Persecution, Collaboration, Resistance. Music in the ‘Reichskommissariat Norwegen’ (1940–45)

Titel: Persecution, Collaboration, Resistance. Music in the ‘Reichskommissariat Norwegen’ (1940–45)
Verfasser:
Veröffentlicht: [Erscheinungsort nicht ermittelbar] : Waxmann Verlag, 2020
Umfang: 1 Online-Ressource (184 p.)
Format: E-Book
Sprache: Englisch
Schlagworte:
ISBN: 9783830991304 ; 9783830941309
alg: 49022457
001A    $06055:28-01-22 
001B    $01999:01-03-22 $t22:53:20.000 
001D    $06055:28-01-22 
001U    $0utf8 
001X    $00 
002@    $0Oax 
002C    $aText $btxt $2rdacontent 
002D    $aComputermedien $bc $2rdamedia 
002E    $aOnline-Ressource $bcr $2rdacarrier 
003@    $0490224571 
004A    $A978-3-8309-9130-4 
004A    $A978-3-8309-4130-9 
007A    $0490224571 $aHEB 
007I    $0doab-handle/20.500.12854/56031 
009Q    $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $xH 
010@    $aeng 
011@    $a2020 
013D    $RWissenschaftliche Literatur $RAufsatzsammlung $71071861417 $8Konferenzschrift [Ts1] $9359646190 $y2019 $zMünster (Westf) 
017B    $aZDB-94-OAB 
021A    $aPersecution, Collaboration, Resistance. Music in the ‘Reichskommissariat Norwegen’ (1940–45) 
028A    $aRupprecht $BVerfasser $dIna $4aut 
033A    $p[Erscheinungsort nicht ermittelbar] $nWaxmann Verlag 
033E    $pThe Hague $nOAPEN FOUNDATION 
034D    $a1 Online-Ressource (184 p.) 
037I    $2cc $uhttps://creativecommons.org/licenses/by-nc-sa/4.0/ 
037J    $aOpen Access $qDOAB $2star $uhttps://purl.org/coar/access_right/c_abf2 $fUnrestricted online access 
044A    $aArt $S## $N653 
044A    $aNordic $S## $N653 
044A    $aConcentration Camp $S## $N653 
044A    $aRepression $S## $N653 
044A    $aMusic Competition $S## $N653 
044A    $aPrison $S## $N653 
044A    $aAnne-Marie Ørbeck $S## $N653 
044A    $aSwedish Exile $S## $N653 
044A    $aTroop Entertainment $S## $N653 
044A    $aMusician $S## $N653 
044A    $aFemale $S## $N653 
044A    $aComposer $S## $N653 
044A    $aAcoustic Symbolism $S## $N653 
044A    $aSolace $S## $N653 
044A    $aOccupied Norway $S## $N653 
044A    $aGeirr Tveitt $S## $N653 
044A    $a1942 $S## $N653 
044A    $a1940 $S## $N653 
044A    $aLeisure $S## $N653 
044A    $aNorway $S## $N653 
044A    $aCompulsion $S## $N653 
044A    $aMusic Censorship $S## $N653 
044A    $aNorwegian Society of Composers $S## $N653 
044A    $a1945 $S## $N653 
044A    $aWar-Time $S## $N653 
044K    $#Music $#Musique $#Musica $#music $#Music $#Musik $#Musik $74040802-4 $8Musik [Tsz] $9085111635 
044K    $RKulturpolitik $74135111-3 $8Musikpolitik [Ts1] $9085497193 
044K    $#Norwegen Reichskommissariat $77567767-2 $8Reichskommissariat Norwegen [Tg1] $9185956866 
045E    $c780 
045R    $aGeschichte 1940-1945 
047A    $aSacherschließung maschinell aus paralleler Ausg. übernommen 
047I    $aWhen Germany invaded Norway on 9 April 1940, the long lasting bilateral relations changed fundamentally. Immediately, the administration of the ‘Reichskommissariat Norwegen’ (responsible for culture and therein music together with the Norwegian puppet regime’s department for culture) implemented the adaption to the new, official National Socialist guidelines. The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation. Including Norway into the international discourse on ‘Music and Nazism’, the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life. 

