In Search of Perfect Harmony: Tartini's Music and Music Theory in Local and European Contexts
Titel: | In Search of Perfect Harmony: Tartini's Music and Music Theory in Local and European Contexts |
---|---|
Verfasser: | |
Veröffentlicht: | Bern : Peter Lang International Academic Publishers, 2023 |
Umfang: | 1 Online-Ressource (340 p.) |
Format: | E-Book |
Sprache: | Englisch |
ISBN: | 9783631869079 ; 9783631887837 ; 9783631887844 |
alg: 53082107 001A $06055:26-06-25 001B $01999:30-06-25 $t01:33:44.000 001D $06055:26-06-25 001U $0utf8 001X $00 002@ $0Oax 002C $aText $btxt $2rdacontent 002D $aComputermedien $bc $2rdamedia 002E $aOnline-Ressource $bcr $2rdacarrier 003@ $0530821079 004A $A978-3-631-86907-9 004A $A978-3-631-88783-7 004A $A978-3-631-88784-4 004R $020.500.12657/97870 007A $0530821079 $aHEB 007I $0oapen-20.500.12657/97870 009Q $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $xR 010@ $aeng 011@ $a2023 013D $#Beiträge Formschlagwort $#Einzelbeiträge $#Sammelwerk Formschlagwort $74143413-4 $8Aufsatzsammlung [Ts1] $9085562742 017B $aZDB-94-OAL 021A $aIn Search of Perfect Harmony: Tartini's Music and Music Theory in Local and European Contexts 028A $aSukljan $BVerfasser $dNejc $4aut 033A $pBern $nPeter Lang International Academic Publishers 033E $pThe Hague $nOapen Foundation 034D $a1 Online-Ressource (340 p.) 037J $aOpen Access $2star $uhttps://purl.org/coar/access_right/c_abf2 $fUnrestricted online access 044K $#Tartini, Giuseppe $#Tartini $#Tartini, J. $#Tartini-Kreisler $#Tartini-Francescatti $#Tartini, Giuzeppe $#Tartini, G. $7118620878 $8Tartini, Giuseppe$Z1692-1770 [Tp1] $9086961829 044K $RMusikproduktion $#Composition (Music) $#Composition (musique) $#Composizione musicale $#Musik Komposition $#Musikalisches Kunstwerk $#Musikwerk Komposition $#Komponieren $#Kompositionstechnik $74133320-2 $8Komposition$gMusik [Ts1] $9085483435 044K $RKompositionslehre $RTonsatzlehre $#Music theory $#Théorie musicale $#Música Teoría $#Musik Theorie $74040876-0 $8Musiktheorie [Ts1] $9085111856 044K $RAuswirkung $RFortleben $#Influence (Literary, artistic, etc.) $#Influence littéraire, artistique, etc. $#Rezeption $#Fortwirken $#Nachwirkung Rezeption $#Nachleben $#Wirkungsgeschichte $#Aneignung Rezeption $74049716-1 $8Rezeption [Tsz] $9085138584 045E $c780 047A $aSacherschließung maschinell aus paralleler Ausg. übernommen 047I $aGiuseppe Tartini (1692-1770) made history both as an outstanding composer and as an exceptional music theorist. Especially after he began to devote himself to speculative reflections of music, Tartini seems to have been searching for harmony between music theory (which he studied in depth, even reaching back to ancient concepts of music) and musical practice (his daily routine as composer and violinist at St Anthony's Basilica in Padua and as violin teacher). The present 2nd volume of the series focuses on both Tartini's musical language and his theoretical deliberations. lok: 53082107 3 exp: 53082107 3 1 #EPN 201B/01 $026-06-25 $t23:31:47.684 201C/01 $026-06-25 201U/01 $0utf8 203@/01 $01307586643 208@/01 $a26-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 5 exp: 53082107 5 1 #EPN 201B/01 $026-06-25 $t23:31:47.690 201C/01 $026-06-25 201U/01 $0utf8 203@/01 $01307586651 208@/01 $a26-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 8 exp: 53082107 8 1 #EPN 201B/01 $026-06-25 $t23:31:47.692 201C/01 $026-06-25 201U/01 $0utf8 203@/01 $0130758666X 208@/01 $a26-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 10 exp: 53082107 10 1 #EPN 201B/01 $026-06-25 $t23:31:47.695 201C/01 $026-06-25 201U/01 $0utf8 203@/01 $01307586678 208@/01 $a26-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 11 exp: 53082107 11 1 #EPN 201B/01 $030-06-25 $t01:33:44.684 201C/01 $029-06-25 201U/01 $0utf8 203@/01 $01310270066 208@/01 $a29-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 13 exp: 53082107 13 1 #EPN 201B/01 $030-06-25 $t01:33:44.688 201C/01 $029-06-25 201U/01 $0utf8 203@/01 $01310270074 208@/01 $a29-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 21 exp: 53082107 21 1 #EPN 201B/01 $026-06-25 $t23:31:47.698 201C/01 $026-06-25 201U/01 $0utf8 203@/01 $01307586686 208@/01 $a26-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 23 exp: 53082107 23 1 #EPN 201B/01 $026-06-25 $t23:31:47.700 201C/01 $026-06-25 201U/01 $0utf8 203@/01 $01307586694 208@/01 $a26-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 24 exp: 53082107 24 1 #EPN 201B/01 $030-06-25 $t01:33:44.690 201C/01 $029-06-25 201U/01 $0utf8 203@/01 $01310270082 208@/01 $a29-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 25 exp: 53082107 25 1 #EPN 201B/01 $026-06-25 $t23:31:47.703 201C/01 $026-06-25 201U/01 $0utf8 203@/01 $01307586708 208@/01 $a26-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 51 exp: 53082107 51 1 #EPN 201B/01 $030-06-25 $t01:33:44.693 201C/01 $029-06-25 201U/01 $0utf8 203@/01 $01310270090 208@/01 $a29-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 76 exp: 53082107 76 1 #EPN 201B/01 $030-06-25 $t01:33:44.696 201C/01 $029-06-25 201U/01 $0utf8 203@/01 $01310270104 208@/01 $a29-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 77 exp: 53082107 77 1 #EPN 201B/01 $030-06-25 $t01:33:44.698 201C/01 $029-06-25 201U/01 $0utf8 203@/01 $01310270112 208@/01 $a29-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 107 exp: 53082107 107 1 #EPN 201B/01 $030-06-25 $t01:33:44.701 201C/01 $029-06-25 201U/01 $0utf8 203@/01 $01310270120 208@/01 $a29-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 204 exp: 53082107 204 1 #EPN 201B/01 $026-06-25 $t23:31:47.706 201C/01 $026-06-25 201U/01 $0utf8 203@/01 $01307586716 208@/01 $a26-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR lok: 53082107 205 exp: 53082107 205 1 #EPN 201B/01 $026-06-25 $t23:31:47.709 201C/01 $026-06-25 201U/01 $0utf8 203@/01 $01307586724 208@/01 $a26-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/97870 $XR
LEADER | 00000cam a22000002c 4500 | ||
---|---|---|---|
001 | 530821079 | ||
003 | DE-603 | ||
005 | 20250630013344.0 | ||
007 | cr|||||||||||| | ||
008 | 250626s2023 xx |||| o| u00||u|eng c | ||
020 | |a 9783631869079 | ||
020 | |a 9783631887837 | ||
020 | |a 9783631887844 | ||
024 | 7 | |a 20.500.12657/97870 |2 hdl | |
035 | |a (DE-599)HEB530821079 | ||
040 | |a DE-603 |b ger |c DE-603 |d DE-603 | ||
041 | |a eng | ||
084 | |a 780 |q DE-101 |2 sdnb | ||
100 | 1 | |a Sukljan, Nejc |e Verfasser |4 aut | |
245 | 0 | 0 | |a In Search of Perfect Harmony: Tartini's Music and Music Theory in Local and European Contexts |
264 | 1 | |a Bern |b Peter Lang International Academic Publishers |c 2023 | |
264 | 2 | |a The Hague |b Oapen Foundation | |
300 | |a 1 Online-Ressource (340 p.) | ||
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a Giuseppe Tartini (1692-1770) made history both as an outstanding composer and as an exceptional music theorist. Especially after he began to devote himself to speculative reflections of music, Tartini seems to have been searching for harmony between music theory (which he studied in depth, even reaching back to ancient concepts of music) and musical practice (his daily routine as composer and violinist at St Anthony's Basilica in Padua and as violin teacher). The present 2nd volume of the series focuses on both Tartini's musical language and his theoretical deliberations. | ||
600 | 1 | 7 | |a Tartini, Giuseppe |d 1692-1770 |0 (DE-588)118620878 |0 (DE-603)086961829 |2 gnd |
650 | 7 | |a Komposition |g Musik |0 (DE-588)4133320-2 |0 (DE-603)085483435 |2 gnd | |
650 | 7 | |a Musiktheorie |0 (DE-588)4040876-0 |0 (DE-603)085111856 |2 gnd | |
650 | 7 | |a Rezeption |0 (DE-588)4049716-1 |0 (DE-603)085138584 |2 gnd | |
655 | 7 | |a Aufsatzsammlung |2 gnd-content |0 (DE-588)4143413-4 |0 (DE-603)085562742 | |
856 | |u https://library.oapen.org/handle/20.500.12657/97870 |x Resolving-System |z kostenfrei | ||
912 | |a ZDB-94-OAL | ||
924 | 1 | |9 603 |a (DE-603)1307586643 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1307586651 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)130758666X |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1307586678 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1310270066 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1310270074 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1307586686 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1307586694 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1310270082 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1307586708 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1310270090 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1310270104 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1310270112 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1310270120 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1307586716 |b DE-603 |c HES |d d | |
924 | 1 | |9 603 |a (DE-603)1307586724 |b DE-603 |c HES |d d |