Motetten am Hof Maximilians II. (1527–1576)

Titel: Motetten am Hof Maximilians II. (1527–1576)
Verfasser:
Veröffentlicht: [Erscheinungsort nicht ermittelbar][Verlag nicht ermittelbar], 2022
Format: E-Book
Sprache: Deutsch
RVK-Notation:
Schlagworte:
ISBN: 9783990129982
alg: 50878537
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021A    $aMotetten am Hof Maximilians II. (1527–1576) 
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044A    $aRenaissance, Polyphonie, Motette, Habsburger, Maximilian II $S## $N653 
044A    $aà FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kirchenmusik (604017) $S## $N653 
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044A    $aRenaissance, Polyphony, Motet, Habsburg Court, Maximilian II, Confessionalization, Source Studies $S## $N653 
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044K    $#Music $#Musique $#Musica $#music $#Music $#Musik $#Musik $74040802-4 $8Musik [Tsz] $9085111635 
044K    $RKirche $RKonfessionalität $#Christian sects $#Religion $#Sette cristiane $#Iglesias cristianas $#Bekenntnis Konfession $#Konfessionszugehörigkeit $74032065-0 $8Konfession [Ts1] $9085085413 
044K    $RHöfische Kultur $#Courts and courtiers $#Cour et courtisans $#Fürstenhof $#Höfische Gesellschaft $#Hofgesellschaft $#Hofleben Hof $#Hofhaltung $#Höfisches Leben $74025453-7 $8Hof [Ts1] $9085063347 
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047A    $aSacherschließung maschinell aus paralleler Ausg. übernommen 
047I    $aIn the present volume sacred motets composed by members of the chapel of the Archduke and later Emperor Maximilian II – among them Jacobus Vaet, Philippe de Monte and Jacob Regnart – are documented and analysed for the first time. The chapel and its repertoire cultivated at the court not only served as a means for the representation of the court but also needed to comply with the emperor’s personal artistic and religious wishes. Maximilian II officially confessed to the Roman-Catholic church but personally sympathised with the Reformation. Therefore, the analysis of the texts and music addresses also the question of how the gap between the Roman-Catholic ceremony at court and the emperor’s personal faith is reflected in motets. 

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