Motetten am Hof Maximilians II. (1527–1576)
Titel: | Motetten am Hof Maximilians II. (1527–1576) |
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Verfasser: | |
Veröffentlicht: | [Erscheinungsort nicht ermittelbar][Verlag nicht ermittelbar], 2022 |
Format: | E-Book |
Sprache: | Deutsch |
RVK-Notation: |
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ISBN: | 9783990129982 |
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(1527–1576) 028A $BVerfasser $4aut $D20231015 $Ecgwrk $71069954500 $8Pfohl, Jonas [Tp3] $9358242509 033A $p[Erscheinungsort nicht ermittelbar][Verlag nicht ermittelbar] 033E $pThe Hague $nOAPEN FOUNDATION 037I $2cc $uhttp://creativecommons.org/licenses/by/4.0/ 037J $aOpen Access $qDOAB $2star $uhttps://purl.org/coar/access_right/c_abf2 $fUnrestricted online access 044A $aRenaissance, Polyphonie, Motette, Habsburger, Maximilian II $S## $N653 044A $aà FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kirchenmusik (604017) $S## $N653 044A $aà FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikgeschichte (604022) $S## $N653 044A $aà FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikwissenschaft (604024) $S## $N653 044A $aà FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Andere Geisteswissenschaften (605) -- Andere Geisteswissenschaften (6050) -- Kulturgeschichte (605002) $S## $N653 044A $aà FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Philosophie, Ethik, Religion (603) -- Sonstige Religion, Religionswissenschaften (6039) -- Religionsgeschichte (603908) $S## $N653 044A $aRenaissance, Polyphony, Motet, Habsburg Court, Maximilian II, Confessionalization, Source Studies $S## $N653 044A $aà FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Church music (604017) $S## $N653 044A $aà FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Music history (604022) $S## $N653 044A $aà FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Musicology (604024) $S## $N653 044A $aà FOS 2012 -- HUMANITIES (6) -- Other Humanities (605) -- Other Humanities (6050) -- Cultural history (605002) $S## $N653 044A $aà FOS 2012 -- HUMANITIES (6) -- Philosophy, Ethics, Religion (603) -- Religion, Religious Studies not elsewhere classified (6039) -- History of religion (603908) $S## $N653 044K $RVokalmusik $#Motets $#Motets $#Motetes $#Motetten $74040357-9 $8Motette [Ts1] $9085110329 044K $#Music $#Musique $#Musica $#music $#Music $#Musik $#Musik $74040802-4 $8Musik [Tsz] $9085111635 044K $RKirche $RKonfessionalität $#Christian sects $#Religion $#Sette cristiane $#Iglesias cristianas $#Bekenntnis Konfession $#Konfessionszugehörigkeit $74032065-0 $8Konfession [Ts1] $9085085413 044K $RHöfische Kultur $#Courts and courtiers $#Cour et courtisans $#Fürstenhof $#Höfische Gesellschaft $#Hofgesellschaft $#Hofleben Hof $#Hofhaltung $#Höfisches Leben $74025453-7 $8Hof [Ts1] $9085063347 045E $c780 045Z $8LP 16000 [Tkv] $9410112445 045Z $8LR 54123 [Tkv] $9410181773 047A $aSacherschließung maschinell aus paralleler Ausg. übernommen 047I $aIn the present volume sacred motets composed by members of the chapel of the Archduke and later Emperor Maximilian II – among them Jacobus Vaet, Philippe de Monte and Jacob Regnart – are documented and analysed for the first time. The chapel and its repertoire cultivated at the court not only served as a means for the representation of the court but also needed to comply with the emperor’s personal artistic and religious wishes. Maximilian II officially confessed to the Roman-Catholic church but personally sympathised with the Reformation. 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