« zurück zum Suchergebnis

Petra Maria Meyer (Hg.): acoustic turn

Titel:	Petra Maria Meyer (Hg.): acoustic turn / Thorsten Lorenz
Verfasser:	Lorenz, Thorsten
Veröffentlicht:	Marburg : Philipps-Universität Marburg, 2008 Marburg : Schüren, 2008
Umfang:	1 Online-Ressource
Format:	E-Book
Sprache:	Deutsch
Schlagworte:	Cage, John Chion, Michel Geräuschmusik Film Iconic Turn

alg: 48148007
001A    $06000:08-07-21 
001B    $06062:04-03-22 $t10:17:58.000 
001D    $06000:08-07-21 
001U    $0utf8 
001X    $00 
002@    $0Oax 
002C    $aText $btxt $2rdacontent 
002D    $aComputermedien $bc $2rdamedia 
002E    $aOnline-Ressource $bcr $2rdacarrier 
003@    $0481480072 
004P    $010.17192/ep2008.4.822 
004U    $0urn:nbn:de:101:1-2021060513001960198670 
006G    $01234813890 
006U    $021,O07 $f20210605 
007A    $01234813890 $aDNB 
009Q    $uhttps://doi.org/10.17192/ep2008.4.822 $xR 
009Q    $uhttps://nbn-resolving.org/urn:nbn:de:101:1-2021060513001960198670 $xR 
009Q    $qapplication/pdf $S0 $uhttps://mediarep.org/handle/doc/7328 $xH 
010@    $ager 
011@    $a2008 $n2008 
021A    $aPetra Maria Meyer (Hg.): acoustic turn $hThorsten Lorenz 
028A    $aLorenz $BVerfasser $dThorsten $4aut 
033A    $pMarburg $nPhilipps-Universität Marburg 
033A    $pMarburg $nSchüren 
034D    $a1 Online-Ressource 
037A    $aIn: Lorenz, Thorsten: Petra Maria Meyer (Hg.): acoustic turn. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 25 (2008) Nr. 4, S. 406–408 
044K    $qDNB $#Cage, John $#Cage, ... $#Kejdž, Džon $#Keĭdzh, Dzhon $#Kēji, Jon $#J. C. $#C., J. $#Cage, John Milton $emaschinell gebildet $7118518291 $8Cage, John$Z1912-1992 [Tp1] $9086859382 $k0,03091 
044K    $qDNB $#Chion, Michael $emaschinell gebildet $7122192478 $8Chion, Michel$Z1947- [Tp1] $9093417888 $k0,02970 
044K    $qDNB $RMusik $emaschinell gebildet $74806598-5 $8Geräuschmusik [Ts1] $9125282516 $k0,03333 
044K    $qDNB $RAudiovisuelles Material $#Cinematography $#Motion pictures $#Cinéma $#Películas cinematográficas $#Cine $#films $#Motion Pictures $#Film $#Film $#Kino Film $#Filmaufnahme $emaschinell gebildet $74017102-4 $8Film [Tsz] $9085039985 $k0,03022 
044K    $qDNB $RParadigmenwechsel $RBildwissenschaft $#Pictorial Turn $#Ikonische Wende $#Imagic Turn $#Visualistic Turn $emaschinell gebildet $7104870694X $8Iconic Turn [Ts1] $9337980020 $k0,02886 
045E    $c780 
046X    $aArchivierung/Langzeitarchivierung gewährleistet $5DE-101 

lok: 48148007 3

exp: 48148007 3 1 #EPN
201B/01 $009-07-21 $t22:47:17.480 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $01161086099 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 5

exp: 48148007 5 1 #EPN
201B/01 $025-02-22 $t18:32:07.690 
201C/01 $025-02-22 
201U/01 $0utf8 
203@/01 $01183615345 
208@/01 $a25-02-22 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 8

exp: 48148007 8 1 #EPN
201B/01 $009-07-21 $t22:47:17.485 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $01161086102 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 10

exp: 48148007 10 1 #EPN
201B/01 $009-07-21 $t22:47:17.489 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $01161086110 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 11

exp: 48148007 11 1 #EPN
201B/01 $009-07-21 $t22:47:17.495 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $01161086129 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 13

exp: 48148007 13 1 #EPN
201B/01 $009-07-21 $t22:47:17.499 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $01161086137 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 20

exp: 48148007 20 1 #EPN
201B/01 $009-07-21 $t22:47:17.504 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $01161086145 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 21

exp: 48148007 21 1 #EPN
201B/01 $009-07-21 $t22:47:17.509 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $01161086153 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 23

exp: 48148007 23 1 #EPN
201B/01 $009-07-21 $t22:47:17.514 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $01161086161 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 24

exp: 48148007 24 1 #EPN
201B/01 $009-07-21 $t22:47:17.519 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $0116108617X 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 25

exp: 48148007 25 1 #EPN
201B/01 $009-07-21 $t22:47:17.523 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $01161086188 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 51

