Still Life
Titel: | Still Life |
---|---|
Verfasser: | |
Veröffentlicht: | Brooklyn, NY : punctum books, 2021 |
Umfang: | 1 Online-Ressource (154 Seiten) |
Format: | E-Book |
Sprache: | Englisch |
ISBN: | 9781953035684 |
alg: 48314720 001A $00026:04-08-21 001B $01999:04-06-25 $t15:51:34.000 001D $00026:04-08-21 001U $0utf8 001X $00 002@ $0Oax 002C $aText $btxt $2rdacontent 002D $aComputermedien $bc $2rdamedia 002E $aOnline-Ressource $bcr $2rdacarrier 003@ $0483147206 004A $A9781953035684 007A $0483147206 $aHEB 007I $0oapen-20.500.12657/50125 009Q $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $xH 010@ $aeng 010E $erda 011@ $a2021 017B $aZDB-94-OAL 021A $aStill Life 027A $aNotes on Barbara Loden's "Wanda" (1970) 028A $#Rogers, Anna Backman $#Rogers, Anna $#Backman Rogers, Anna Rebecca $D20231015 $Ecgwrk $71073231925 $8Backman Rogers, Anna$Z1981- [Tp1] $9361103212 033A $pBrooklyn, NY $npunctum books 033E $pThe Hague $nOAPEN Foundation 034D $a1 Online-Ressource (154 Seiten) 045E $c900 047I $a"There is indeed a ""miracle"" in the 1970 film Wanda. This film has survived, despite decades of neglect, to emerge into the fuliginous light of an era that may just be ready to strain at grasping its harsh and brutal truths -- truths that reveal the imbrication of the psychic in the social and the experiential in political structures. Barbara Loden's film dares to suggest that the social and ethical functions of art should not necessarily be redemptive – that salvation is a cheap and spurious form of consolation that few can afford in this world. This film, made by a woman who knew all too well what it means to be defined through and by her material circumstances (and her relationships to men), and that is so relentlessly ferocious in its refusal to assuage and comfort the viewer, has always been a form of future feminism. Wanda does not brook the comforts of positivity, of aspiration, or even the luxury of selfhood. This film, Still Life contends, is so radical in its feminist-anti-capitalist politics of refusal that we are still struggling to keep up with it. It delineates precisely how the personal is political and why this matters now more than ever. Wanda, a film about a woman who refuses to be saved or to save herself, who lacks the means and energy to alter anything in her life, who lives in a permanent state of blockage, impasse and failure is, as this publication suggests, the film of our contemporary moment." lok: 48314720 3 exp: 48314720 3 1 #EPN 201B/01 $004-08-21 $t23:32:13.742 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384526 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 5 exp: 48314720 5 1 #EPN 201B/01 $004-08-21 $t23:32:13.751 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384534 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 8 exp: 48314720 8 1 #EPN 201B/01 $004-08-21 $t23:32:13.759 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384542 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 10 exp: 48314720 10 1 #EPN 201B/01 $004-08-21 $t23:32:13.768 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384550 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 11 exp: 48314720 11 1 #EPN 201B/01 $004-08-21 $t23:32:13.776 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384569 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 13 exp: 48314720 13 1 #EPN 201B/01 $004-08-21 $t23:32:13.786 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384577 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 21 exp: 48314720 21 1 #EPN 201B/01 $004-08-21 $t23:32:13.803 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384593 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 23 exp: 48314720 23 1 #EPN 201B/01 $004-08-21 $t23:32:13.813 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384607 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 24 exp: 48314720 24 1 #EPN 201B/01 $004-08-21 $t23:32:13.820 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384615 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 25 exp: 48314720 25 1 #EPN 201B/01 $004-08-21 $t23:32:13.829 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384623 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 36 exp: 48314720 36 1 #EPN 201B/01 $004-08-21 $t23:32:13.837 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384631 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 51 exp: 48314720 51 1 #EPN 201B/01 $004-08-21 $t23:32:13.853 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384658 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 59 exp: 48314720 59 1 #EPN 201B/01 $004-08-21 $t23:32:13.870 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384674 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 75 exp: 48314720 75 1 #EPN 201B/01 $004-08-21 $t23:32:13.890 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384690 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 107 exp: 48314720 107 1 #EPN 201B/01 $004-08-21 $t23:32:13.899 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384704 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 108 exp: 48314720 108 1 #EPN 201B/01 $004-08-21 $t23:32:13.907 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384712 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 204 exp: 48314720 204 1 #EPN 201B/01 $004-08-21 $t23:32:13.916 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384720 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH lok: 48314720 205 exp: 48314720 205 1 #EPN 201B/01 $004-08-21 $t23:32:13.927 201C/01 $004-08-21 201U/01 $0utf8 203@/01 $01163384739 208@/01 $a04-08-21 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/50125 $XH
LEADER | 00000cam a22000002c 4500 | ||
---|---|---|---|
001 | 483147206 | ||
003 | DE-603 | ||
005 | 20250604155134.0 | ||
007 | cr|||||||||||| | ||
008 | 210804s2021 xx |||| o| u00||u|eng c | ||
020 | |a 9781953035684 | ||
035 | |a (DE-599)HEB483147206 | ||
040 | |a DE-603 |b ger |c DE-603 |d DE-603 |e rda | ||
041 | |a eng | ||
084 | |a 900 |q DE-101 |2 sdnb | ||
100 | 1 | |a Backman Rogers, Anna |d 1981- |0 (DE-603)361103212 |0 (DE-588)1073231925 |2 gnd | |
245 | 0 | 0 | |a Still Life |
246 | 1 | 3 | |a Notes on Barbara Loden's "Wanda" (1970) |
264 | 1 | |a Brooklyn, NY |b punctum books |c 2021 | |
264 | 2 | |a The Hague |b OAPEN Foundation | |
300 | |a 1 Online-Ressource (154 Seiten) | ||
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a "There is indeed a ""miracle"" in the 1970 film Wanda. This film has survived, despite decades of neglect, to emerge into the fuliginous light of an era that may just be ready to strain at grasping its harsh and brutal truths -- truths that reveal the imbrication of the psychic in the social and the experiential in political structures. Barbara Loden's film dares to suggest that the social and ethical functions of art should not necessarily be redemptive – that salvation is a cheap and spurious form of consolation that few can afford in this world. This film, made by a woman who knew all too well what it means to be defined through and by her material circumstances (and her relationships to men), and that is so relentlessly ferocious in its refusal to assuage and comfort the viewer, has always been a form of future feminism. Wanda does not brook the comforts of positivity, of aspiration, or even the luxury of selfhood. This film, Still Life contends, is so radical in its feminist-anti-capitalist politics of refusal that we are still struggling to keep up with it. It delineates precisely how the personal is political and why this matters now more than ever. Wanda, a film about a woman who refuses to be saved or to save herself, who lacks the means and energy to alter anything in her life, who lives in a permanent state of blockage, impasse and failure is, as this publication suggests, the film of our contemporary moment." | ||
856 | |u https://library.oapen.org/handle/20.500.12657/50125 |x Verlag |z kostenfrei | ||
912 | |a ZDB-94-OAL | ||
924 | 1 | |9 603 |a (DE-603)1163384526 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384534 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384542 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384550 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384569 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384577 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384593 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384607 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384615 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384623 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384631 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384658 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384674 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384690 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384704 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384712 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384720 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1163384739 |b DE-603 |c HES |d d |