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|a The Art of Witnessing
|b Documentary Art, Literature, Film and Theatre in Eastern Europe and the Baltics
|c Anja Tippner, Johanna Lindbladh.
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|a Amsterdam
|b Central European University Press
|c 2025
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|a 350 pages
|c 23 cm.
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|a "Amsterdam University Press"
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|a Prologue: Witnessing in Art. Ukrainian Voices from the War Olexii Kuchanskyi Introduction: Performing the Documentary: The Uses and Abuses of Factuality and Art Johanna Lindbladh and Anja Tippner PART I. Witnessing in Art. Theoretical Perspectives A Crowd in Every Face: The Documentary Image in Concentrationary Art Libby Saxton The Methods of Second-Hand Testimonies Exemplified by Svetlana Aleksievich's Artistic and Dialogic Practices Johanna Lindbladh Documenting as Teamwork: Problems of Collaboration in Documentary Art in Belarus and Russia Anja Tippner PART II. Documentary Art on Screen and Stage Ukrainian Documentary Theatre in the Context of War Molly Flynn/ Ielizaveta Oliinyk Reading the Soviet Time Speeches: Contemporary Russian Theatre's Reflexion Elena Gordienko The Sociology of Contemporary Russian Documentary Film Jeremy Hicks Melodrama, Truth Telling and the Memory of War in the Soviet Cinema of the Thaw Violeta Davoliūtė The Ethnography of Damaged Life: Ukrainian Poetic Cinema between Document and Dream Olha Briukhovetska PART III. Documentary practices in literature Towards a Testimonial Mode: Documentary Literature and the Memory of WWII in Ülo Tuulik's In the Way of the War (1974) Eneken Laanes Ludmila Ulitskaya's 'Novel in Documents', Daniel Stein, Interpreter Fiona Björling Cognitive Overload and the Documentary Mode in Maria Stepanova's <em ....
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|a The volume examines the documentary practices of film, theatre, and literature from the 1960s to the 2020s in Ukraine, Russia, Belarus, and the Baltic states. Methodologically innovative case studies consider contemporary 'witness art' - for example verbatim theatre based on interviews with people participating in political protest and war. The contributions expand on the political, medial, and aesthetic developments that shaped Soviet attitudes towards the arts and show how these concepts still influence contemporary practices. The essays are written for scholars and students of literature, culture, sociology, film, theatre, and trauma studies, but also for general readers interested in the documentary arts. The Russian invasion of the Ukraine has reinforced a dynamic that had already gained traction due to the political transformations post-1991 and the Euro-Maidan. Ukrainian documentary art has become a tool to witness rapid change and to counteract media warfare. Artists have reacted by creating works that address traumatizing experiences by keeping records and analyzing the ongoing events at the same time. The essays reflect on documentary approaches that are proving to be collaborative artistic tools in violent times
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|a Tippner, Anja
|e Herausgeber
|4 edt
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|a Lindbladh, Johanna
|e Herausgeber
|4 edt
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