exp: 48148007 51 1 #EPN
201B/01 $009-07-21 $t22:47:17.528 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $01161086196 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 58

exp: 48148007 58 1 #EPN
201B/01 $009-07-21 $t22:47:17.533 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $0116108620X 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 76

exp: 48148007 76 1 #EPN
201B/01 $009-07-21 $t22:47:17.538 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $01161086218 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 77

exp: 48148007 77 1 #EPN
201B/01 $002-03-22 $t23:08:11.474 
201C/01 $002-03-22 
201U/01 $0utf8 
203@/01 $0118396708X 
208@/01 $a02-03-22 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 107

exp: 48148007 107 1 #EPN
201B/01 $009-07-21 $t22:47:17.543 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $01161086226 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 204

exp: 48148007 204 1 #EPN
201B/01 $009-07-21 $t22:47:17.548 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $01161086234 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH 

lok: 48148007 205

exp: 48148007 205 1 #EPN
201B/01 $009-07-21 $t22:47:17.552 
201C/01 $009-07-21 
201U/01 $0utf8 
203@/01 $01161086242 
208@/01 $a09-07-21 $bl 
209S/01 $S0 $uhttps://mediarep.org/handle/doc/7328 $XH

LEADER	00000cam a22000002c 4500
001	481480072
003	DE-603
005	20220304101758.0
007	cr\|\|\|\|\|\|\|\|\|\|\|\|
008	210708s2008 xx \|\|\|\| o\| u00\|\|u\|ger
015			\|a 21,O07 \|2 dnb
016	7		\|2 DE-101 \|a 1234813890
024	7		\|a 10.17192/ep2008.4.822 \|2 doi
024	7		\|a urn:nbn:de:101:1-2021060513001960198670 \|2 urn
035			\|a (DE-599)DNB1234813890
040			\|a DE-603 \|b ger \|c DE-603 \|d DE-603
041			\|a ger
084			\|a 780 \|q DE-101 \|2 sdnb
100	1		\|a Lorenz, Thorsten \|e Verfasser \|4 aut
245	0	0	\|a Petra Maria Meyer (Hg.): acoustic turn \|c Thorsten Lorenz
264		1	\|a Marburg \|b Philipps-Universität Marburg \|c 2008
264		1	\|a Marburg \|b Schüren \|c 2008
300			\|a 1 Online-Ressource
336			\|a Text \|b txt \|2 rdacontent
337			\|a Computermedien \|b c \|2 rdamedia
338			\|a Online-Ressource \|b cr \|2 rdacarrier
500			\|a In: Lorenz, Thorsten: Petra Maria Meyer (Hg.): acoustic turn. In: MEDIENwissenschaft: Rezensionen \| Reviews, Jg. 25 (2008) Nr. 4, S. 406–408
600	1	7	\|8 1\p \|a Cage, John \|d 1912-1992 \|0 (DE-588)118518291 \|0 (DE-603)086859382 \|2 gnd
600	1	7	\|8 2\p \|a Chion, Michel \|d 1947- \|0 (DE-588)122192478 \|0 (DE-603)093417888 \|2 gnd
650		7	\|8 3\p \|a Geräuschmusik \|0 (DE-588)4806598-5 \|0 (DE-603)125282516 \|2 gnd
650		7	\|8 4\p \|a Film \|0 (DE-588)4017102-4 \|0 (DE-603)085039985 \|2 gnd
650		7	\|8 5\p \|a Iconic Turn \|0 (DE-588)104870694X \|0 (DE-603)337980020 \|2 gnd
856			\|u https://doi.org/10.17192/ep2008.4.822 \|x Resolving-System
856			\|u https://nbn-resolving.org/urn:nbn:de:101:1-2021060513001960198670 \|x Resolving-System
856			\|q application/pdf \|u https://mediarep.org/handle/doc/7328 \|x Verlag \|z kostenfrei
883	0		\|8 1\p \|a maschinell gebildet \|c 0,03091 \|q DE-101
883	0		\|8 2\p \|a maschinell gebildet \|c 0,02970 \|q DE-101
883	0		\|8 3\p \|a maschinell gebildet \|c 0,03333 \|q DE-101
883	0		\|8 4\p \|a maschinell gebildet \|c 0,03022 \|q DE-101
883	0		\|8 5\p \|a maschinell gebildet \|c 0,02886 \|q DE-101
924	1		\|9 603 \|a (DE-603)1161086099 \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)1183615345 \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)1161086102 \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)1161086110 \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)1161086129 \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)1161086137 \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)1161086145 \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)1161086153 \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)1161086161 \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)116108617X \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)1161086188 \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)1161086196 \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)116108620X \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)1161086218 \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)118396708X \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)1161086226 \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)1161086234 \|b DE-603 \|c HES \|d d
924	1		\|9 603 \|a (DE-603)1161086242 \|b DE-603 \|c HES \|d d

Petra Maria Meyer (Hg.): acoustic turn

Links

Folgen Sie uns auf...