Writing queer women of color
| Titel: | Writing queer women of color : representation and misdirection in contemporary fiction and graphic narratives / Monalesia Earle |
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| Verfasser: | |
| Veröffentlicht: | Jefferson, NC : McFarland, 2019 |
| Umfang: | VI, 290 S. : Ill. |
| Format: | Buch |
| Sprache: | Englisch |
| ISBN: | 9781476674544 |
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| Lokale Klassifikation: | Sekundärliteratur |
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- Acknowledgments
- p. vii
- Introduction
- p. 1
- Unmasking the Literary Canon: In Search of Our Queer(y)ing Sisters
- p. 14
- Challenging the Privileged Narrative
- p. 15
- Multiple and Changing Contexts
- p. 17
- The Souls of Queer Folks
- p. 19
- (Re)Inscribing Queer Women of Color
- p. 21
- 1
- Misdirection: Situating the Subversive Voice in Critical Context
- p. 27
- The Semiotics of Misdirection
- p. 34
- Queering the Ga(y)ze Through Misdirection
- p. 38
- Graphic Incursions and Misdirection
- p. 40
- 2
- Women of Color in Queer(ed) Space: Ann-Marie MacDonald's Fall on Your Knees (1997)
- p. 43
- The Ties That Bind
- p. 48
- Women of Color in Queer(ed) Space
- p. 49
- "Seeing"-From Where We're Standing: Intimate Relationships in Fall On Your Knees
- p. 52
- Betrayal
- p. 53
- Phallocentric Rings: The Heterosexual Imperative in Private/Public Space
- p. 58
- Rosaries and the Glory of God
- p. 63
- Resistance in Eighths and Half Notes
- p. 65
- The Racial Imperative: Race and Self-Loathing
- p. 67
- 3
- Queer(y)ing the Punk Aesthetic: Reading Race, Desire and Anarchism in Cristy C. Road's Bad Habits (2008)
- p. 74
- Auto(bio) graphics
- p. 80
- Graphic Beginnings
- p. 83
- Queer(ed) Exile
- p. 84
- All "Road(s)" Lead Back to the Beginning
- p. 86
- Critically (Black) Punk
- p. 90
- Experience as Cultural Representation: A Signifying Dialogue
- p. 94
- Revolutionary Contradictions
- p. 96
- Intersecting Refrains: Punk's G-Spot
- p. 98
- Resignifying the Phallus
- p. 100
- 4
- Narrating the Margins: Queer Words and Sexual Trauma in the "Gutter"-Gloria Naylor's The Women of Brewster Place (1982)
- p. 105
- Where the Margins Are: Naylor's Walled City
- p. 108
- Shifting the Frame
- p. 110
- Crossroads
- p. 112
- Graphic Imagery
- p. 115
- Prelude to a Rape
- p. 117
- The Alley
- p. 121
- The Rape
- p. 123
- Between pages 130 and 131 are 8 color plates containing 13 photographs
- 5
- Critical Meditations on Love and Madness: Emma Pérez's Gulf Dreams (1996)
- p. 131
- Women, Psychiatry and Madness
- p. 133
- Theorizing Space
- p. 136
- Where Madness Begins: Threading the Narrative
- p. 139
- Beginnings
- p. 142
- Divisions
- p. 145
- Madness, Mestiza, Memory
- p. 148
- Naming as Witness
- p. 151
- Resistance Madly Writ
- p. 153
- Borderlands
- p. 155
- 6
- Body Crossings: Gender, Signifying and Misdirection in Jaime Cortez's Sexile/Sexilio (2004)
- p. 158
- Critical (Trans)Nationalisms
- p. 161
- Theorizing the (Trans)National Ga(y)ze
- p. 163
- Marielitos
- p. 166
- The Grand Entrance
- p. 170
- The Male (Latin) Gaze
- p. 172
- Transitions
- p. 173
- Transformations
- p. 178
- Exile
- p. 179
- Signifying Practices and Misdirection
- p. 181
- Misdirection's Lessons
- p. 184
- "Passing" Performances
- p. 189
- 7
- A Long Journey to Her Own Queer Self: Beldan Sezen's Snapshots of a Girl (2015)
- p. 193
- Identities and Labels
- p. 194
- Reading Pictures in Hyper-Mediated Spaces
- p. 194
- Visualizing the Sound of Silence
- p. 198
- Acculturation and Its Queer Limits
- p. 200
- From Whence Came the "I"
- p. 202
- Coming Out to Mother: The Injunctions of Silence-Part 1
- p. 206
- Coming Out to Mother: Who Should Be Ashamed?-Part 2
- p. 209
- Coming Out to Mother: Kadinlari Severim-Part 3
- p. 212
- Home
- p. 214
- 8
- A Delicate Dance with Demons: Kabi Nagata's My Lesbian Experience with Loneliness (2016)
- p. 217
- Misdirection and the Fetishizing Western Gaze
- p. 222
- A Not So Private Report
- p. 229
- The Beginning
- p. 230
- "Help" Wanted
- p. 232
- No "Straight" Path to Acceptance
- p. 236
- Therapeutic Sex in a Love Hotel
- p. 239
- Conclusion
- p. 247
- Chapter Notes
- p. 249
- Bibliography
- p. 275
- Index
- p. 289