Wyndham Lewis and British Art Rock
| Titel: | Wyndham Lewis and British Art Rock |
|---|---|
| Verfasser: | |
| Veröffentlicht: | [Erscheinungsort nicht ermittelbar] : A. Francke Verlag, 2024 |
| Format: | E-Book |
| Sprache: | Englisch |
| ISBN: | 9783381108527 ; 9783381108510 ; 9783381108534 |
X
alg: 51652172 001A $06055:23-03-24 001B $01999:16-05-24 $t01:50:42.000 001D $06055:23-03-24 001U $0utf8 001X $00 002@ $0Oax 002C $aText $btxt $2rdacontent 002D $aComputermedien $bc $2rdamedia 002E $aOnline-Ressource $bcr $2rdacarrier 003@ $0516521721 004A $A978-3-381-10852-7 004A $A978-3-381-10851-0 004A $A978-3-381-10853-4 007A $0516521721 $aHEB 007I $0doab-handle/20.500.12854/135041 009Q $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $xH 010@ $aeng 011@ $a2024 013D $RWissenschaftliche Literatur $#Dissertations, Academic $#Thèses et écrits académiques $74113937-9 $8Hochschulschrift [Ts1] $9085338818 017B $aZDB-94-OAB 021A $aWyndham Lewis and British Art Rock 028A $aKeller $BVerfasser $dThomas $4aut 033A $p[Erscheinungsort nicht ermittelbar] $nA. Francke Verlag 033E $pThe Hague $nOAPEN FOUNDATION 037I $2cc $uhttps://creativecommons.org/licenses/by-sa/4.0/ 037J $aOpen Access $qDOAB $2star $uhttps://purl.org/coar/access_right/c_abf2 $fUnrestricted online access 044A $aLiterature: history & criticism $2bicssc $S#7 $N650 044A $aLiterary Criticism $S## $N653 044A $aComparative Literature $S## $N653 044K $#Lewis, Percy Wyndham $#Lewis, Percy $#Lewis, Dominic B. $7118640550 $8Lewis, Wyndham$Z1882-1957 [Tp1] $908698148X 044K $RAuswirkung $RFortleben $#Influence (Literary, artistic, etc.) $#Influence littéraire, artistique, etc. $#Rezeption $#Fortwirken $#Nachwirkung Rezeption $#Nachleben $#Wirkungsgeschichte $#Aneignung Rezeption $74049716-1 $8Rezeption [Tsz] $9085138584 044K $RRockmusik $RBaroque Rock $RProgressive Rock $RAdult Orientated Rock $#Culture Rock $#Symphonic Rock $74498083-8 $8Art Rock [Ts1] $9089166329 045E $c780 $c800 047A $aSacherschließung maschinell aus paralleler Ausg. übernommen 047I $aThis study connects the idiosyncratic modernism of Wyndham Lewis, co-founder of the Vorticist art movement, with works of several artists from the British art rock tradition, among them Bryan Ferry, David Bowie, art-punk pioneers Wire and electronic pop musician John Foxx. By taking a transdisciplinary and intermedial approach to texts from two fields normally studied in isolation and staking out the elements of a shared modernist ethos, the book presents a new perspective on both fields relevant to scholars of literature, popular culture, and the visual arts alike. While the book rests on sound research from the fields of literary criticism, art history, and pop theory, the structure and writing of the book is fundamentally designed to be accessible and comprehensible to non-scholarly readers. lok: 51652172 3 exp: 51652172 3 1 #EPN 201B/01 $023-03-24 $t22:34:15.159 201C/01 $023-03-24 201U/01 $0utf8 203@/01 $0125863449X 208@/01 $a23-03-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 5 exp: 51652172 5 1 #EPN 201B/01 $023-03-24 $t22:34:15.162 201C/01 $023-03-24 201U/01 $0utf8 203@/01 $01258634503 208@/01 $a23-03-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 8 exp: 51652172 8 1 #EPN 201B/01 $023-03-24 $t22:34:15.165 201C/01 $023-03-24 201U/01 $0utf8 203@/01 $01258634511 208@/01 $a23-03-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 10 exp: 51652172 10 1 #EPN 201B/01 $023-03-24 $t22:34:15.167 201C/01 $023-03-24 201U/01 $0utf8 203@/01 $0125863452X 208@/01 $a23-03-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 11 exp: 51652172 11 1 #EPN 201B/01 $023-03-24 $t22:34:15.170 201C/01 $023-03-24 201U/01 $0utf8 203@/01 $01258634538 208@/01 $a23-03-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 13 exp: 51652172 13 1 #EPN 201B/01 $023-03-24 $t22:34:15.173 201C/01 $023-03-24 201U/01 $0utf8 203@/01 $01258634546 208@/01 $a23-03-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 21 exp: 51652172 21 1 #EPN 201B/01 $023-03-24 $t22:34:15.175 201C/01 $023-03-24 201U/01 $0utf8 203@/01 $01258634554 208@/01 $a23-03-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 23 exp: 51652172 23 1 #EPN 201B/01 $023-03-24 $t22:34:15.178 201C/01 $023-03-24 201U/01 $0utf8 203@/01 $01258634562 208@/01 $a23-03-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 24 exp: 51652172 24 1 #EPN 201B/01 $016-05-24 $t01:50:42.637 201C/01 $015-05-24 201U/01 $0utf8 203@/01 $0126393935X 208@/01 $a15-05-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 25 exp: 51652172 25 1 #EPN 201B/01 $023-03-24 $t22:34:15.180 201C/01 $023-03-24 201U/01 $0utf8 203@/01 $01258634570 208@/01 $a23-03-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 51 exp: 51652172 51 1 #EPN 201B/01 $016-05-24 $t01:50:42.645 201C/01 $015-05-24 201U/01 $0utf8 203@/01 $01263939368 208@/01 $a15-05-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 54 exp: 51652172 54 1 #EPN 201B/01 $023-03-24 $t22:34:15.183 201C/01 $023-03-24 201U/01 $0utf8 203@/01 $01258634589 208@/01 $a23-03-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 76 exp: 51652172 76 1 #EPN 201B/01 $016-05-24 $t01:50:42.647 201C/01 $015-05-24 201U/01 $0utf8 203@/01 $01263939376 208@/01 $a15-05-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 77 exp: 51652172 77 1 #EPN 201B/01 $016-05-24 $t01:50:42.650 201C/01 $015-05-24 201U/01 $0utf8 203@/01 $01263939384 208@/01 $a15-05-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 107 exp: 51652172 107 1 #EPN 201B/01 $023-03-24 $t22:34:15.188 201C/01 $023-03-24 201U/01 $0utf8 203@/01 $01258634600 208@/01 $a23-03-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 204 exp: 51652172 204 1 #EPN 201B/01 $023-03-24 $t22:34:15.191 201C/01 $023-03-24 201U/01 $0utf8 203@/01 $01258634619 208@/01 $a23-03-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH lok: 51652172 205 exp: 51652172 205 1 #EPN 201B/01 $023-03-24 $t22:34:15.193 201C/01 $023-03-24 201U/01 $0utf8 203@/01 $01258634627 208@/01 $a23-03-24 $bl 209S/01 $S0 $uhttps://directory.doabooks.org/handle/20.500.12854/135041 $XH
| LEADER | 00000cam a22000002c 4500 | ||
|---|---|---|---|
| 001 | 516521721 | ||
| 003 | DE-603 | ||
| 005 | 20240516015042.0 | ||
| 007 | cr|||||||||||| | ||
| 008 | 240323s2024 xx |||| om u00||u|eng c | ||
| 020 | |a 9783381108527 | ||
| 020 | |a 9783381108510 | ||
| 020 | |a 9783381108534 | ||
| 035 | |a (DE-599)HEB516521721 | ||
| 040 | |a DE-603 |b ger |c DE-603 |d DE-603 | ||
| 041 | |a eng | ||
| 084 | |a 780 |a 800 |q DE-101 |2 sdnb | ||
| 100 | 1 | |a Keller, Thomas |e Verfasser |4 aut | |
| 245 | 0 | 0 | |a Wyndham Lewis and British Art Rock |
| 264 | 1 | |a [Erscheinungsort nicht ermittelbar] |b A. Francke Verlag |c 2024 | |
| 264 | 2 | |a The Hague |b OAPEN FOUNDATION | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a This study connects the idiosyncratic modernism of Wyndham Lewis, co-founder of the Vorticist art movement, with works of several artists from the British art rock tradition, among them Bryan Ferry, David Bowie, art-punk pioneers Wire and electronic pop musician John Foxx. By taking a transdisciplinary and intermedial approach to texts from two fields normally studied in isolation and staking out the elements of a shared modernist ethos, the book presents a new perspective on both fields relevant to scholars of literature, popular culture, and the visual arts alike. While the book rests on sound research from the fields of literary criticism, art history, and pop theory, the structure and writing of the book is fundamentally designed to be accessible and comprehensible to non-scholarly readers. | ||
| 600 | 1 | 7 | |a Lewis, Wyndham |d 1882-1957 |0 (DE-588)118640550 |0 (DE-603)08698148X |2 gnd |
| 650 | 7 | |a Rezeption |0 (DE-588)4049716-1 |0 (DE-603)085138584 |2 gnd | |
| 650 | 7 | |a Art Rock |0 (DE-588)4498083-8 |0 (DE-603)089166329 |2 gnd | |
| 655 | 7 | |a Hochschulschrift |2 gnd-content |0 (DE-588)4113937-9 |0 (DE-603)085338818 | |
| 856 | |u https://directory.doabooks.org/handle/20.500.12854/135041 |x Verlag |z kostenfrei | ||
| 912 | |a ZDB-94-OAB | ||
| 924 | 1 | |9 603 |a (DE-603)125863449X |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1258634503 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1258634511 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)125863452X |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1258634538 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1258634546 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1258634554 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1258634562 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)126393935X |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1258634570 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1263939368 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1258634589 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1263939376 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1263939384 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1258634600 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1258634619 |b DE-603 |c HES |d d | |
| 924 | 1 | |9 603 |a (DE-603)1258634627 |b DE-603 |c HES |d d | |
