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010@ $aeng
011@ $a2018
017B $aZDB-94-OAB
021A $aMaking Light
028A $aKnapp $BVerfasser $dRaymond $4aut
033A $p[Erscheinungsort nicht ermittelbar] $nDuke University Press
033E $pThe Hague $nOAPEN FOUNDATION
037I $2cc $uhttps://creativecommons.org/licenses/by-nc-nd/4.0/
037J $aOpen Access $qDOAB $2star $uhttps://purl.org/coar/access_right/c_abf2 $fUnrestricted online access
044A $aWestern "classical" music $2bicssc $S#7 $N650
044A $aMusic $2bicssc $S#7 $N650
044A $aLight orchestral & big band music $2bicssc $S#7 $N650
044A $aMusic $S## $N653
044A $aPerforming Arts $S## $N653
044K $RHaydn, Johann Michael $RKeller, Anna Maria $RKoller, Anna Maria $#Hayden, Giuseppe $#Hayden, Joseph $#Hayden $#Haydn $#Haydn, Frans Joseph $#Gajdn, Franc Iozef $#Haidn, Joseph $#Haydn, Giusseppe $#Haydn, Ioseph $#Hayd'n, I. $#Hayd'n, J. $#Haiden, Joseph $#Gajdn, Jozef $#Gaiden $#Heyden, Joseph $#Heydn, Ioseph $#Heydn, Joseph $#Haydn, Franz Josef $#Haydn, Franz J. $#Haydn, Jos. $#Haydn, J. $#Haydn, Iosephvs $#Haydn, Giuseppe $#Gajdn, Josef $#Haydn, Josef $#Haydn, Franz Joseph $#Gajdn, I. $#Haydn, Franz Joseph $#Hayden, Franz Joseph $#Haydn, Franz Joseph $#Haydn, F. J. $#Haydn, François Joseph $#Gajdn, I. $#Hydn, Franz Joseph $#Haydn, Franz-Joseph $#Gajdn, Iosif $#Gajdn, J. $7118547356 $8Haydn, Joseph$Z1732-1809 [Tp1] $9086888382
044K $RSystematische Musikwissenschaft $RMusikphilosophie $#Music Philosophy and aesthetics $#Musique Philosophie et esthétique $#Musik Ästhetik $74040808-5 $8Musikästhetik [Ts1] $9085111651
044K $RPhilosophie $RMusikästhetik $#Music Philosophy and aesthetics $#Musique Philosophie et esthétique $#Musik Philosophie $74123809-6 $8Musikphilosophie [Ts1] $9085410527
044K $RNachidealistische Philosophie $RIdealismus $#Idealism, German $#Idéalisme allemand $#Idealismo alemán $74011784-4 $8Deutscher Idealismus [Ts1] $9085025097
044K $RMusik $RTrivialmusik $#Popular music $#Musique populaire $#Populärmusik $#U-Musik $#Leichte Musik $#Populäre Musik $#Popularmusik $74061916-3 $8Unterhaltungsmusik [Ts1] $9085172243
044K $#Amerika $#Amerika $#Neue Welt $#Westliche Hemisphäre $#America $74001670-5 $8Amerika [Tg1] $9084995505
045E $c100 $c780
047A $aSacherschließung maschinell aus paralleler Ausg. übernommen
047I $aIn Making Light Raymond Knapp traces the musical legacy of German Idealism as it led to the declining prestige of composers such as Haydn while influencing the development of American popular music in the nineteenth century. Knapp identifies in Haydn and in early popular American musical cultures such as minstrelsy and operetta a strain of high camp-a mode of engagement that relishes both the superficial and serious aspects of an aesthetic experience-that runs antithetical to German Idealism's musical paradigms. By considering the disservice done to Haydn by German Idealism alongside the emergence of musical camp in American popular music, Knapp outlines a common ground: a humanistically based aesthetic of shared pleasure that points to ways in which camp receptive modes might rejuvenate the original appeal of Haydn's music that has mostly eluded audiences. In so doing, Knapp remaps the historiographical modes and systems of critical evaluation that dominate musicology while troubling the divide between serious and popular music.
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