA pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations. lok: 46049203 3 exp: 46049203 3 1 #EPN 201B/01 $004-03-20 $t22:52:07.871 201C/01 $004-03-20 201U/01 $0utf8 203@/01 $01085107671 208@/01 $a04-03-20 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 5 exp: 46049203 5 1 #EPN 201B/01 $018-02-22 $t18:30:59.818 201C/01 $018-02-22 201U/01 $0utf8 203@/01 $01183035519 208@/01 $a18-02-22 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 8 exp: 46049203 8 1 #EPN 201B/01 $004-03-20 $t22:52:07.883 201C/01 $004-03-20 201U/01 $0utf8 203@/01 $0108510768X 208@/01 $a04-03-20 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 10 exp: 46049203 10 1 #EPN 201B/01 $004-03-20 $t22:52:07.895 201C/01 $004-03-20 201U/01 $0utf8 203@/01 $01085107698 208@/01 $a04-03-20 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 11 exp: 46049203 11 1 #EPN 201B/01 $004-03-25 $t23:40:41.052 201C/01 $004-03-25 201U/01 $0utf8 203@/01 $01294468960 208@/01 $a04-03-25 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 13 exp: 46049203 13 1 #EPN 201B/01 $004-03-25 $t23:40:41.057 201C/01 $004-03-25 201U/01 $0utf8 203@/01 $01294468979 208@/01 $a04-03-25 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 21 exp: 46049203 21 1 #EPN 201B/01 $004-03-20 $t22:52:07.923 201C/01 $004-03-20 201U/01 $0utf8 203@/01 $0108510771X 208@/01 $a04-03-20 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 23 exp: 46049203 23 1 #EPN 201B/01 $004-03-20 $t22:52:07.939 201C/01 $004-03-20 201U/01 $0utf8 203@/01 $01085107728 208@/01 $a04-03-20 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 24 exp: 46049203 24 1 #EPN 201B/01 $004-03-25 $t23:40:41.060 201C/01 $004-03-25 201U/01 $0utf8 203@/01 $01294468987 208@/01 $a04-03-25 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 25 exp: 46049203 25 1 #EPN 201B/01 $004-03-20 $t22:52:07.951 201C/01 $004-03-20 201U/01 $0utf8 203@/01 $01085107736 208@/01 $a04-03-20 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 51 exp: 46049203 51 1 #EPN 201B/01 $004-03-25 $t23:40:41.063 201C/01 $004-03-25 201U/01 $0utf8 203@/01 $01294468995 208@/01 $a04-03-25 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 76 exp: 46049203 76 1 #EPN 201B/01 $004-03-25 $t23:40:41.069 201C/01 $004-03-25 201U/01 $0utf8 203@/01 $01294469010 208@/01 $a04-03-25 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 77 exp: 46049203 77 1 #EPN 201B/01 $004-03-25 $t23:40:41.071 201C/01 $004-03-25 201U/01 $0utf8 203@/01 $01294469029 208@/01 $a04-03-25 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 107 exp: 46049203 107 1 #EPN 201B/01 $004-03-25 $t23:40:41.074 201C/01 $004-03-25 201U/01 $0utf8 203@/01 $01294469037 208@/01 $a04-03-25 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 204 exp: 46049203 204 1 #EPN 201B/01 $004-03-20 $t22:52:07.969 201C/01 $004-03-20 201U/01 $0utf8 203@/01 $01085107744 208@/01 $a04-03-20 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH lok: 46049203 205 exp: 46049203 205 1 #EPN 201B/01 $004-03-20 $t22:52:07.983 201C/01 $004-03-20 201U/01 $0utf8 203@/01 $01085107752 208@/01 $a04-03-20 $bl 209S/01 $S0 $uhttps://www.jstor.org/stable/10.2307/j.ctt18mbcbq $XH
| LEADER | 00000cam a22000002c 4500 | ||
|---|---|---|---|
| 001 | 460492039 | ||
| 003 | DE-603 | ||
| 005 | 20250304234041.0 | ||
| 007 | cr|||||||||||| | ||
| 008 | 200304s2014 xx |||| o| u00||u|eng c | ||
| 020 | |a 9781781387290 | ||
| 020 | |a 178138729X | ||
| 020 | |a 9781781385968 | ||
| 020 | |a 1781385963 | ||
| 020 | |a 9781781380307 | ||
| 020 | |a 1781380309 | ||
| 035 | |a (DE-599)HEB460492039 | ||
| 040 | |a DE-603 |b ger |c DE-603 |d DE-603 | ||
| 041 | |a eng | ||
| 082 | 7 | |a 809/.9335780904 |2 23/eng | |
| 083 | 7 | |a 809.304 | |
| 084 | |a 780 |q DE-101 |2 sdnb | ||
| 100 | 1 | |a Lachman, Kathryn |d 1973- |e Verfasser |4 aut |0 (DE-603)346646200 |0 (DE-588)1056971282 |2 gnd | |
| 245 | 0 | 0 | |a Borrowed forms |b the music and ethics of transnational fiction |c Kathryn Lachman |
| 264 | 1 | |a Liverpool |b Liverpool University Press |c 2014 | |
| 264 | 2 | |a New York |b JSTOR | |
| 300 | |a 1 Online-Ressource (viii, 206 Seiten .) | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | |a A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations. | ||
| 650 | 7 | |a Musik |g Motiv |0 (DE-588)4114652-9 |0 (DE-603)085343994 |2 gnd | |
| 650 | 7 | |a Erzähltheorie |0 (DE-588)4152975-3 |0 (DE-603)085640263 |2 gnd | |
| 650 | 7 | |a Literatur |0 (DE-588)4035964-5 |0 (DE-603)085097128 |2 gnd | |
| 650 | 7 | |a Musik |0 (DE-588)4040802-4 |0 (DE-603)085111635 |2 gnd | |
| 655 | 7 | |a Aufsatzsammlung |2 gnd-content |0 (DE-588)4143413-4 |0 (DE-603)085562742 | |
| 856 | |u https://www.jstor.org/stable/10.2307/j.ctt18mbcbq |x Verlag |z kostenfrei | ||
| 912 | |a ZDB-39-JOA | ||
| 924 | 1 | |9 603 |a (DE-603)1085107671 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1183035519 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)108510768X |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1085107698 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1294468960 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1294468979 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)108510771X |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1085107728 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1294468987 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1085107736 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1294468995 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1294469010 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1294469029 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1294469037 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1085107744 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1085107752 |b DE-603 |c HES |d d | |
