Live music performance: the relationship between flow and music performance anxiety
| Titel: | Live music performance: the relationship between flow and music performance anxiety |
|---|---|
| Verfasser: | ; ; |
| Veröffentlicht: | Freiburg : Universität, 2021 |
| Umfang: | 1 Online-Ressource |
| Format: | E-Book |
| Sprache: | Englisch |
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alg: 48927095 001A $06000:06-01-22 001B $01999:01-03-22 $t22:53:00.000 001D $06000:06-01-22 001U $0utf8 001X $00 002@ $0Oax 002C $aText $btxt $2rdacontent 002D $aComputermedien $bc $2rdamedia 002E $aOnline-Ressource $bcr $2rdacarrier 003@ $0489270956 004P $010.3389/fpsyg.2021.725569 004U $0urn:nbn:de:bsz:25-freidok-2229948 006G $01247433137 006U $022,O01 $f20211213 007A $01247433137 $aDNB 009Q $uhttps://doi.org/10.3389/fpsyg.2021.725569 $xR 009Q $uhttps://nbn-resolving.org/urn:nbn:de:bsz:25-freidok-2229948 $xR 009Q $qapplication/pdf $S0 $uhttps://freidok.uni-freiburg.de/data/222994 $xH 010@ $aeng 010E $erda 011@ $a2021 $n2021 021A $aLive music performance: the relationship between flow and music performance anxiety 028A $BVerfasser $#Spahn, Claudia $4aut $7114166013 $8Spahn, Claudia$Z1963- [Tp1] $9148495745 028C $BVerfasser $4aut $8Krampe, Franziska [Tp3] $9465854303 028C $BVerfasser $4aut $7137337124 $8Nusseck, Manfred [Tp3] $9209327596 033A $pFreiburg $nUniversität 034D $a1 Online-Ressource 037A $aFrontiers in psychology. - 12 (2021) , 725569, ISSN: 1664-1078 037I $uhttp://rightsstatements.org/page/InC/1.0 $fIN COPYRIGHT 037J $aKein Open Access $2star $uhttp://purl.org/coar/access_right/c_16ec $fOnline access with authorization 045E $c780 046X $aArchivierung/Langzeitarchivierung gewährleistet $5DE-101 047I $aAbstract: Most studies exploring the relation between flow and Music Performance Anxiety (MPA) have focused on the disposition of generally experiencing flow and the occurrence of MPA. Little is known about the connection between experiencing flow and MPA as it relates to a specific performance. In this study, flow and MPA have been investigated in 363 orchestral musicians in relation to a particular live music performance. The musicians were asked to fill out a questionnaire immediately after a concert. Flow experience during the performance was measured using the Flow Short Scale. The Performance-specific Questionnaire on MPA (PQM) was used for MPA. The PQM addresses particular aspects of MPA and refers retrospectively to the time before and during the performance as well as to the moment of filling out the questionnaire after the performance. Using three scales, the functional coping, the perceived symptoms of MPA and self-efficacy were determined for each time point of the performance. The results showed that experiencing flow was on average higher among orchestral musicians compared to a sample of the general population. However, there were differences between the professional and non-professional musicians. All PQM scales showed significant correlations with the global flow scale. Regression analysis on the global flow score found that regarding the time before the performance the PQM scale symptoms of MPA were diametrically connected with the flow experience. The PQM scale functional coping was shown to be positively related to the flow during the performance. Moreover, high self-efficacy was found to be closely related with stronger flow experience. Furthermore, flow seems to have positive effects on functionally coping with MPA and the self-efficacy after the performance. 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