Operatic Pasticcios in 18th-Century Europe
Titel: | Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / Gesa zur Nieden, Berthold Over |
---|---|
Beteiligt: | ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; |
Veröffentlicht: | Bielefeld : transcript-Verlag, [2021] |
Umfang: | 1 Online-Ressource (798 Seiten) |
Format: | E-Book |
Sprache: | Englisch |
Schriftenreihe/ mehrbändiges Werk: |
Mainzer Historische Kulturwissenschaften ; 45 |
ISBN: | 9783839448854 |
Hinweise zum Inhalt: |
Cover
|
alg: 47877794 001A $06055:06-05-21 001B $01999:28-11-23 $t23:18:09.000 001D $06055:06-05-21 001U $0utf8 001X $00 002@ $0Oax 002C $aText $btxt $2rdacontent 002D $aComputermedien $bc $2rdamedia 002E $aOnline-Ressource $bcr $2rdacarrier 003@ $0478777949 003O $01248759283 $aOCoLC 004A $A978-3-8394-4885-4 004P $010.1515/9783839448854 $S0 007A $0478777949 $aHEB 007I $0gruy-9783839448854 007I $0gruy583092 009P $A2 $3Cover $uhttps://www.degruyter.com/cover/covers/9783839448854.jpg 009Q $S0 $uhttps://doi.org/10.1515/9783839448854?locatt=mode:legacy $xR 009Q $S0 $uhttps://www.degruyter.com/isbn/9783839448854 $xH 010@ $aeng 010E $erda 011@ $a2021 $n[2021] 011F $n©2021 017B $aZDB-23-DGG 021A $aOperatic Pasticcios in 18th-Century Europe $dContexts, Materials and Aesthetics $hGesa zur Nieden, Berthold Over 028C $aAlbrecht-Hohmaier $dMartin 028C $aBellina $dAnna Laura 028C $aBertinetto $dAlessandro 028C $aBetzwieser $dThomas 028C $aBlichmann $dDiana 028C $aDöhl $dFrédéric 028C $aFinkel $dCarola 028C $aGölz $dTanja 028C $aHartmann $dTina 028C $aHerold $dKristin 028C $aJahn $dBernhard 028C $aKnaus $dKordula 028C $aKokole $dMetoda 028C $aKramer $dUrsula 028C $aKörner $dHans 028C $aKöster $dMaik 028C $aLandgraf $dAnnette 028C $aLanfossi $dCarlo 028C $aMarkuszewska $dAneta 028C $aMücke $dPanja 028C $aMądry $dAlina 028C $#ZurNieden, Gesa $#Nieden, Gesa zur $D20220215 $Ecgwrk $7140116176 $8Zur Nieden, Gesa$Z1978- [Tp3] $9219198721 028C $D20220215 $Ecgwrk $7135197848 $8Over, Berthold$Z1964- [Tp3] $920111142X 028C $aOver $dBerthold 028C $aPelliccia $dEmilia 028C $aPhilippi $dDaniela 028C $aPietschmann $dKlaus 028C $aRomagnoli $dAngela 028C $aRyszka-Komarnicka $dAnna 028C $aSpurgjasz $dKatarzyna 028C $aSpáčilová $dJana 028C $aStefani $dGianluca 028C $aStrohm $dReinhard 028C $aVeit $dJoachim 028C $aZedler $dAndrea 028C $aZsovár $dJudit 028C $azur Nieden $dGesa 028C $aŻórawska-Witkowska $dAlina 033A $pBielefeld $ntranscript-Verlag 033E $pBerlin $nWalter de Gruyter GmbH 034D $a1 Online-Ressource (798 Seiten) 036E $aMainzer Historische Kulturwissenschaften $l45 037A $aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 21. Apr 2021) 037I $aNamensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International $qDE-77 $2cc $uhttps://creativecommons.org/licenses/by-nc-nd/4.0/ $fCC BY-NC-ND 4.0 037J $aOpen Access $qDE-77 $2star $uhttps://purl.org/coar/access_right/c_abf2 $fUnrestricted online access 044A $aArt History $S#4 $N650 044A $aArt $S#4 $N650 044A $aArts $S#4 $N650 044A $aCultural History $S#4 $N650 044A $aEuropean Art $S#4 $N650 044A $aFine Arts $S#4 $N650 044A $aMusic Aesthetics $S#4 $N650 044A $aPastiche $S#4 $N650 044A $aWork Concept $S#4 $N650 044A $aART / History / General $2bisacsh $S#7 $N650 044A $aArt History $S## $N653 044A $aArt $S## $N653 044A $aArts $S## $N653 044A $aCultural History $S## $N653 044A $aEuropean Art $S## $N653 044A $aFine Arts $S## $N653 044A $aMusic Aesthetics $S## $N653 044A $aPastiche $S## $N653 044A $aWork Concept $S## $N653 044K $RMusiktheater $#Opera $#Opéra $#Operas $#Opéras $#Musikdrama $#Opern $74043582-9 $8Oper [Ts1] $9085121940 044K $74173505-5 $8Pasticcio [Ts1] $9085805661 045E $c780 $c700 045R $aGeschichte 1700-1800 047A $aSacherschließung maschinell aus paralleler Ausg. übernommen 047I $aIn Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. lok: 47877794 3 exp: 47877794 3 1 #EPN 201B/01 $012-09-23 $t23:33:27.346 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814240 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 5 exp: 47877794 5 1 #EPN 201B/01 $012-09-23 $t23:33:27.354 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814259 