Vom Fasıl in Kağıthane zum Tango mit Mustafa Kemal ..

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021A    $aVom Fasıl in Kağıthane zum Tango mit Mustafa Kemal .. $dindividuelles Erleben von Musik in einer Zeit gesellschaftlichen Wandels $hSabine Prätor, Westfälische Wilhelms-Universität/WWU Münster ab 1.10.2023: Universität Münster 
028A    $4aut $8Prätor, Sabine [Tp3] $9509279406 
029F    $BVertrieb $RUniversitätsbibliothek zu Halle $RMartin-Luther-Universität Halle-Wittenberg $#ULB Sachsen-Anhalt $#Universitäts- und Landesbibliothek Sachsen-Anhalt in Halle (Saale) $#Universitäts- und Landesbibliothek Sachsen-Anhalt Halle (Saale) $#Landesbibliothek Sachsen-Anhalt $#Universitätsbibliothek Sachsen-Anhalt $#Universitäts- und Landesbibliothek Halle (Saale) $#ULB Halle (Saale) $#U u LB Halle $4dst $72024680-8 $8Universitäts- und Landesbibliothek Sachsen-Anhalt [Tb1] $9042779995 
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033E    $pHalle (Saale) $nUniversitäts- und Landesbibliothek Sachsen-Anhalt 
034D    $a1 Online-Ressource (23 Seiten, 0,52 MB) 
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045R    $aGeschichte 1880-1930 
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047I    $aStarting with the role of music in traditional Ottoman every-day life of the 19th century, the article – based on selected autobiographies - deals with the question how and in which different ways music could be present in the lives of people between the late Ottoman period and the early Turkish republic (end of the 19th century up to the 1920s). Thereby, it is particularly considered in what degree music was of importance to the authors, or rather which parts of their musical environment they noticed. While the early memories of the novel writer Halid Ziya Uşaklıgil (1866-1945) give insight into the Western influences on Turkish musical life of the late 19th century in Istanbul and Izmir (opera, operetta, dance …), the memories of the author Cahit Uçuk (1909-2004), well known above all for her children books, present a female perspective, by imparting the role which music had played in the life of her mother Hadiye as well as in her own life, with relation to the change of contemporary society – in Thessaloniki, Aleppo, Istanbul and various places of Anatolia. The emergence of the Tango in the 1920s, after all, is symbolizing the beginning of a new era in Turkey … 
047I    $a19. yüzyılın geleneksel Osmanlı gündelik hayatındaki müziğin rolünden yola çıkan bu makale, seçkin anı kitaplarını temel alarak müziğin Osmanlı’nın son dönemi ile genç Türkiye Cumhuriyeti arasındaki zaman diliminde (19. yy.’ın sonuyla 1920’li yıllar arasında) yaşayan insanların hayatında nasıl ve hangi farklı şekillerde yer tuttuğunu incelemektedir. Otobiyografi yazarlarının müziğe ne kadar değer verdikleri ve kendi ortamlarında müziğin hangi türlerini farkettikleri özellikle dikkate alınacaktır. Halid Ziya Uşaklıgil’in (1866-1945) hayatının ilk yarısını konu eden anıları, her şeyden önce 19. yy.‘ın son kısmında İstanbul ve İzmir’deki Türk müzik hayatını etkileyen Batı müzik türleri (opera, operet, dans …) hakkında bilgi verirken, özellikle çocuk kitapları ile tanınan yazar Cahit Uçuk (1909-2004) konuya kadın perspektifinden bakar. Uçuk’un Selanik’te, Halep’te, İstanbul’da ve Anadolu’nun çeşitli yerlerinde geçen anıları, o dönemdeki toplumsal değişim bağlamında, müziğin annesi Hadiye‘nin hayatı ile kendi hayatındaki önemine ilişkin bilgi sunar. 1920’li yıllarda Tango dansının yaygınlaşması ise, Türkiye’nin yeni bir döneminin başladığını sembolize eder … 

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