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Obraz jako obiekt teoretyczny̨

Titel:	Obraz jako obiekt teoretyczny̨ : studia z teorii i historii badań nad sztuką / pod redakcją Łukasza Kiepuszewskiego, Michała Haake, Piotra Juszkiewicza
Beteiligt:	Kiepuszewski, Łukasz (Herausgeber) ; Haake, Michał (Herausgeber) ; Juszkiewicz, Piotr (Herausgeber)
Ausgabe:	Wydanie I
Veröffentlicht:	Poznań : Wydawnictwo Naukowe UAM, 2020
Umfang:	216 Seiten, 36 ungezählte Seiten : Illustrationen ; 24 cm
Format:	Buch
Sprache:	Polnisch
Schriftenreihe/ mehrbändiges Werk:	Studia z teorii i historii badań nad sztuką ; tom 2
Schlagworte:	Konferenzschrift
ISBN:	9788323238393 ; 8323238391

Bemerkung:	Summaries in English At head of title: Uniwersytet im. Adama Mickiewicza w Poznaniu, Muzeum Narodowe w Poznaniu "Materiały Seminarium Metodologicznego Historii Sztuki im. Edwarda Aleksandra Raczyńskiego, Pałac w Rogalinie, 17-19 października 2019"--title page Papers from the conference held at Pałac w Rogalinie - Oddział Muzeum Narodowego w Poznaniu, October 17-19, 2019 Image as the Theoretical Object is a second in a series after Strong Images - Weak Images (2018). It is a collection of essays written as a result of art historian conference in Rogalin. These publication is focused is on the relation between work of art a various theoretical strategies employing their iconic potential. Individual papers contain analyses of various kind of conflicting relationships between discourse and visuality in the history of art and humanities. Conclusions derived from each case study allow to put forward questions in wider theoretical perspective. The authors of the considerations draw on different concepts from philosophy (including Plato, Walter Benjamin, Jacques Derrida) theory of visual arts Leon Battista Alberti, Wilhelm Worringer, Hans Sedlmayr, Timothy J. Clark, Hans Belting, Mieke Bal) and works of art from early modernity to contemporary times (Lorenzo Lotto, Edouard Manet, Marcel Duchamp, Paul Klee, Walter Gropius, Władysław Strzemiński, Robert Rumas)--press.amu.edu.pl Includes bibliographical references

Bemerkung:

Summaries in English
At head of title: Uniwersytet im. Adama Mickiewicza w Poznaniu, Muzeum Narodowe w Poznaniu
"Materiały Seminarium Metodologicznego Historii Sztuki im. Edwarda Aleksandra Raczyńskiego, Pałac w Rogalinie, 17-19 października 2019"--title page
Papers from the conference held at Pałac w Rogalinie - Oddział Muzeum Narodowego w Poznaniu, October 17-19, 2019
Image as the Theoretical Object is a second in a series after Strong Images - Weak Images (2018). It is a collection of essays written as a result of art historian conference in Rogalin. These publication is focused is on the relation between work of art a various theoretical strategies employing their iconic potential. Individual papers contain analyses of various kind of conflicting relationships between discourse and visuality in the history of art and humanities. Conclusions derived from each case study allow to put forward questions in wider theoretical perspective. The authors of the considerations draw on different concepts from philosophy (including Plato, Walter Benjamin, Jacques Derrida) theory of visual arts Leon Battista Alberti, Wilhelm Worringer, Hans Sedlmayr, Timothy J. Clark, Hans Belting, Mieke Bal) and works of art from early modernity to contemporary times (Lorenzo Lotto, Edouard Manet, Marcel Duchamp, Paul Klee, Walter Gropius, Władysław Strzemiński, Robert Rumas)--press.amu.edu.pl
Includes bibliographical references

Obraz jako obiekt teoretyczny̨

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