Curating Contemporary Music Festivals
| Titel: | Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth |
|---|---|
| Verfasser: | |
| Ausgabe: | 1st ed. |
| Veröffentlicht: | Bielefeld : transcript Verlag, 2020 |
| Umfang: | 1 Online-Ressource (326 p.) |
| Format: | E-Book |
| Sprache: | Englisch |
| Schriftenreihe/ mehrbändiges Werk: |
Musik und Klangkultur ; 47 |
| RVK-Notation: | |
| ISBN: | 9783839452431 ; 9783837652437 |
X
alg: 47477959 001A $06055:14-01-21 001B $01999:11-12-24 $t22:57:45.000 001D $06055:14-01-21 001U $0utf8 001X $00 002@ $0Oax 002C $aText $btxt $2rdacontent 002D $aComputermedien $bc $2rdamedia 002E $aOnline-Ressource $bcr $2rdacarrier 003@ $0474779599 004A $A978-3-8394-5243-1 004O $A9783837652437 $Sp 007A $0474779599 $aHEB 007I $0utbscholars-9783839452431 009Q $S0 $uhttps://elibrary.utb.de/doi/book/10.5555/9783839452431 $xH 010@ $aeng 011@ $a2020 013D $RWissenschaftliche Literatur $#Dissertations, Academic $#Thèses et écrits académiques $74113937-9 $8Hochschulschrift [Ts1] $9085338818 017B $aZDB-41-SEL 017B $aZDB-41-UTBOA 021A $aCurating Contemporary Music Festivals $dA New Perspective on Music's Mediation $hBrandon Farnsworth 028A $BVerfasser $4aut $D20220215 $Ecgwrk $71172010064 $8Farnsworth, Brandon$Z1991- [Tp3] $9439126509 032@ $a1st ed. 033A $pBielefeld $ntranscript Verlag 033E $pStuttgart $nUTB GmbH 034D $a1 Online-Ressource (326 p.) 036E $aMusik und Klangkultur $l47 044K $RFestival $RMusikleben $#Musikfestival $#Musikfest $#Musikfestspiele $74170821-0 $8Musikfestspiel [Ts1] $908578429X 044K $RManagement $RKulturmanager $#Marketing de la culture $#Kulturmanagement $#Kulturbetriebslehre $74309943-9 $8Kulturmanagement [Ts1] $9086700286 045E $c780 045Z $8LR 56827 [Tkv] $9410193461 047A $aSacherschließung maschinell aus paralleler Ausg. übernommen 047I $aContemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. 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