lok: 49022457 3

exp: 49022457 3 1 #EPN
201B/01 $014-02-22 $t09:25:52.000 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870344 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 5

exp: 49022457 5 1 #EPN
201B/01 $029-01-22 $t22:17:54.272 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870352 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 8

exp: 49022457 8 1 #EPN
201B/01 $029-01-22 $t22:17:54.279 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870360 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 10

exp: 49022457 10 1 #EPN
201B/01 $029-01-22 $t22:17:54.287 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870379 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 11

exp: 49022457 11 1 #EPN
201B/01 $029-01-22 $t22:17:54.294 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870387 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 13

exp: 49022457 13 1 #EPN
201B/01 $029-01-22 $t22:17:54.300 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870395 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 20

exp: 49022457 20 1 #EPN
201B/01 $029-01-22 $t22:17:54.307 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870409 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 21

exp: 49022457 21 1 #EPN
201B/01 $029-01-22 $t22:17:54.316 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870417 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 23

exp: 49022457 23 1 #EPN
201B/01 $029-01-22 $t22:17:54.324 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870425 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 24

exp: 49022457 24 1 #EPN
201B/01 $029-01-22 $t22:17:54.331 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870433 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 25

exp: 49022457 25 1 #EPN
201B/01 $029-01-22 $t22:17:54.337 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870441 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 51

exp: 49022457 51 1 #EPN
201B/01 $029-01-22 $t22:17:54.344 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $0117987045X 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 58

exp: 49022457 58 1 #EPN
201B/01 $029-01-22 $t22:17:54.351 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870468 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 76

exp: 49022457 76 1 #EPN
201B/01 $029-01-22 $t22:17:54.358 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870476 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 77

exp: 49022457 77 1 #EPN
201B/01 $001-03-22 $t22:53:20.575 
201C/01 $001-03-22 
201U/01 $0utf8 
203@/01 $01183839073 
208@/01 $a01-03-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 107

exp: 49022457 107 1 #EPN
201B/01 $029-01-22 $t22:17:54.365 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870484 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 204

exp: 49022457 204 1 #EPN
201B/01 $029-01-22 $t22:17:54.373 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870492 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH 

lok: 49022457 205

exp: 49022457 205 1 #EPN
201B/01 $029-01-22 $t22:17:54.381 
201C/01 $029-01-22 
201U/01 $0utf8 
203@/01 $01179870506 
208@/01 $a29-01-22 $bl 
209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/56031 $XH
LEADER 00000cam a22000002c 4500
001 490224571
003 DE-603
005 20220301225320.0
007 cr||||||||||||
008 220128s2020 xx |||| o| u10||u|eng c
020 |a 9783830991304 
020 |a 9783830941309 
035 |a (DE-599)HEB490224571 
040 |a DE-603  |b ger  |c DE-603  |d DE-603 
041 |a eng 
084 |a 780  |q DE-101  |2 sdnb 
100 1 |a Rupprecht, Ina  |e Verfasser  |4 aut 
245 0 0 |a Persecution, Collaboration, Resistance. Music in the ‘Reichskommissariat Norwegen’ (1940–45) 
264 1 |a [Erscheinungsort nicht ermittelbar]  |b Waxmann Verlag  |c 2020 
264 2 |a The Hague  |b OAPEN FOUNDATION 
300 |a 1 Online-Ressource (184 p.) 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
520 |a When Germany invaded Norway on 9 April 1940, the long lasting bilateral relations changed fundamentally. Immediately, the administration of the ‘Reichskommissariat Norwegen’ (responsible for culture and therein music together with the Norwegian puppet regime’s department for culture) implemented the adaption to the new, official National Socialist guidelines. The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation. Including Norway into the international discourse on ‘Music and Nazism’, the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life. 
648 7 |a Geschichte 1940-1945  |2 gnd 
650 7 |a Musik  |0 (DE-588)4040802-4  |0 (DE-603)085111635  |2 gnd 
650 7 |a Musikpolitik  |0 (DE-588)4135111-3  |0 (DE-603)085497193  |2 gnd 
651 7 |a Reichskommissariat Norwegen  |0 (DE-588)7567767-2  |0 (DE-603)185956866  |2 gnd 
655 7 |a Konferenzschrift  |y 2019  |z Münster (Westf)  |2 gnd-content  |0 (DE-588)1071861417  |0 (DE-603)359646190 
856 |u https://directory.doabooks.org/handle/20.500.12854/56031  |x Verlag  |z kostenfrei 
912 |a ZDB-94-OAB 
924 1 |9 603  |a (DE-603)1179870344  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870352  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870360  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870379  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870387  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870395  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870409  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870417  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870425  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870433  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870441  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)117987045X  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870468  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870476  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1183839073  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870484  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870492  |b DE-603  |c HES  |d d 
924 1 |9 603  |a (DE-603)1179870506  |b DE-603  |c HES  |d d