Writing Nowa Huta
| Titel: | Writing Nowa Huta : a cultural study of identity / Natalie Misteravich-Carroll |
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| Veröffentlicht: |
[Bloomington, Indiana] : Indiana University, 2016 Ann Arbor, MI : ProQuest, UMI Dissertations Publishing, 2016 |
| Umfang: | xii, 254 leaves ; 28 cm |
| Format: | Handschrift |
| Sprache: | Englisch |
| Hochschulschrift: | Ph. D., Indiana University, 2016 |
| Andere Ausgaben: |
Erscheint auch als Online-Ausgabe: Misteravich-Carroll, Natalie. Writing Nowa Huta. - [Bloomington : Indiana University ; Ann Arbor [Michigan] : ProQuest, UMI Dissertations Publishing, 2016
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Slated to become a bastion of socialism, the initial purpose of the Steelworks and adjacent city was threefold: to stimulate Stalinist industrialization, to create a worker's paradise, and to act as an ideological symbol for Polish citizens. Above all else, Nowa Huta would prove that communist ideology could materialize a real, lived socialist utopia. As the grandest endeavor of the Six-Year Plan in Poland, Nowa Huta required an equally grand identity which was constructed by authors, filmmakers and artists guided by the official doctrine of socialist realism. Perceived as both a welcome opportunity for social and economic advancement and as a detested symbol of Stalinist hubris, Nowa Huta's contemporary identity remains locked in this lingering dichotomy. The goal of this dissertation is to examine the lasting influence of the Stalinist identity of Nowa Huta and to analyze how that original identity has informed subsequent texts, public perception, and the process of contemporary identity reconfiguration. Drawing on cultural theory, especially Raymond Williams' discussion of hegemony, this dissertation presents a chronological analysis of texts composed between 1949 and 2014 in their historical, political, and cultural framework. Narratives regarding Nowa Huta have evolved diachronically and parallel to historical events in Poland. Yet attempts to produce a new identity, especially in the post-1989 period, consistently engage with Stalinist era discourse. This study examines how the myths, narratives, and symbols of the Stalinist identity of Nowa Huta are continuously negotiated in the evolution of Nowa Huta's identity. By focusing on the intertextual strategies of appropriation and resignification, this dissertation examines the causative power of texts and their ability to create, manipulate, or denigrate the identity of a city and its people lok: 51570033 78 exp: 51570033 78 1 #EPN 201B/01 $021-02-24 $t08:31:33.000 201C/01 $021-02-24 201U/01 $0utf8 203@/01 $01256626287 208@/01 $a21-02-24 $be 209A/01 $a/ $f000 $x00 209A/01 $ab*p $x01 220C/01 $apgar 244Z/01 $#Generalgouvernement Polen $#Polska $#Rzeczpospolita Polska $#Polska Rzeczpospolita Ludowa $#Poland $#Pologne $#République Polonaise $#Generalne Gubernatorstwo w Polsce $#Polish People's Republic $#Polska Rzeczpospolita Polen $#PRL $#RP $#Polen Generalgouvernement $#Polska Generalgouvernement $#Besetzte Polnische Gebiete $#Besetztes Gebiet in Polen $#Okupowane Polskie Obszary $#Obszary Okupowane w Polsce $#Volksrepublik Polen $#Polska Rosyjska $#Republic Polen $#Respublika Pol'ša $#Pol'skaja Narodnaja Respublika $#République de Pologne $#Polen Links der Weichsel $#Polska po Lewej Stronie Wisły $#Lenkija $#Polija $#Gubernija Carstva Pol'skago $#Republik Polen $74046496-9 $8--Tg1--Polen $x01 $9085129801 247C/01 $82080>Marburg/Lahn, Herder-Institut, Forschungsbibliothek, Bibliographieportal $9336309341
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| 500 | |a Includes bibliographical references (pages 239-254). | ||
| 502 | |b Ph. D. |c Indiana University |d 2016 | ||
| 520 | |a This dissertation is a cultural-literary study of the Polish city Nowa Huta built in 1949 and commonly known as Poland's first "Socialist City." Slated to become a bastion of socialism, the initial purpose of the Steelworks and adjacent city was threefold: to stimulate Stalinist industrialization, to create a worker's paradise, and to act as an ideological symbol for Polish citizens. Above all else, Nowa Huta would prove that communist ideology could materialize a real, lived socialist utopia. As the grandest endeavor of the Six-Year Plan in Poland, Nowa Huta required an equally grand identity which was constructed by authors, filmmakers and artists guided by the official doctrine of socialist realism. Perceived as both a welcome opportunity for social and economic advancement and as a detested symbol of Stalinist hubris, Nowa Huta's contemporary identity remains locked in this lingering dichotomy. The goal of this dissertation is to examine the lasting influence of the Stalinist identity of Nowa Huta and to analyze how that original identity has informed subsequent texts, public perception, and the process of contemporary identity reconfiguration. Drawing on cultural theory, especially Raymond Williams' discussion of hegemony, this dissertation presents a chronological analysis of texts composed between 1949 and 2014 in their historical, political, and cultural framework. Narratives regarding Nowa Huta have evolved diachronically and parallel to historical events in Poland. Yet attempts to produce a new identity, especially in the post-1989 period, consistently engage with Stalinist era discourse. This study examines how the myths, narratives, and symbols of the Stalinist identity of Nowa Huta are continuously negotiated in the evolution of Nowa Huta's identity. By focusing on the intertextual strategies of appropriation and resignification, this dissertation examines the causative power of texts and their ability to create, manipulate, or denigrate the identity of a city and its people | ||
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