Operatic Pasticcios in 18th-Century Europe

Titel: Operatic Pasticcios in 18th-Century Europe
Beteiligt: ;
Veröffentlicht: Bielefeld : transcript Verlag, 2021
Umfang: 1 Online-Ressource (798 p.)
Format: E-Book
Sprache: Englisch
Schriftenreihe/
mehrbändiges Werk:
Mainzer Historische Kulturwissenschaften
Schlagworte:
ISBN: 9783839448854 ; 9783837648850
alg: 50882598
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044A    $aPastiche $S## $N653 
044A    $aWork Concept $S## $N653 
044A    $aMusic Aesthetics $S## $N653 
044A    $aArts $S## $N653 
044A    $aCultural History $S## $N653 
044A    $aArt $S## $N653 
044A    $aArt History $S## $N653 
044A    $aEuropean Art $S## $N653 
044A    $aFine Arts $S## $N653 
044K    $RMusiktheater $#Opera $#Opéra $#Operas $#Opéras $#Musikdrama $#Opern $74043582-9 $8Oper [Ts1] $9085121940 
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045R    $aGeschichte 1700-1800 
047A    $aSacherschließung maschinell aus paralleler Ausg. übernommen 
047I    $aIn Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. 

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