Assuming asymmetries

Titel: Assuming asymmetries : conversations on curating public art in the 1980s and 1990s / edited by CuratorLab 2020/21 ; Konstfack University of Arts, Crafts and Design, Stockholm ; Anna Mikaela Ekstrand, Giulia Floris, Vasco Forconi, Edy Fung, Julius Lehmann, Maria Lind, Marc Navarro, Simina Neagu, Hanna Nordell, Marja Rautaharju, Erik Sandberg, and Joanna Warsza
Beteiligt: ; ; ; ; ; ; ; ; ; ; ;
Körperschaft:
Veröffentlicht: London : Sternberg Press, [2022]
Umfang: 1 Online-Ressource (366 Seiten) : Illustrationen
Format: E-Book
Sprache: Englisch
Schriftenreihe/
mehrbändiges Werk:
Konstfack education collection ; 5
RVK-Notation:
Schlagworte:
ISBN: 9783956796128
  • Introduction
  • p. 10
  • Perfect Harmony: On Asymmetries in Collaborative Processes
  • p. 14
  • Asymmetrical Lessons: Pregnancy, Horses, and BDSM
  • p. 16
  • Konstrukcja W Procesie (Construction in Process), Lódz, 1981
  • The Making of Konstrukcja w Procesie
  • p. 26
  • Eight Frames per Second
  • p. 31
  • A Conversation
  • Nightwatch
  • p. 40
  • Für die Frauen von Lódz
  • p. 44
  • A Conversation
  • Rune Mields, Für die Frauen von Lódz, Script (1981)
  • p. 49
  • Sharing Nothing, Causing Something
  • p. 50
  • A Conversation
  • Artists Support Solidarnosc
  • p. 58
  • A Conversation
  • U-Media Umeå, 1987
  • U-media: A 1987 Experiment in Public Art in Northern Sweden
  • p. 68
  • Challenging the Nordic Exhibition Tradition
  • p. 70
  • A Conversation
  • Die Endlichkeit Der Freiheit (The Finitude of Freedom), Berlin, 1990
  • Amid the Shifts
  • p. 84
  • A Reading of Traces: Selected Documents
  • p. 97
  • Now or Never: Opening New Spaces
  • p. 106
  • A Conversation
  • Regallager
  • p. 121
  • Reflecting on Symmetries
  • Separations and Invisible Walls
  • p. 130
  • A Conversation
  • The Surface and the Trace
  • p. 141
  • On Via Lewandowsky's Zur Lage des Hauptes
  • Culture in Action Chicago, 1993
  • Narratives and Counter-narratives
  • p. 148
  • Trying to Prove Itself Useful: The Art World's Social Turn
  • p. 158
  • A Conversation
  • Public Art Was Definitely Gendered Male
  • p. 169
  • A Conversation
  • Is Art about Art or about Life?
  • p. 179
  • A Postscript on Culture in Action
  • Sonsbeek 93 Arnhem, 1993
  • In Search of Publicness and Common Ground
  • p. 186
  • Nothing to Lose
  • p. 194
  • Stephan Dillemuth in Conversation with Valerie Smith, June 1993
  • Excerpt from the Documentary Sonsbeek 93
  • p. 195
  • Looking Back at Sonsbeek 93
  • p. 199
  • A Conversation
  • Square of Permanent Reorganization
  • p. 210
  • Andreas Siekmann on Making Art about Public Space
  • A Letter from Andreas Siekmann to Valerie Smith, August 1993
  • p. 213
  • The Impossibility of Public Art
  • p. 216
  • A Conversation
  • Voices and Records: Mapping Sonsbeek 93
  • p. 221
  • Public Sphere & Public Response
  • Curating the Archives
  • p. 230
  • Two Statements on Archiving Sonsbeek
  • Bridging Exhibitions Roundtable on Culture in Action, Project Unité, Sonsbeek 93, and sonsbeek20→24
  • p. 233
  • Fem Trädgårdar (Five Gardens), Simrishamn and Ystad, 1996
  • Garden Trouble: Cultivating Collectivity, Disrupting Topography
  • p. 242
  • Map of the Exhibits
  • p. 244
  • Curatorial Ideas behind Fern Trädgardar
  • p. 246
  • Excerpt from an Interview
  • When the Institution Is Porous
  • p. 247
  • Excerpt from an Interview
  • Seeing Through the Garden Mentality
  • p. 249
  • Excerpt from an Interview
  • Streaming Thoughts and Amplifying Sounds
  • p. 252
  • Excerpt from an Interview
  • Alienating Society
  • p. 256
  • Excerpt from an interview
  • Rotten Apples and Emerging Discourse
  • p. 261
  • Excerpt from an Interview
  • Haunted Gardens, Political Landscapes
  • p. 267
  • Remembering Ronald Jones's Caesars kosmiska trädgard
  • Twisting Heads and Reviving Processes
  • p. 276
  • Carlos Capelán on Åke Hedström's Documentation
  • La Galerie Des Locataires (The Tenants' Gallery), Paris and Other Places, 1972-Present
  • Communications: Ida Biard and the Question of the Public
  • p. 282
  • No Walls: The Poetics of Dissemination
  • p. 288
  • A Conversation
  • The Trip-Simplon Express
  • p. 307
  • Insite San Diego-Tijuana and Mexico City, 1992-Present
  • Beyond the Borders
  • p. 314
  • Pushing Boundaries
  • p. 319
  • A Conversation
  • Damn, I Should Have Done a Commencement Speech
  • p. 328
  • A Conversation
  • Migrating Cultures
  • p. 336
  • A Conversation
  • Tensions and Continuity: Curating INSITE 97 and INSITE 2000
  • p. 342
  • A Conversation
  • Osmosis and Excess
  • p. 350
  • A Conversation
  • Contributors
  • p. 354
  • Acknowledgments
  • p. 366