Associations between ancillary body movements and acoustic parameters of pitch, dynamics and timbre in clarinet playing
| Titel: | Associations between ancillary body movements and acoustic parameters of pitch, dynamics and timbre in clarinet playing |
|---|---|
| Verfasser: | ; ; ; |
| Veröffentlicht: | Freiburg : Universität, 2022 |
| Umfang: | 1 Online-Ressource |
| Format: | E-Book |
| Sprache: | Englisch |
X
alg: 49906552 001A $06000:08-09-22 001B $01999:10-09-22 $t02:02:58.000 001D $06000:08-09-22 001U $0utf8 001X $00 002@ $0Oax 002C $aText $btxt $2rdacontent 002D $aComputermedien $bc $2rdamedia 002E $aOnline-Ressource $bcr $2rdacarrier 003@ $0499065522 004P $010.3389/fpsyg.2022.885970 004U $0urn:nbn:de:bsz:25-freidok-2288299 006G $01265377693 006U $022,O09 $f20220815 007A $01265377693 $aDNB 009Q $uhttps://doi.org/10.3389/fpsyg.2022.885970 $xR 009Q $uhttps://nbn-resolving.org/urn:nbn:de:bsz:25-freidok-2288299 $xR 009Q $qzip $S0 $uhttps://freidok.uni-freiburg.de/data/228829 $xH 010@ $aeng 010E $erda 011@ $a2022 $n2022 021A $aAssociations between ancillary body movements and acoustic parameters of pitch, dynamics and timbre in clarinet playing 028A $BVerfasser $4aut $7137337124 $8Nusseck, Manfred [Tp3] $9209327596 028C $BVerfasser $#Eysenberg, Isabella Czedik- $4aut $71156576970 $8Czedik-Eysenberg, Isabella [Tp3] $9428694446 028C $BVerfasser $#Spahn, Claudia $4aut $7114166013 $8Spahn, Claudia$Z1963- [Tp1] $9148495745 028C $BVerfasser $#Reuter, Christoph $4aut $7136124046 $8Reuter, Christoph Wolfgang Maria$Z1961- [Tp1] $9203365518 033A $pFreiburg $nUniversität 034D $a1 Online-Ressource 037A $aFrontiers in psychology. - 13 (2022) , 885970, ISSN: 1664-1078 037I $2cc $uhttp://vocabularies.coar-repositories.org/access_rights/c_abf2 $fUnrestricted online access 037J $aOpen Access $2star $uhttp://purl.org/coar/access_right/c_abf2 $fUnrestricted online access 045E $c780 046X $aArchivierung/Langzeitarchivierung gewährleistet $5DE-101 047I $aAbstract: When playing an instrument, there are two main categories of body movements: instrumental movements, which are necessary for the sound production, and ancillary movements, which are associated with individual musical intentions and expressions. In this study, the particular purpose of ancillary movements of clarinet player was investigated especially in respect to how these movements were related to the musical structure of the piece and to specific audio parameters. 3D motion capture data of 19 clarinet players performing the same piece were analyzed regarding common motion patterns during the performance and in accordance with acoustic features related to pitch, dynamics (RMS energy) and timbre (spectral centroid and flux). A focus of the body movements was on the arms and the knees. The results showed that there were certain motion patterns performed by the players depending on specific musical structures. When playing a melodic part, the players often did so by bending their knees. At musical transitions, however, the knees were mainly stretched. Similarly, arm movements were more pronounced during playing melodious parts. At transitions, the arms were put closer to the torso. Considering the connection with the acoustics, a larger range of knee motions was correlated with a larger variation of the timbre. Moreover, at specific moments during the performance, when some players strongly bent their knees or lifted the arms, the RMS energy of the signal was significantly higher. The correlations of the body movements and the acoustic features showed that some players synchronized their movements with particular audio parameters more than others did. 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