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 8 exp: 47877794 8 1 #EPN 201B/01 $012-09-23 $t23:33:27.358 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814267 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 10 exp: 47877794 10 1 #EPN 201B/01 $012-09-23 $t23:33:27.360 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814275 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 11 exp: 47877794 11 1 #EPN 201B/01 $012-09-23 $t23:33:27.363 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814283 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 13 exp: 47877794 13 1 #EPN 201B/01 $012-09-23 $t23:33:27.366 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814291 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 21 exp: 47877794 21 1 #EPN 201B/01 $012-09-23 $t23:33:27.372 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814313 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 23 exp: 47877794 23 1 #EPN 201B/01 $011-04-24 $t22:48:39.000 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814216 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 24 exp: 47877794 24 1 #EPN 201B/01 $012-09-23 $t23:33:27.377 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814321 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 25 exp: 47877794 25 1 #EPN 201B/01 $012-09-23 $t23:33:27.382 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $0123981433X 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 36 exp: 47877794 36 1 #EPN 201B/01 $012-09-23 $t23:33:27.384 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814348 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 49 exp: 47877794 49 1 #EPN 201B/01 $012-09-23 $t23:33:27.387 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814356 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 51 exp: 47877794 51 1 #EPN 201B/01 $012-09-23 $t23:33:27.389 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814364 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 58 exp: 47877794 58 1 #EPN 201B/01 $012-09-23 $t23:33:27.392 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814372 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 71 exp: 47877794 71 1 #EPN 201B/01 $012-09-23 $t23:33:27.395 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814380 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 75 exp: 47877794 75 1 #EPN 201B/01 $012-09-23 $t23:33:27.398 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814399 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 76 exp: 47877794 76 1 #EPN 201B/01 $012-09-23 $t23:33:27.402 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814402 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 77 exp: 47877794 77 1 #EPN 201B/01 $012-09-23 $t23:33:27.405 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814410 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 78 exp: 47877794 78 1 #EPN 201B/01 $028-11-23 $t11:44:37.000 201C/01 $028-11-23 201U/01 $0utf8 203@/01 $01249262232 208@/01 $a28-11-23 $be 209A/01 $a/ $f000 $x00 209A/01 $ab*p $x01 220C/01 $aeja 247C/01 $82080>Marburg/Lahn, Herder-Institut, Forschungsbibliothek, Bibliographieportal $9336309341 lok: 47877794 107 exp: 47877794 107 1 #EPN 201B/01 $012-09-23 $t23:33:27.409 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814429 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 108 exp: 47877794 108 1 #EPN 201B/01 $012-09-23 $t23:33:27.412 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814437 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 204 exp: 47877794 204 1 #EPN 201B/01 $006-02-24 $t22:57:11.000 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814224 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl lok: 47877794 205 exp: 47877794 205 1 #EPN 201B/01 $022-09-23 $t23:05:11.000 201C/01 $012-07-23 201U/01 $0utf8 203@/01 $01239814232 204P/01 $010.1515/9783839448854 $S0 208@/01 $a12-07-23 $bl
LEADER | 00000cam a22000002c 4500 | ||
---|---|---|---|
001 | 478777949 | ||
003 | DE-603 | ||
005 | 20231128231809.0 | ||
007 | cr|||||||||||| | ||
008 | 210506s2021 xx |||| o| u00||u|eng c | ||
020 | |a 9783839448854 | ||
