Knowledge Shaping
Titel: | Knowledge Shaping : Student Note-taking Practices in Early Modernity |
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Verfasser: | |
Veröffentlicht: | Berlin/Boston : De Gruyter ; De Gruyter [Imprint], 2023 |
Umfang: | 1 Online-Ressource (263 p.) |
Format: | E-Book |
Sprache: | Englisch |
Schriftenreihe/ mehrbändiges Werk: |
Renaissance Mind ; 1 |
ISBN: | 9783111072609 ; 9783111072722 ; 9783111073262 |
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Their university notebooks contained a variety of works, fragments of them, sentences, or simple words. To date, studies on these materials have only concentrated on a few individual works within the collections, neglecting the strategy by which texts and textual fragments were selected and the logic through which the notebooks were organized. The eight chapters that make up this volume explore students' note-taking practices behind the creation of their notebooks from three different angles. The first considers annotation activities in relation to their study area to answer the question of how university disciplines were able to influence both the content and structure of their notebooks. The volume's second area of research focuses on the student's curiosity and choices by considering them expressions of a self-learning practice not necessarily linked to a discipline of study or instructions from teaching. The last part of the volume moves away from the student's desk to consider instructions on note-taking methods that students could receive from manuals of various kinds. ; How can we portray the history of Renaissance knowledge production through the eyes of the students? Their university notebooks contained a variety of works, fragments of them, sentences, or simple words. To date, studies on these materials have only concentrated on a few individual works within the collections, neglecting the strategy by which texts and textual fragments were selected and the logic through which the notebooks were organized. The eight chapters that make up this volume explore students' note-taking practices behind the creation of their notebooks from three different angles. The first considers annotation activities in relation to their study area to answer the question of how university disciplines were able to influence both the content and structure of their notebooks. The volume's second area of research focuses on the student's curiosity and choices by considering them expressions of a self-learning practice not necessarily linked to a discipline of study or instructions from teaching. The last part of the volume moves away from the student's desk to consider instructions on note-taking methods that students could receive from manuals of various kinds. lok: 53092376 3 exp: 53092376 3 1 #EPN 201B/01 $028-06-25 $t08:05:18.745 201C/01 $028-06-25 201U/01 $0utf8 203@/01 $01308545231 208@/01 $a28-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/87845 $XR lok: 53092376 5 exp: 53092376 5 1 #EPN 201B/01 $028-06-25 $t08:05:18.748 201C/01 $028-06-25 201U/01 $0utf8 203@/01 $0130854524X 208@/01 $a28-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/87845 $XR lok: 53092376 8 exp: 53092376 8 1 #EPN 201B/01 $028-06-25 $t08:05:18.751 201C/01 $028-06-25 201U/01 $0utf8 203@/01 $01308545258 208@/01 $a28-06-25 $bl 209S/01 $S0 $uhttps://library.oapen.org/handle/20.500.12657/87845 $XR lok: 53092376 10 exp: 53092376 10 1 #EPN 201B/01 $028-06-25 $t08:05:18.753 201C/01 $028-06-25 201U/01 $0utf8 203@/01 $01308545266 208@/01 $a28-06-25 $bl 209S/01 $S0 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520 | |a How can we portray the history of Renaissance knowledge production through the eyes of the students? Their university notebooks contained a variety of works, fragments of them, sentences, or simple words. To date, studies on these materials have only concentrated on a few individual works within the collections, neglecting the strategy by which texts and textual fragments were selected and the logic through which the notebooks were organized. The eight chapters that make up this volume explore students' note-taking practices behind the creation of their notebooks from three different angles. The first considers annotation activities in relation to their study area to answer the question of how university disciplines were able to influence both the content and structure of their notebooks. The volume's second area of research focuses on the student's curiosity and choices by considering them expressions of a self-learning practice not necessarily linked to a discipline of study or instructions from teaching. The last part of the volume moves away from the student's desk to consider instructions on note-taking methods that students could receive from manuals of various kinds. ; How can we portray the history of Renaissance knowledge production through the eyes of the students? Their university notebooks contained a variety of works, fragments of them, sentences, or simple words. To date, studies on these materials have only concentrated on a few individual works within the collections, neglecting the strategy by which texts and textual fragments were selected and the logic through which the notebooks were organized. The eight chapters that make up this volume explore students' note-taking practices behind the creation of their notebooks from three different angles. The first considers annotation activities in relation to their study area to answer the question of how university disciplines were able to influence both the content and structure of their notebooks. The volume's second area of research focuses on the student's curiosity and choices by considering them expressions of a self-learning practice not necessarily linked to a discipline of study or instructions from teaching. The last part of the volume moves away from the student's desk to consider instructions on note-taking methods that students could receive from manuals of various kinds. | ||
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