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011F $n© 2022
013D $#Beiträge Formschlagwort $#Einzelbeiträge $#Sammelwerk Formschlagwort $74143413-4 $8Aufsatzsammlung [Tsz] $9085562742
021A $aExperimental cinemas in state-socialist eastern europe $hedited by Ksenya Gurshtein and Sonja Simonyi
028C $BHerausgeber $4edt $7132249391 $8Gurshtein, Ksenya$Z20./21. Jh. [Tp1] $9182382516
028C $BHerausgeber $4edt $8Simonyi, Sonja$Z20./21. Jh. [Tp1] $947850229X
033A $pAmsterdam $nAmsterdam University Press
034D $a334 Seiten
034M $aIllustrationen
039U $aRezension in $8--Aoy--Kočtář, Kryštof. Mnohohlas monologů o experimentálním filmu (Ksenya Gurshtein -Sonja Simonyi, eds., Experimental Cinemas in State-Socialist Eastern Europe), 2024 $9520182405
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044K $qK10plus $RFilm $#Experimental films $#Films expérimentaux $#Cine experimental $#Experimentalfilm $#Avantgardefilm $#Abstrakter Film $#Absoluter Film $#Experimenteller Film $#Experimentalfilme $74153359-8 $8Experimentalfilm [Ts1] $9085643335
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047I $aWas there experimental cinema behind the Iron Curtain? What forms did experiments with film take in state socialist Eastern Europe? Who conducted them, where, how, and why? These are the questions answered in this volume, the first of its kind in any language. Bringing together scholars from different disciplines, the book offers case studies from Bulgaria, Czech Republic, former East Germany, Hungary, Poland, Romania, and former Yugoslavia. Together, these contributions demonstrate the variety of makers, production contexts, and aesthetic approaches that shaped a surprisingly robust and diverse experimental film output in the region. The book maps out the terrain of our present-day knowledge of cinematic experimentalism in Eastern Europe, suggests directions for further research, and will be of interest to scholars of film and media, art historians, cultural historians of Eastern Europe, and anyone concerned with questions of how alternative cultures emerge and function under repressive political conditions
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