024 | 7 | |a 10.1515/9783839448854 |2 doi | |
035 | |a (DE-599)HEB478777949 | ||
035 | |a (OCoLC)1248759283 | ||
040 | |a DE-603 |b ger |c DE-603 |d DE-603 |e rda | ||
041 | |a eng | ||
084 | |a 780 |a 700 |q DE-101 |2 sdnb | ||
245 | 0 | 0 | |a Operatic Pasticcios in 18th-Century Europe |b Contexts, Materials and Aesthetics |c Gesa zur Nieden, Berthold Over |
264 | 1 | |a Bielefeld |b transcript-Verlag |c [2021] | |
264 | 2 | |a Berlin |b Walter de Gruyter GmbH | |
264 | 4 | |c ©2021 | |
300 | |a 1 Online-Ressource (798 Seiten) | ||
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
490 | 0 | |a Mainzer Historische Kulturwissenschaften |v 45 | |
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Apr 2021) | ||
520 | |a In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. | ||
648 | 7 | |a Geschichte 1700-1800 |2 gnd | |
650 | 7 | |a Oper |0 (DE-588)4043582-9 |0 (DE-603)085121940 |2 gnd | |
650 | 7 | |a Pasticcio |0 (DE-588)4173505-5 |0 (DE-603)085805661 |2 gnd | |
700 | 1 | |a Albrecht-Hohmaier, Martin | |
700 | 1 | |a Bellina, Anna Laura | |
700 | 1 | |a Bertinetto, Alessandro | |
700 | 1 | |a Betzwieser, Thomas | |
700 | 1 | |a Blichmann, Diana | |
700 | 1 | |a Döhl, Frédéric | |
700 | 1 | |a Finkel, Carola | |
700 | 1 | |a Gölz, Tanja | |
700 | 1 | |a Hartmann, Tina | |
700 | 1 | |a Herold, Kristin | |
700 | 1 | |a Jahn, Bernhard | |
700 | 1 | |a Knaus, Kordula | |
700 | 1 | |a Kokole, Metoda | |
700 | 1 | |a Kramer, Ursula | |
700 | 1 | |a Körner, Hans | |
700 | 1 | |a Köster, Maik | |
700 | 1 | |a Landgraf, Annette | |
700 | 1 | |a Lanfossi, Carlo | |
700 | 1 | |a Markuszewska, Aneta | |
700 | 1 | |a Mücke, Panja | |
700 | 1 | |a Mądry, Alina | |
700 | 1 | |a Zur Nieden, Gesa |d 1978- |0 (DE-603)219198721 |0 (DE-588)140116176 |2 gnd | |
700 | 1 | |a Over, Berthold |d 1964- |0 (DE-603)20111142X |0 (DE-588)135197848 |2 gnd | |
700 | 1 | |a Over, Berthold | |
700 | 1 | |a Pelliccia, Emilia | |
700 | 1 | |a Philippi, Daniela | |
700 | 1 | |a Pietschmann, Klaus | |
700 | 1 | |a Romagnoli, Angela | |
700 | 1 | |a Ryszka-Komarnicka, Anna | |
700 | 1 | |a Spurgjasz, Katarzyna | |
700 | 1 | |a Spáčilová, Jana | |
700 | 1 | |a Stefani, Gianluca | |
700 | 1 | |a Strohm, Reinhard | |
700 | 1 | |a Veit, Joachim | |
700 | 1 | |a Zedler, Andrea | |
700 | 1 | |a Zsovár, Judit | |
700 | 1 | |a zur Nieden, Gesa | |
700 | 1 | |a Żórawska-Witkowska, Alina | |
856 | |u https://doi.org/10.1515/9783839448854?locatt=mode:legacy |x Resolving-System |z kostenfrei | ||
856 | |u https://www.degruyter.com/isbn/9783839448854 |x Verlag |z kostenfrei | ||
856 | 4 | 2 | |u https://www.degruyter.com/cover/covers/9783839448854.jpg |3 Cover |
912 | |a ZDB-23-DGG | ||
924 | 1 | |9 603 |a (DE-603)1239814240 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814259 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814267 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814275 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814283 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814291 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814313 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814216 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814321 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)123981433X |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814348 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814356 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814364 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814372 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814380 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814399 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814402 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814410 |b DE-603 |c HES |d d | |
924 | 1 | |9 2080 |a (DE-603)1249262232 |b DE-2080 |c HES |d d |g / | |
924 | 1 | |9 603 |a (DE-603)1239814429 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814437 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814224 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1239814232 |b DE-603 |c HES |d d |